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Bulfinch's Mythology

Thomas Bulfinch · Public domain text

329,361 words · about 23 h 4 min to read

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The text of Bulfinch's Mythology comes from Project Gutenberg e-text #4928. It is in English and public domain in the United States. RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

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About this book

From Wikipedia

Bulfinch's Mythology is a collection of tales from myth and legend rewritten for a general readership by the American Latinist and banker Thomas Bulfinch, published after his death in 1867. The work was a successful popularization of Greek mythology for English-speaking readers.

Excerpt from the Wikipedia article “Bulfinch's Mythology” (revision 1316158897), licensed CC BY-SA 4.0. Not written by RedLectern.

Author
Thomas Bulfinch (1796–1867)
Language
English
Subjects
Mythology, Folklore › Europe, Charlemagne, Emperor, 742-814 › Romances › Adaptations, Romances
Length
329,361 words · about 23 h 4 min
Sections
85 reader sections · Table of contents
Contents (85)
  1. Opening about 3 min
  2. Author'S Preface about 10 min
  3. I. INTRODUCTION about 15 min
  4. II. PROMETHEUS AND PANDORA about 11 min
  5. III. APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS about 14 min
  6. Chapter IV about 15 min
  7. V. PHAETON about 12 min
  8. VI. MIDAS--BAUCIS AND PHILEMON about 9 min
  9. VII. PROSERPINE--GLAUCUS AND SCYLLA about 15 min
  10. VIII. PYGMALION--DRYOPE-VENUS AND ADONIS--APOLLO AND HYACINTHUS about 10 min
  11. IX. CEYX AND HALCYONE: OR, THE HALCYON BIRDS about 11 min
  12. X. VERTUMNUS AND POMONA about 7 min
  13. XI. CUPID AND PSYCHE about 17 min
  14. XII. CADMUS--THE MYRMIDONS about 11 min
  15. Chapter XIII about 12 min
  16. XIV. MINERVA--NIOBE about 12 min
  17. XV. THE GRAEAE OR GRAY-MAIDS--PERSEUS--MEDUSA--ATLAS--ANDROMEDA about 9 min
  18. XVI. MONSTERS about 10 min
  19. XVII. THE GOLDEN FLEECE--MEDEA about 13 min
  20. XVIII. MELEAGER AND ATALANTA about 9 min
  21. XIX. HERCULES--HEBE AND GANYMEDE about 10 min
  22. XX. THESEUS--DAEDALUS--CASTOR AND POLLUX about 13 min
  23. XXI. BACCHUS--ARIADNE about 8 min
  24. Chapter XXIX about 1 min
  25. Chapter XXII about 14 min
  26. Chapter XXIII about 12 min
  27. Chapter XXIV about 13 min
  28. XXV. ARION--IBYCUS--SIMONIDES--SAPPHO about 14 min
  29. XXVI. ENDYMION--ORION--AURORA AND TITHONUS--ACIS AND GALATEA about 7 min
  30. I. , 1., 182 about 3 min
  31. XXVII. THE TROJAN WAR about 25 min
  32. XXVIII. THE FALL OF TROY--RETURN OF THE GREEKS--ORESTES AND ELECTRA about 13 min
  33. Chapter XXIX about 16 min
  34. XXX. THE PHAEACIANS--FATE OF THE SUITORS about 16 min
  35. XXXI. ADVENTURES OF AENEAS--THE HARPIES--DIDO--PALINURUS about 12 min
  36. XXXII. THE INFERNAL REGIONS--THE SIBYL about 15 min
  37. XXXIII. CAMILLA--EVANDER--NISUS AND EURYALUS--MEZENTIUS--TURNUS about 18 min
  38. XXXIV. PYTHAGORAS--EGYPTIAN DEITIES--ORACLES about 17 min
  39. Chapter XXXV about 14 min
  40. XXXVI. MODERN MONSTERS--THE PHOENIX--BASILISK--UNICORN--SALAMANDER about 11 min
  41. Chapter XXXVII about 14 min
