XXVI. Sharpshooters…

XXVI. Sharpshooters

Wintry morning, looking with dull eyes and sallow face upon the neighbourhood of Leicester Square, finds its inhabitants unwilling to get out of bed. Many of them are not early risers at the brightest of times, being birds of night who roost when the sun is high and are wide awake and keen for prey when the stars shine out. Behind dingy blind and curtain, in upper story and garret, skulking more or less under false names, false hair, false titles, false jewellery, and false histories, a colony of brigands lie in their first sleep. Gentlemen of the green-baize road who could discourse from personal experience of foreign galleys and home treadmills; spies of strong governments that eternally quake with weakness and miserable fear, broken traitors, cowards, bullies, gamesters, shufflers, swindlers, and false witnesses; some not unmarked by the branding-iron beneath their dirty braid; all with more cruelty in them than was in Nero, and more crime than is in Newgate. For howsoever bad the devil can be in fustian or smock-frock (and he can be very bad in both), he is a more designing, callous, and intolerable devil when he sticks a pin in his shirt-front, calls himself a gentleman, backs a card or colour, plays a game or so of billiards, and knows a little about bills and promissory notes, than in any other form he wears. And in such form Mr. Bucket shall find him, when he will, still pervading the tributary channels of Leicester Square.

But the wintry morning wants him not and wakes him not. It wakes Mr. George of the shooting gallery and his familiar. They arise, roll up and stow away their mattresses. Mr. George, having shaved himself before a looking-glass of minute proportions, then marches out, bare-headed and bare-chested, to the pump in the little yard and anon comes back shining with yellow soap, friction, drifting rain, and exceedingly cold water. As he rubs himself upon a large jack-towel, blowing like a military sort of diver just come up, his hair curling tighter and tighter on his sunburnt temples the more he rubs it so that it looks as if it never could be loosened by any less coercive instrument than an iron rake or a curry-comb—as he rubs, and puffs, and polishes, and blows, turning his head from side to side the more conveniently to excoriate his throat, and standing with his body well bent forward to keep the wet from his martial legs, Phil, on his knees lighting a fire, looks round as if it were enough washing for him to see all that done, and sufficient renovation for one day to take in the superfluous health his master throws off.

When Mr. George is dry, he goes to work to brush his head with two hard brushes at once, to that unmerciful degree that Phil, shouldering his way round the gallery in the act of sweeping it, winks with sympathy. This chafing over, the ornamental part of Mr. George’s toilet is soon performed. He fills his pipe, lights it, and marches up and down smoking, as his custom is, while Phil, raising a powerful odour of hot rolls and coffee, prepares breakfast. He smokes gravely and marches in slow time. Perhaps this morning’s pipe is devoted to the memory of Gridley in his grave.

“And so, Phil,” says George of the shooting gallery after several turns in silence, “you were dreaming of the country last night?”

Phil, by the by, said as much in a tone of surprise as he scrambled out of bed.

“Yes, guv’ner.”

“What was it like?”

“I hardly know what it was like, guv’ner,” said Phil, considering.

“How did you know it was the country?”

“On account of the grass, I think. And the swans upon it,” says Phil after further consideration.

“What were the swans doing on the grass?”

“They was a-eating of it, I expect,” says Phil.

The master resumes his march, and the man resumes his preparation of breakfast. It is not necessarily a lengthened preparation, being limited to the setting forth of very simple breakfast requisites for two and the broiling of a rasher of bacon at the fire in the rusty grate; but as Phil has to sidle round a considerable part of the gallery for every object he wants, and never brings two objects at once, it takes time under the circumstances. At length the breakfast is ready. Phil announcing it, Mr. George knocks the ashes out of his pipe on the hob, stands his pipe itself in the chimney corner, and sits down to the meal. When he has helped himself, Phil follows suit, sitting at the extreme end of the little oblong table and taking his plate on his knees. Either in humility, or to hide his blackened hands, or because it is his natural manner of eating.

“The country,” says Mr. George, plying his knife and fork; “why, I suppose you never clapped your eyes on the country, Phil?”

“I see the marshes once,” says Phil, contentedly eating his breakfast.

“What marshes?”

“THE marshes, commander,” returns Phil.

“Where are they?”

“I don’t know where they are,” says Phil; “but I see ’em, guv’ner. They was flat. And miste.”

Governor and commander are interchangeable terms with Phil, expressive of the same respect and deference and applicable to nobody but Mr. George.

“I was born in the country, Phil.”

“Was you indeed, commander?”

“Yes. And bred there.”

Phil elevates his one eyebrow, and after respectfully staring at his master to express interest, swallows a great gulp of coffee, still staring at him.

“There’s not a bird’s note that I don’t know,” says Mr. George. “Not many an English leaf or berry that I couldn’t name. Not many a tree that I couldn’t climb yet if I was put to it. I was a real country boy, once. My good mother lived in the country.”

“She must have been a fine old lady, guv’ner,” Phil observes.

“Aye! And not so old either, five and thirty years ago,” says Mr. George. “But I’ll wager that at ninety she would be near as upright as me, and near as broad across the shoulders.”

“Did she die at ninety, guv’ner?” inquires Phil.

“No. Bosh! Let her rest in peace, God bless her!” says the trooper. “What set me on about country boys, and runaways, and good-for-nothings? You, to be sure! So you never clapped your eyes upon the country—marshes and dreams excepted. Eh?”

Phil shakes his head.

“Do you want to see it?”

“N-no, I don’t know as I do, particular,” says Phil.

“The town’s enough for you, eh?”

“Why, you see, commander,” says Phil, “I ain’t acquainted with anythink else, and I doubt if I ain’t a-getting too old to take to novelties.”

“How old ARE you, Phil?” asks the trooper, pausing as he conveys his smoking saucer to his lips.

“I’m something with a eight in it,” says Phil. “It can’t be eighty. Nor yet eighteen. It’s betwixt ’em, somewheres.”

Mr. George, slowly putting down his saucer without tasting its contents, is laughingly beginning, “Why, what the deuce, Phil—” when he stops, seeing that Phil is counting on his dirty fingers.

