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Character Sketches of Romance, Fiction, and the Drama, Vol. 2 A Revised American Edition of the Reader's Handbook

E. Cobham Brewer · Public domain text

212,653 words · about 14 h 54 min to read

About this edition

The text of Character Sketches of Romance, Fiction, and the Drama, Vol. 2 A Revised American Edition of the Reader's Handbook comes from Project Gutenberg e-text #58596. It is in English and public domain in the United States. Edited by Marion Harland. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

This text-only edition leaves out 4 illustrations. See the illustrated edition at Project Gutenberg.

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About this book

Author
Ebenezer Cobham Brewer (1810–1897)
Language
English
Subjects
Literature › Dictionaries, Allusions, Fiction › Dictionaries
Length
212,653 words · about 14 h 54 min
Sections
4 reader sections · Table of contents
Contents (4)

The opening of Preface

An American reprint of “The Reader’s Handbook of allusions, references, plots and stories, by the Rev. E. Cobham Brewer, LL.D., of Trinity Hall, Cambridge,” has been for several years in the hands of cis-Atlantic students.

Too much praise cannot be awarded to the erudition and patient diligence displayed in the compilation of this volume of nearly twelve hundred pages. The breadth of range contemplated by the learned editor is best indicated in his own words:

“The object of this Handbook is to supply readers and speakers with a lucid, but very brief account of such names as are used in allusions and references, whether by poets or prose writers;—to furnish those who consult it with the plot of popular dramas, the story of epic poems, and the outline of well-known tales. The number of dramatic plots sketched out is many hundreds. Another striking and interesting feature of the book is the revelation of the source from which dramatists and romancers have derived their stories, and the strange repetitions of historic incidents. It has been borne in mind throughout that it is not enough to state a fact.

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