  42. XXXVIII. NORTHERN MYTHOLOGY--VALHALLA--THE VALKYRIOR about 12 min
  43. XXXIX. THOR'S VISIT TO JOTUNHEIM about 11 min
  44. Chapter XL about 20 min
  45. XLI. THE DRUIDS--IONA about 12 min
  46. I. INTRODUCTION about 16 min
  47. II. THE MYTHICAL HISTORY OF ENGLAND about 4 min
  48. III. , Canto IX., 38.] about 10 min
  49. III. MERLIN about 8 min
  50. IV. ARTHUR about 15 min
  51. V. ARTHUR (Continued) about 14 min
  52. VI. SIR GAWAIN about 5 min
  53. VII. CARADOC BRIEFBRAS; OR, CARADOC WITH THE SHRUNKEN ARM about 7 min
  54. VIII. LAUNCELOT OF THE LAKE about 19 min
  55. IX. THE ADVENTURE OF THE CART about 9 min
  56. X. THE LADY OF SHALOTT about 6 min
  57. XI. QUEEN GUENEVER'S PERIL about 6 min
  58. XII. TRISTRAM AND ISOUDE about 12 min
  59. XIII. TRISTRAM AND ISOUDE (Continued) about 10 min
  60. XIV. SIR TRISTRAM'S BATTLE WITH SIR LAUNCELOT about 5 min
  61. XV. THE ROUND TABLE about 7 min
  62. XVI. SIR PALAMEDES about 5 min
  63. XVII. SIR TRISTRAM about 5 min
  64. XVIII. PERCEVAL about 12 min
  65. XIX. THE SANGREAL, OR HOLY GRAAL about 9 min
  66. XX. THE SANGREAL (Continued) about 9 min
  67. XXI. THE SANGREAL (Continued) about 17 min
  68. XXII. SIR AGRIVAIN'S TREASON about 13 min
  69. XXIII. MORTE D'ARTHUR about 17 min
  70. Introductory Note about 4 min
  71. I. THE BRITONS about 6 min
  72. II. THE LADY OF THE FOUNTAIN about 9 min
  73. III. THE LADY OF THE FOUNTAIN (Continued) about 13 min
  74. IV. THE LADY OF THE FOUNTAIN (Continued) about 12 min
  75. V. GERAINT, THE SON OF ERBIN about 17 min
  76. VI. GERAINT, THE SON OF ERBIN (Continued) about 12 min
  77. VII. GERAINT, THE SON OF ERBIN (Continued) about 19 min
  78. VIII. PWYLL, PRINCE OF DYVED about 10 min
  79. IX. BRANWEN, THE DAUGHTER OF LLYR about 14 min
  80. X. MANAWYDDAN about 18 min
  81. XI. KILWICH AND OLWEN about 20 min
  82. XII. KILWICH AND OLWEN (Continued) about 11 min
  83. XIII. TALIESIN about 28 min
  84. Introduction about 6 h 38 min
  85. Bulfinch's Mythology (part 8 of 8) about 4 min

The opening of Author'S Preface

If no other knowledge deserves to be called useful but that which helps to enlarge our possessions or to raise our station in society, then Mythology has no claim to the appellation. But if that which tends to make us happier and better can be called useful, then we claim that epithet for our subject. For Mythology is the handmaid of literature; and literature is one of the best allies of virtue and promoters of happiness.

Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. When Byron calls Rome "the Niobe of nations," or says of Venice, "She looks a Sea-Cybele fresh from ocean," he calls up to the mind of one familiar with our subject, illustrations more vivid and striking than the pencil could furnish, but which are lost to the reader ignorant of mythology. Milton abounds in similar allusions. The short poem "Comus" contains more than thirty such, and the ode "On the Morning of the Nativity" half as many. Through "Paradise Lost" they are scattered profusely. This is one reason why we often hear persons by no means illiterate say that they cannot enjoy Milton.

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