“I was just eight,” says Phil, “agreeable to the parish calculation, when I went with the tinker. I was sent on a errand, and I see him a-sittin under a old buildin with a fire all to himself wery comfortable, and he says, ‘Would you like to come along a me, my man?’ I says ‘Yes,’ and him and me and the fire goes home to Clerkenwell together. That was April Fool Day. I was able to count up to ten; and when April Fool Day come round again, I says to myself, ‘Now, old chap, you’re one and a eight in it.’ April Fool Day after that, I says, ‘Now, old chap, you’re two and a eight in it.’ In course of time, I come to ten and a eight in it; two tens and a eight in it. When it got so high, it got the upper hand of me, but this is how I always know there’s a eight in it.”

“Ah!” says Mr. George, resuming his breakfast. “And where’s the tinker?”

“Drink put him in the hospital, guv’ner, and the hospital put him—in a glass-case, I HAVE heerd,” Phil replies mysteriously.

“By that means you got promotion? Took the business, Phil?”

“Yes, commander, I took the business. Such as it was. It wasn’t much of a beat—round Saffron Hill, Hatton Garden, Clerkenwell, Smiffeld, and there—poor neighbourhood, where they uses up the kettles till they’re past mending. Most of the tramping tinkers used to come and lodge at our place; that was the best part of my master’s earnings. But they didn’t come to me. I warn’t like him. He could sing ’em a good song. I couldn’t! He could play ’em a tune on any sort of pot you please, so as it was iron or block tin. I never could do nothing with a pot but mend it or bile it—never had a note of music in me. Besides, I was too ill-looking, and their wives complained of me.”

“They were mighty particular. You would pass muster in a crowd, Phil!” says the trooper with a pleasant smile.

“No, guv’ner,” returns Phil, shaking his head. “No, I shouldn’t. I was passable enough when I went with the tinker, though nothing to boast of then; but what with blowing the fire with my mouth when I was young, and spileing my complexion, and singeing my hair off, and swallering the smoke, and what with being nat’rally unfort’nate in the way of running against hot metal and marking myself by sich means, and what with having turn-ups with the tinker as I got older, almost whenever he was too far gone in drink—which was almost always—my beauty was queer, wery queer, even at that time. As to since, what with a dozen years in a dark forge where the men was given to larking, and what with being scorched in a accident at a gas-works, and what with being blowed out of winder case-filling at the firework business, I am ugly enough to be made a show on!”

Resigning himself to which condition with a perfectly satisfied manner, Phil begs the favour of another cup of coffee. While drinking it, he says, “It was after the case-filling blow-up when I first see you, commander. You remember?”

“I remember, Phil. You were walking along in the sun.”

“Crawling, guv’ner, again a wall—”

“True, Phil—shouldering your way on—”

“In a night-cap!” exclaims Phil, excited.

“In a night-cap—”

“And hobbling with a couple of sticks!” cries Phil, still more excited.

“With a couple of sticks. When—”

“When you stops, you know,” cries Phil, putting down his cup and saucer and hastily removing his plate from his knees, “and says to me, ‘What, comrade! You have been in the wars!’ I didn’t say much to you, commander, then, for I was took by surprise that a person so strong and healthy and bold as you was should stop to speak to such a limping bag of bones as I was. But you says to me, says you, delivering it out of your chest as hearty as possible, so that it was like a glass of something hot, ‘What accident have you met with? You have been badly hurt. What’s amiss, old boy? Cheer up, and tell us about it!’ Cheer up! I was cheered already! I says as much to you, you says more to me, I says more to you, you says more to me, and here I am, commander! Here I am, commander!” cries Phil, who has started from his chair and unaccountably begun to sidle away. “If a mark’s wanted, or if it will improve the business, let the customers take aim at me. They can’t spoil MY beauty. I’M all right. Come on! If they want a man to box at, let ’em box at me. Let ’em knock me well about the head. I don’t mind. If they want a light-weight to be throwed for practice, Cornwall, Devonshire, or Lancashire, let ’em throw me. They won’t hurt ME. I have been throwed, all sorts of styles, all my life!”

With this unexpected speech, energetically delivered and accompanied by action illustrative of the various exercises referred to, Phil Squod shoulders his way round three sides of the gallery, and abruptly tacking off at his commander, makes a butt at him with his head, intended to express devotion to his service. He then begins to clear away the breakfast.

Mr. George, after laughing cheerfully and clapping him on the shoulder, assists in these arrangements and helps to get the gallery into business order. That done, he takes a turn at the dumb-bells, and afterwards weighing himself and opining that he is getting “too fleshy,” engages with great gravity in solitary broadsword practice. Meanwhile Phil has fallen to work at his usual table, where he screws and unscrews, and cleans, and files, and whistles into small apertures, and blackens himself more and more, and seems to do and undo everything that can be done and undone about a gun.

Master and man are at length disturbed by footsteps in the passage, where they make an unusual sound, denoting the arrival of unusual company. These steps, advancing nearer and nearer to the gallery, bring into it a group at first sight scarcely reconcilable with any day in the year but the fifth of November.

It consists of a limp and ugly figure carried in a chair by two bearers and attended by a lean female with a face like a pinched mask, who might be expected immediately to recite the popular verses commemorative of the time when they did contrive to blow Old England up alive but for her keeping her lips tightly and defiantly closed as the chair is put down. At which point the figure in it gasping, “O Lord! Oh, dear me! I am shaken!” adds, “How de do, my dear friend, how de do?” Mr. George then descries, in the procession, the venerable Mr. Smallweed out for an airing, attended by his granddaughter Judy as body-guard.

“Mr. George, my dear friend,” says Grandfather Smallweed, removing his right arm from the neck of one of his bearers, whom he has nearly throttled coming along, “how de do? You’re surprised to see me, my dear friend.”

“I should hardly have been more surprised to have seen your friend in the city,” returns Mr. George.

“I am very seldom out,” pants Mr. Smallweed. “I haven’t been out for many months. It’s inconvenient—and it comes expensive. But I longed so much to see you, my dear Mr. George. How de do, sir?”

“I am well enough,” says Mr. George. “I hope you are the same.”

“You can’t be too well, my dear friend.” Mr. Smallweed takes him by both hands. “I have brought my granddaughter Judy. I couldn’t keep her away. She longed so much to see you.”

“Hum! She bears it calmly!” mutters Mr. George.

“So we got a hackney-cab, and put a chair in it, and just round the corner they lifted me out of the cab and into the chair, and carried me here that I might see my dear friend in his own establishment! This,” says Grandfather Smallweed, alluding to the bearer, who has been in danger of strangulation and who withdraws adjusting his windpipe, “is the driver of the cab. He has nothing extra. It is by agreement included in his fare. This person,” the other bearer, “we engaged in the street outside for a pint of beer. Which is twopence. Judy, give the person twopence. I was not sure you had a workman of your own here, my dear friend, or we needn’t have employed this person.”

Grandfather Smallweed refers to Phil with a glance of considerable terror and a half-subdued “O Lord! Oh, dear me!” Nor in his apprehension, on the surface of things, without some reason, for Phil, who has never beheld the apparition in the black-velvet cap before, has stopped short with a gun in his hand with much of the air of a dead shot intent on picking Mr. Smallweed off as an ugly old bird of the crow species.

“Judy, my child,” says Grandfather Smallweed, “give the person his twopence. It’s a great deal for what he has done.”

The person, who is one of those extraordinary specimens of human fungus that spring up spontaneously in the western streets of London, ready dressed in an old red jacket, with a “mission” for holding horses and calling coaches, received his twopence with anything but transport, tosses the money into the air, catches it over-handed, and retires.

“My dear Mr. George,” says Grandfather Smallweed, “would you be so kind as help to carry me to the fire? I am accustomed to a fire, and I am an old man, and I soon chill. Oh, dear me!”

His closing exclamation is jerked out of the venerable gentleman by the suddenness with which Mr. Squod, like a genie, catches him up, chair and all, and deposits him on the hearth-stone.

“O Lord!” says Mr. Smallweed, panting. “Oh, dear me! Oh, my stars! My dear friend, your workman is very strong—and very prompt. O Lord, he is very prompt! Judy, draw me back a little. I’m being scorched in the legs,” which indeed is testified to the noses of all present by the smell of his worsted stockings.

The gentle Judy, having backed her grandfather a little way from the fire, and having shaken him up as usual, and having released his overshadowed eye from its black-velvet extinguisher, Mr. Smallweed again says, “Oh, dear me! O Lord!” and looking about and meeting Mr. George’s glance, again stretches out both hands.

“My dear friend! So happy in this meeting! And this is your establishment? It’s a delightful place. It’s a picture! You never find that anything goes off here accidentally, do you, my dear friend?” adds Grandfather Smallweed, very ill at ease.

“No, no. No fear of that.”

“And your workman. He—Oh, dear me!—he never lets anything off without meaning it, does he, my dear friend?”

“He has never hurt anybody but himself,” says Mr. George, smiling.

“But he might, you know. He seems to have hurt himself a good deal, and he might hurt somebody else,” the old gentleman returns. “He mightn’t mean it—or he even might. Mr. George, will you order him to leave his infernal fire-arms alone and go away?”

Obedient to a nod from the trooper, Phil retires, empty-handed, to the other end of the gallery. Mr. Smallweed, reassured, falls to rubbing his legs.

“And you’re doing well, Mr. George?” he says to the trooper, squarely standing faced about towards him with his broadsword in his hand. “You are prospering, please the Powers?”

Mr. George answers with a cool nod, adding, “Go on. You have not come to say that, I know.”

“You are so sprightly, Mr. George,” returns the venerable grandfather. “You are such good company.”

“Ha ha! Go on!” says Mr. George.

“My dear friend! But that sword looks awful gleaming and sharp. It might cut somebody, by accident. It makes me shiver, Mr. George. Curse him!” says the excellent old gentleman apart to Judy as the trooper takes a step or two away to lay it aside. “He owes me money, and might think of paying off old scores in this murdering place. I wish your brimstone grandmother was here, and he’d shave her head off.”

Mr. George, returning, folds his arms, and looking down at the old man, sliding every moment lower and lower in his chair, says quietly, “Now for it!”

“Ho!” cries Mr. Smallweed, rubbing his hands with an artful chuckle. “Yes. Now for it. Now for what, my dear friend?”

“For a pipe,” says Mr. George, who with great composure sets his chair in the chimney-corner, takes his pipe from the grate, fills it and lights it, and falls to smoking peacefully.

This tends to the discomfiture of Mr. Smallweed, who finds it so difficult to resume his object, whatever it may be, that he becomes exasperated and secretly claws the air with an impotent vindictiveness expressive of an intense desire to tear and rend the visage of Mr. George. As the excellent old gentleman’s nails are long and leaden, and his hands lean and veinous, and his eyes green and watery; and, over and above this, as he continues, while he claws, to slide down in his chair and to collapse into a shapeless bundle, he becomes such a ghastly spectacle, even in the accustomed eyes of Judy, that that young virgin pounces at him with something more than the ardour of affection and so shakes him up and pats and pokes him in divers parts of his body, but particularly in that part which the science of self-defence would call his wind, that in his grievous distress he utters enforced sounds like a paviour’s rammer.

When Judy has by these means set him up again in his chair, with a white face and a frosty nose (but still clawing), she stretches out her weazen forefinger and gives Mr. George one poke in the back. The trooper raising his head, she makes another poke at her esteemed grandfather, and having thus brought them together, stares rigidly at the fire.

“Aye, aye! Ho, ho! U—u—u—ugh!” chatters Grandfather Smallweed, swallowing his rage. “My dear friend!” (still clawing).

“I tell you what,” says Mr. George. “If you want to converse with me, you must speak out. I am one of the roughs, and I can’t go about and about. I haven’t the art to do it. I am not clever enough. It don’t suit me. When you go winding round and round me,” says the trooper, putting his pipe between his lips again, “damme, if I don’t feel as if I was being smothered!”

And he inflates his broad chest to its utmost extent as if to assure himself that he is not smothered yet.

“If you have come to give me a friendly call,” continues Mr. George, “I am obliged to you; how are you? If you have come to see whether there’s any property on the premises, look about you; you are welcome. If you want to out with something, out with it!”

The blooming Judy, without removing her gaze from the fire, gives her grandfather one ghostly poke.

“You see! It’s her opinion too. And why the devil that young woman won’t sit down like a Christian,” says Mr. George with his eyes musingly fixed on Judy, “I can’t comprehend.”

“She keeps at my side to attend to me, sir,” says Grandfather Smallweed. “I am an old man, my dear Mr. George, and I need some attention. I can carry my years; I am not a brimstone poll-parrot” (snarling and looking unconsciously for the cushion), “but I need attention, my dear friend.”

“Well!” returns the trooper, wheeling his chair to face the old man. “Now then?”

“My friend in the city, Mr. George, has done a little business with a pupil of yours.”

“Has he?” says Mr. George. “I am sorry to hear it.”

“Yes, sir.” Grandfather Smallweed rubs his legs. “He is a fine young soldier now, Mr. George, by the name of Carstone. Friends came forward and paid it all up, honourable.”

“Did they?” returns Mr. George. “Do you think your friend in the city would like a piece of advice?”

“I think he would, my dear friend. From you.”

“I advise him, then, to do no more business in that quarter. There’s no more to be got by it. The young gentleman, to my knowledge, is brought to a dead halt.”

“No, no, my dear friend. No, no, Mr. George. No, no, no, sir,” remonstrates Grandfather Smallweed, cunningly rubbing his spare legs. “Not quite a dead halt, I think. He has good friends, and he is good for his pay, and he is good for the selling price of his commission, and he is good for his chance in a lawsuit, and he is good for his chance in a wife, and—oh, do you know, Mr. George, I think my friend would consider the young gentleman good for something yet?” says Grandfather Smallweed, turning up his velvet cap and scratching his ear like a monkey.

Mr. George, who has put aside his pipe and sits with an arm on his chair-back, beats a tattoo on the ground with his right foot as if he were not particularly pleased with the turn the conversation has taken.

“But to pass from one subject to another,” resumes Mr. Smallweed. “‘To promote the conversation,’ as a joker might say. To pass, Mr. George, from the ensign to the captain.”

“What are you up to, now?” asks Mr. George, pausing with a frown in stroking the recollection of his moustache. “What captain?”

“Our captain. The captain we know of. Captain Hawdon.”

“Oh! That’s it, is it?” says Mr. George with a low whistle as he sees both grandfather and granddaughter looking hard at him. “You are there! Well? What about it? Come, I won’t be smothered any more. Speak!”

“My dear friend,” returns the old man, “I was applied—Judy, shake me up a little!—I was applied to yesterday about the captain, and my opinion still is that the captain is not dead.”

“Bosh!” observes Mr. George.

“What was your remark, my dear friend?” inquires the old man with his hand to his ear.

“Bosh!”

“Ho!” says Grandfather Smallweed. “Mr. George, of my opinion you can judge for yourself according to the questions asked of me and the reasons given for asking ’em. Now, what do you think the lawyer making the inquiries wants?”

“A job,” says Mr. George.

“Nothing of the kind!”

“Can’t be a lawyer, then,” says Mr. George, folding his arms with an air of confirmed resolution.

“My dear friend, he is a lawyer, and a famous one. He wants to see some fragment in Captain Hawdon’s writing. He don’t want to keep it. He only wants to see it and compare it with a writing in his possession.”

“Well?”

“Well, Mr. George. Happening to remember the advertisement concerning Captain Hawdon and any information that could be given respecting him, he looked it up and came to me—just as you did, my dear friend. WILL you shake hands? So glad you came that day! I should have missed forming such a friendship if you hadn’t come!”

“Well, Mr. Smallweed?” says Mr. George again after going through the ceremony with some stiffness.

“I had no such thing. I have nothing but his signature. Plague pestilence and famine, battle murder and sudden death upon him,” says the old man, making a curse out of one of his few remembrances of a prayer and squeezing up his velvet cap between his angry hands, “I have half a million of his signatures, I think! But you,” breathlessly recovering his mildness of speech as Judy re-adjusts the cap on his skittle-ball of a head, “you, my dear Mr. George, are likely to have some letter or paper that would suit the purpose. Anything would suit the purpose, written in the hand.”

“Some writing in that hand,” says the trooper, pondering; “may be, I have.”

“My dearest friend!”

“May be, I have not.”

“Ho!” says Grandfather Smallweed, crest-fallen.

“But if I had bushels of it, I would not show as much as would make a cartridge without knowing why.”

“Sir, I have told you why. My dear Mr. George, I have told you why.”

“Not enough,” says the trooper, shaking his head. “I must know more, and approve it.”

“Then, will you come to the lawyer? My dear friend, will you come and see the gentleman?” urges Grandfather Smallweed, pulling out a lean old silver watch with hands like the leg of a skeleton. “I told him it was probable I might call upon him between ten and eleven this forenoon, and it’s now half after ten. Will you come and see the gentleman, Mr. George?”

“Hum!” says he gravely. “I don’t mind that. Though why this should concern you so much, I don’t know.”

“Everything concerns me that has a chance in it of bringing anything to light about him. Didn’t he take us all in? Didn’t he owe us immense sums, all round? Concern me? Who can anything about him concern more than me? Not, my dear friend,” says Grandfather Smallweed, lowering his tone, “that I want YOU to betray anything. Far from it. Are you ready to come, my dear friend?”

“Aye! I’ll come in a moment. I promise nothing, you know.”

“No, my dear Mr. George; no.”

“And you mean to say you’re going to give me a lift to this place, wherever it is, without charging for it?” Mr. George inquires, getting his hat and thick wash-leather gloves.

This pleasantry so tickles Mr. Smallweed that he laughs, long and low, before the fire. But ever while he laughs, he glances over his paralytic shoulder at Mr. George and eagerly watches him as he unlocks the padlock of a homely cupboard at the distant end of the gallery, looks here and there upon the higher shelves, and ultimately takes something out with a rustling of paper, folds it, and puts it in his breast. Then Judy pokes Mr. Smallweed once, and Mr. Smallweed pokes Judy once.

“I am ready,” says the trooper, coming back. “Phil, you can carry this old gentleman to his coach, and make nothing of him.”

“Oh, dear me! O Lord! Stop a moment!” says Mr. Smallweed. “He’s so very prompt! Are you sure you can do it carefully, my worthy man?”

Phil makes no reply, but seizing the chair and its load, sidles away, tightly hugged by the now speechless Mr. Smallweed, and bolts along the passage as if he had an acceptable commission to carry the old gentleman to the nearest volcano. His shorter trust, however, terminating at the cab, he deposits him there; and the fair Judy takes her place beside him, and the chair embellishes the roof, and Mr. George takes the vacant place upon the box.

Mr. George is quite confounded by the spectacle he beholds from time to time as he peeps into the cab through the window behind him, where the grim Judy is always motionless, and the old gentleman with his cap over one eye is always sliding off the seat into the straw and looking upward at him out of his other eye with a helpless expression of being jolted in the back.

XXVII. More Old Soldiers Than One

Mr. George has not far to ride with folded arms upon the box, for their destination is Lincoln’s Inn Fields. When the driver stops his horses, Mr. George alights, and looking in at the window, says, “What, Mr. Tulkinghorn’s your man, is he?”

“Yes, my dear friend. Do you know him, Mr. George?”

“Why, I have heard of him—seen him too, I think. But I don’t know him, and he don’t know me.”

There ensues the carrying of Mr. Smallweed upstairs, which is done to perfection with the trooper’s help. He is borne into Mr. Tulkinghorn’s great room and deposited on the Turkey rug before the fire. Mr. Tulkinghorn is not within at the present moment but will be back directly. The occupant of the pew in the hall, having said thus much, stirs the fire and leaves the triumvirate to warm themselves.

Mr. George is mightily curious in respect of the room. He looks up at the painted ceiling, looks round at the old law-books, contemplates the portraits of the great clients, reads aloud the names on the boxes.

“‘Sir Leicester Dedlock, Baronet,’” Mr. George reads thoughtfully. “Ha! ‘Manor of Chesney Wold.’ Humph!” Mr. George stands looking at these boxes a long while—as if they were pictures—and comes back to the fire repeating, “Sir Leicester Dedlock, Baronet, and Manor of Chesney Wold, hey?”

“Worth a mint of money, Mr. George!” whispers Grandfather Smallweed, rubbing his legs. “Powerfully rich!”

“Who do you mean? This old gentleman, or the Baronet?”

“This gentleman, this gentleman.”

“So I have heard; and knows a thing or two, I’ll hold a wager. Not bad quarters, either,” says Mr. George, looking round again. “See the strong-box yonder!”

This reply is cut short by Mr. Tulkinghorn’s arrival. There is no change in him, of course. Rustily drest, with his spectacles in his hand, and their very case worn threadbare. In manner, close and dry. In voice, husky and low. In face, watchful behind a blind; habitually not uncensorious and contemptuous perhaps. The peerage may have warmer worshippers and faithfuller believers than Mr. Tulkinghorn, after all, if everything were known.

“Good morning, Mr. Smallweed, good morning!” he says as he comes in. “You have brought the sergeant, I see. Sit down, sergeant.”

As Mr. Tulkinghorn takes off his gloves and puts them in his hat, he looks with half-closed eyes across the room to where the trooper stands and says within himself perchance, “You’ll do, my friend!”

“Sit down, sergeant,” he repeats as he comes to his table, which is set on one side of the fire, and takes his easy-chair. “Cold and raw this morning, cold and raw!” Mr. Tulkinghorn warms before the bars, alternately, the palms and knuckles of his hands and looks (from behind that blind which is always down) at the trio sitting in a little semicircle before him.

“Now, I can feel what I am about” (as perhaps he can in two senses), “Mr. Smallweed.” The old gentleman is newly shaken up by Judy to bear his part in the conversation. “You have brought our good friend the sergeant, I see.”

“Yes, sir,” returns Mr. Smallweed, very servile to the lawyer’s wealth and influence.

“And what does the sergeant say about this business?”

“Mr. George,” says Grandfather Smallweed with a tremulous wave of his shrivelled hand, “this is the gentleman, sir.”

Mr. George salutes the gentleman but otherwise sits bolt upright and profoundly silent—very forward in his chair, as if the full complement of regulation appendages for a field-day hung about him.

Mr. Tulkinghorn proceeds, “Well, George—I believe your name is George?”

“It is so, Sir.”

“What do you say, George?”

“I ask your pardon, sir,” returns the trooper, “but I should wish to know what YOU say?”

“Do you mean in point of reward?”

“I mean in point of everything, sir.”

This is so very trying to Mr. Smallweed’s temper that he suddenly breaks out with “You’re a brimstone beast!” and as suddenly asks pardon of Mr. Tulkinghorn, excusing himself for this slip of the tongue by saying to Judy, “I was thinking of your grandmother, my dear.”

“I supposed, sergeant,” Mr. Tulkinghorn resumes as he leans on one side of his chair and crosses his legs, “that Mr. Smallweed might have sufficiently explained the matter. It lies in the smallest compass, however. You served under Captain Hawdon at one time, and were his attendant in illness, and rendered him many little services, and were rather in his confidence, I am told. That is so, is it not?”

“Yes, sir, that is so,” says Mr. George with military brevity.

“Therefore you may happen to have in your possession something—anything, no matter what; accounts, instructions, orders, a letter, anything—in Captain Hawdon’s writing. I wish to compare his writing with some that I have. If you can give me the opportunity, you shall be rewarded for your trouble. Three, four, five, guineas, you would consider handsome, I dare say.”

“Noble, my dear friend!” cries Grandfather Smallweed, screwing up his eyes.

“If not, say how much more, in your conscience as a soldier, you can demand. There is no need for you to part with the writing, against your inclination—though I should prefer to have it.”

Mr. George sits squared in exactly the same attitude, looks at the painted ceiling, and says never a word. The irascible Mr. Smallweed scratches the air.

“The question is,” says Mr. Tulkinghorn in his methodical, subdued, uninterested way, “first, whether you have any of Captain Hawdon’s writing?”

“First, whether I have any of Captain Hawdon’s writing, sir,” repeats Mr. George.

“Secondly, what will satisfy you for the trouble of producing it?”

“Secondly, what will satisfy me for the trouble of producing it, sir,” repeats Mr. George.

“Thirdly, you can judge for yourself whether it is at all like that,” says Mr. Tulkinghorn, suddenly handing him some sheets of written paper tied together.

“Whether it is at all like that, sir. Just so,” repeats Mr. George.

All three repetitions Mr. George pronounces in a mechanical manner, looking straight at Mr. Tulkinghorn; nor does he so much as glance at the affidavit in Jarndyce and Jarndyce, that has been given to him for his inspection (though he still holds it in his hand), but continues to look at the lawyer with an air of troubled meditation.

“Well?” says Mr. Tulkinghorn. “What do you say?”

“Well, sir,” replies Mr. George, rising erect and looking immense, “I would rather, if you’ll excuse me, have nothing to do with this.”

Mr. Tulkinghorn, outwardly quite undisturbed, demands, “Why not?”

“Why, sir,” returns the trooper. “Except on military compulsion, I am not a man of business. Among civilians I am what they call in Scotland a ne’er-do-weel. I have no head for papers, sir. I can stand any fire better than a fire of cross questions. I mentioned to Mr. Smallweed, only an hour or so ago, that when I come into things of this kind I feel as if I was being smothered. And that is my sensation,” says Mr. George, looking round upon the company, “at the present moment.”

With that, he takes three strides forward to replace the papers on the lawyer’s table and three strides backward to resume his former station, where he stands perfectly upright, now looking at the ground and now at the painted ceiling, with his hands behind him as if to prevent himself from accepting any other document whatever.

Under this provocation, Mr. Smallweed’s favourite adjective of disparagement is so close to his tongue that he begins the words “my dear friend” with the monosyllable “brim,” thus converting the possessive pronoun into brimmy and appearing to have an impediment in his speech. Once past this difficulty, however, he exhorts his dear friend in the tenderest manner not to be rash, but to do what so eminent a gentleman requires, and to do it with a good grace, confident that it must be unobjectionable as well as profitable. Mr. Tulkinghorn merely utters an occasional sentence, as, “You are the best judge of your own interest, sergeant.” “Take care you do no harm by this.” “Please yourself, please yourself.” “If you know what you mean, that’s quite enough.” These he utters with an appearance of perfect indifference as he looks over the papers on his table and prepares to write a letter.

Mr. George looks distrustfully from the painted ceiling to the ground, from the ground to Mr. Smallweed, from Mr. Smallweed to Mr. Tulkinghorn, and from Mr. Tulkinghorn to the painted ceiling again, often in his perplexity changing the leg on which he rests.

“I do assure you, sir,” says Mr. George, “not to say it offensively, that between you and Mr. Smallweed here, I really am being smothered fifty times over. I really am, sir. I am not a match for you gentlemen. Will you allow me to ask why you want to see the captain’s hand, in the case that I could find any specimen of it?”

Mr. Tulkinghorn quietly shakes his head. “No. If you were a man of business, sergeant, you would not need to be informed that there are confidential reasons, very harmless in themselves, for many such wants in the profession to which I belong. But if you are afraid of doing any injury to Captain Hawdon, you may set your mind at rest about that.”

“Aye! He is dead, sir.”

“IS he?” Mr. Tulkinghorn quietly sits down to write.

“Well, sir,” says the trooper, looking into his hat after another disconcerted pause, “I am sorry not to have given you more satisfaction. If it would be any satisfaction to any one that I should be confirmed in my judgment that I would rather have nothing to do with this by a friend of mine who has a better head for business than I have, and who is an old soldier, I am willing to consult with him. I—I really am so completely smothered myself at present,” says Mr. George, passing his hand hopelessly across his brow, “that I don’t know but what it might be a satisfaction to me.”

Mr. Smallweed, hearing that this authority is an old soldier, so strongly inculcates the expediency of the trooper’s taking counsel with him, and particularly informing him of its being a question of five guineas or more, that Mr. George engages to go and see him. Mr. Tulkinghorn says nothing either way.

“I’ll consult my friend, then, by your leave, sir,” says the trooper, “and I’ll take the liberty of looking in again with the final answer in the course of the day. Mr. Smallweed, if you wish to be carried downstairs—”

“In a moment, my dear friend, in a moment. Will you first let me speak half a word with this gentleman in private?”

“Certainly, sir. Don’t hurry yourself on my account.” The trooper retires to a distant part of the room and resumes his curious inspection of the boxes, strong and otherwise.

“If I wasn’t as weak as a brimstone baby, sir,” whispers Grandfather Smallweed, drawing the lawyer down to his level by the lapel of his coat and flashing some half-quenched green fire out of his angry eyes, “I’d tear the writing away from him. He’s got it buttoned in his breast. I saw him put it there. Judy saw him put it there. Speak up, you crabbed image for the sign of a walking-stick shop, and say you saw him put it there!”

This vehement conjuration the old gentleman accompanies with such a thrust at his granddaughter that it is too much for his strength, and he slips away out of his chair, drawing Mr. Tulkinghorn with him, until he is arrested by Judy, and well shaken.

“Violence will not do for me, my friend,” Mr. Tulkinghorn then remarks coolly.

“No, no, I know, I know, sir. But it’s chafing and galling—it’s—it’s worse than your smattering chattering magpie of a grandmother,” to the imperturbable Judy, who only looks at the fire, “to know he has got what’s wanted and won’t give it up. He, not to give it up! HE! A vagabond! But never mind, sir, never mind. At the most, he has only his own way for a little while. I have him periodically in a vice. I’ll twist him, sir. I’ll screw him, sir. If he won’t do it with a good grace, I’ll make him do it with a bad one, sir! Now, my dear Mr. George,” says Grandfather Smallweed, winking at the lawyer hideously as he releases him, “I am ready for your kind assistance, my excellent friend!”

Mr. Tulkinghorn, with some shadowy sign of amusement manifesting itself through his self-possession, stands on the hearth-rug with his back to the fire, watching the disappearance of Mr. Smallweed and acknowledging the trooper’s parting salute with one slight nod.

It is more difficult to get rid of the old gentleman, Mr. George finds, than to bear a hand in carrying him downstairs, for when he is replaced in his conveyance, he is so loquacious on the subject of the guineas and retains such an affectionate hold of his button—having, in truth, a secret longing to rip his coat open and rob him—that some degree of force is necessary on the trooper’s part to effect a separation. It is accomplished at last, and he proceeds alone in quest of his adviser.

By the cloisterly Temple, and by Whitefriars (there, not without a glance at Hanging-Sword Alley, which would seem to be something in his way), and by Blackfriars Bridge, and Blackfriars Road, Mr. George sedately marches to a street of little shops lying somewhere in that ganglion of roads from Kent and Surrey, and of streets from the bridges of London, centring in the far-famed elephant who has lost his castle formed of a thousand four-horse coaches to a stronger iron monster than he, ready to chop him into mince-meat any day he dares. To one of the little shops in this street, which is a musician’s shop, having a few fiddles in the window, and some Pan’s pipes and a tambourine, and a triangle, and certain elongated scraps of music, Mr. George directs his massive tread. And halting at a few paces from it, as he sees a soldierly looking woman, with her outer skirts tucked up, come forth with a small wooden tub, and in that tub commence a-whisking and a-splashing on the margin of the pavement, Mr. George says to himself, “She’s as usual, washing greens. I never saw her, except upon a baggage-waggon, when she wasn’t washing greens!”

The subject of this reflection is at all events so occupied in washing greens at present that she remains unsuspicious of Mr. George’s approach until, lifting up herself and her tub together when she has poured the water off into the gutter, she finds him standing near her. Her reception of him is not flattering.

“George, I never see you but I wish you was a hundred mile away!”

The trooper, without remarking on this welcome, follows into the musical-instrument shop, where the lady places her tub of greens upon the counter, and having shaken hands with him, rests her arms upon it.

“I never,” she says, “George, consider Matthew Bagnet safe a minute when you’re near him. You are that restless and that roving—”

“Yes! I know I am, Mrs. Bagnet. I know I am.”

“You know you are!” says Mrs. Bagnet. “What’s the use of that? WHY are you?”

“The nature of the animal, I suppose,” returns the trooper good-humouredly.

“Ah!” cries Mrs. Bagnet, something shrilly. “But what satisfaction will the nature of the animal be to me when the animal shall have tempted my Mat away from the musical business to New Zealand or Australey?”

Mrs. Bagnet is not at all an ill-looking woman. Rather large-boned, a little coarse in the grain, and freckled by the sun and wind which have tanned her hair upon the forehead, but healthy, wholesome, and bright-eyed. A strong, busy, active, honest-faced woman of from forty-five to fifty. Clean, hardy, and so economically dressed (though substantially) that the only article of ornament of which she stands possessed appear’s to be her wedding-ring, around which her finger has grown to be so large since it was put on that it will never come off again until it shall mingle with Mrs. Bagnet’s dust.

“Mrs. Bagnet,” says the trooper, “I am on my parole with you. Mat will get no harm from me. You may trust me so far.”

“Well, I think I may. But the very looks of you are unsettling,” Mrs. Bagnet rejoins. “Ah, George, George! If you had only settled down and married Joe Pouch’s widow when he died in North America, SHE’D have combed your hair for you.”

“It was a chance for me, certainly,” returns the trooper half laughingly, half seriously, “but I shall never settle down into a respectable man now. Joe Pouch’s widow might have done me good—there was something in her, and something of her—but I couldn’t make up my mind to it. If I had had the luck to meet with such a wife as Mat found!”

Mrs. Bagnet, who seems in a virtuous way to be under little reserve with a good sort of fellow, but to be another good sort of fellow herself for that matter, receives this compliment by flicking Mr. George in the face with a head of greens and taking her tub into the little room behind the shop.

“Why, Quebec, my poppet,” says George, following, on invitation, into that department. “And little Malta, too! Come and kiss your Bluffy!”

These young ladies—not supposed to have been actually christened by the names applied to them, though always so called in the family from the places of their birth in barracks—are respectively employed on three-legged stools, the younger (some five or six years old) in learning her letters out of a penny primer, the elder (eight or nine perhaps) in teaching her and sewing with great assiduity. Both hail Mr. George with acclamations as an old friend and after some kissing and romping plant their stools beside him.

“And how’s young Woolwich?” says Mr. George.

“Ah! There now!” cries Mrs. Bagnet, turning about from her saucepans (for she is cooking dinner) with a bright flush on her face. “Would you believe it? Got an engagement at the theayter, with his father, to play the fife in a military piece.”

“Well done, my godson!” cries Mr. George, slapping his thigh.

“I believe you!” says Mrs. Bagnet. “He’s a Briton. That’s what Woolwich is. A Briton!”

“And Mat blows away at his bassoon, and you’re respectable civilians one and all,” says Mr. George. “Family people. Children growing up. Mat’s old mother in Scotland, and your old father somewhere else, corresponded with, and helped a little, and—well, well! To be sure, I don’t know why I shouldn’t be wished a hundred mile away, for I have not much to do with all this!”

Mr. George is becoming thoughtful, sitting before the fire in the whitewashed room, which has a sanded floor and a barrack smell and contains nothing superfluous and has not a visible speck of dirt or dust in it, from the faces of Quebec and Malta to the bright tin pots and pannikins upon the dresser shelves—Mr. George is becoming thoughtful, sitting here while Mrs. Bagnet is busy, when Mr. Bagnet and young Woolwich opportunely come home. Mr. Bagnet is an ex-artilleryman, tall and upright, with shaggy eyebrows and whiskers like the fibres of a coco-nut, not a hair upon his head, and a torrid complexion. His voice, short, deep, and resonant, is not at all unlike the tones of the instrument to which he is devoted. Indeed there may be generally observed in him an unbending, unyielding, brass-bound air, as if he were himself the bassoon of the human orchestra. Young Woolwich is the type and model of a young drummer.

Both father and son salute the trooper heartily. He saying, in due season, that he has come to advise with Mr. Bagnet, Mr. Bagnet hospitably declares that he will hear of no business until after dinner and that his friend shall not partake of his counsel without first partaking of boiled pork and greens. The trooper yielding to this invitation, he and Mr. Bagnet, not to embarrass the domestic preparations, go forth to take a turn up and down the little street, which they promenade with measured tread and folded arms, as if it were a rampart.

“George,” says Mr. Bagnet. “You know me. It’s my old girl that advises. She has the head. But I never own to it before her. Discipline must be maintained. Wait till the greens is off her mind. Then we’ll consult. Whatever the old girl says, do—do it!”

“I intend to, Mat,” replies the other. “I would sooner take her opinion than that of a college.”

“College,” returns Mr. Bagnet in short sentences, bassoon-like. “What college could you leave—in another quarter of the world—with nothing but a grey cloak and an umbrella—to make its way home to Europe? The old girl would do it to-morrow. Did it once!”

“You are right,” says Mr. George.

“What college,” pursues Bagnet, “could you set up in life—with two penn’orth of white lime—a penn’orth of fuller’s earth—a ha’porth of sand—and the rest of the change out of sixpence in money? That’s what the old girl started on. In the present business.”

“I am rejoiced to hear it’s thriving, Mat.”

“The old girl,” says Mr. Bagnet, acquiescing, “saves. Has a stocking somewhere. With money in it. I never saw it. But I know she’s got it. Wait till the greens is off her mind. Then she’ll set you up.”

“She is a treasure!” exclaims Mr. George.

“She’s more. But I never own to it before her. Discipline must be maintained. It was the old girl that brought out my musical abilities. I should have been in the artillery now but for the old girl. Six years I hammered at the fiddle. Ten at the flute. The old girl said it wouldn’t do; intention good, but want of flexibility; try the bassoon. The old girl borrowed a bassoon from the bandmaster of the Rifle Regiment. I practised in the trenches. Got on, got another, get a living by it!”

George remarks that she looks as fresh as a rose and as sound as an apple.

“The old girl,” says Mr. Bagnet in reply, “is a thoroughly fine woman. Consequently she is like a thoroughly fine day. Gets finer as she gets on. I never saw the old girl’s equal. But I never own to it before her. Discipline must be maintained!”

Proceeding to converse on indifferent matters, they walk up and down the little street, keeping step and time, until summoned by Quebec and Malta to do justice to the pork and greens, over which Mrs. Bagnet, like a military chaplain, says a short grace. In the distribution of these comestibles, as in every other household duty, Mrs. Bagnet develops an exact system, sitting with every dish before her, allotting to every portion of pork its own portion of pot-liquor, greens, potatoes, and even mustard, and serving it out complete. Having likewise served out the beer from a can and thus supplied the mess with all things necessary, Mrs. Bagnet proceeds to satisfy her own hunger, which is in a healthy state. The kit of the mess, if the table furniture may be so denominated, is chiefly composed of utensils of horn and tin that have done duty in several parts of the world. Young Woolwich’s knife, in particular, which is of the oyster kind, with the additional feature of a strong shutting-up movement which frequently balks the appetite of that young musician, is mentioned as having gone in various hands the complete round of foreign service.

The dinner done, Mrs. Bagnet, assisted by the younger branches (who polish their own cups and platters, knives and forks), makes all the dinner garniture shine as brightly as before and puts it all away, first sweeping the hearth, to the end that Mr. Bagnet and the visitor may not be retarded in the smoking of their pipes. These household cares involve much pattening and counter-pattening in the backyard and considerable use of a pail, which is finally so happy as to assist in the ablutions of Mrs. Bagnet herself. That old girl reappearing by and by, quite fresh, and sitting down to her needlework, then and only then—the greens being only then to be considered as entirely off her mind—Mr. Bagnet requests the trooper to state his case.

This Mr. George does with great discretion, appearing to address himself to Mr. Bagnet, but having an eye solely on the old girl all the time, as Bagnet has himself. She, equally discreet, busies herself with her needlework. The case fully stated, Mr. Bagnet resorts to his standard artifice for the maintenance of discipline.

“That’s the whole of it, is it, George?” says he.

“That’s the whole of it.”

“You act according to my opinion?”

“I shall be guided,” replies George, “entirely by it.”

“Old girl,” says Mr. Bagnet, “give him my opinion. You know it. Tell him what it is.”

It is that he cannot have too little to do with people who are too deep for him and cannot be too careful of interference with matters he does not understand—that the plain rule is to do nothing in the dark, to be a party to nothing underhanded or mysterious, and never to put his foot where he cannot see the ground. This, in effect, is Mr. Bagnet’s opinion, as delivered through the old girl, and it so relieves Mr. George’s mind by confirming his own opinion and banishing his doubts that he composes himself to smoke another pipe on that exceptional occasion and to have a talk over old times with the whole Bagnet family, according to their various ranges of experience.

Through these means it comes to pass that Mr. George does not again rise to his full height in that parlour until the time is drawing on when the bassoon and fife are expected by a British public at the theatre; and as it takes time even then for Mr. George, in his domestic character of Bluffy, to take leave of Quebec and Malta and insinuate a sponsorial shilling into the pocket of his godson with felicitations on his success in life, it is dark when Mr. George again turns his face towards Lincoln’s Inn Fields.

“A family home,” he ruminates as he marches along, “however small it is, makes a man like me look lonely. But it’s well I never made that evolution of matrimony. I shouldn’t have been fit for it. I am such a vagabond still, even at my present time of life, that I couldn’t hold to the gallery a month together if it was a regular pursuit or if I didn’t camp there, gipsy fashion. Come! I disgrace nobody and cumber nobody; that’s something. I have not done that for many a long year!”

So he whistles it off and marches on.

Arrived in Lincoln’s Inn Fields and mounting Mr. Tulkinghorn’s stair, he finds the outer door closed and the chambers shut, but the trooper not knowing much about outer doors, and the staircase being dark besides, he is yet fumbling and groping about, hoping to discover a bell-handle or to open the door for himself, when Mr. Tulkinghorn comes up the stairs (quietly, of course) and angrily asks, “Who is that? What are you doing there?”

“I ask your pardon, sir. It’s George. The sergeant.”

“And couldn’t George, the sergeant, see that my door was locked?”

“Why, no, sir, I couldn’t. At any rate, I didn’t,” says the trooper, rather nettled.

“Have you changed your mind? Or are you in the same mind?” Mr. Tulkinghorn demands. But he knows well enough at a glance.

“In the same mind, sir.”

“I thought so. That’s sufficient. You can go. So you are the man,” says Mr. Tulkinghorn, opening his door with the key, “in whose hiding-place Mr. Gridley was found?”

“Yes, I AM the man,” says the trooper, stopping two or three stairs down. “What then, sir?”

“What then? I don’t like your associates. You should not have seen the inside of my door this morning if I had thought of your being that man. Gridley? A threatening, murderous, dangerous fellow.”

With these words, spoken in an unusually high tone for him, the lawyer goes into his rooms and shuts the door with a thundering noise.

Mr. George takes his dismissal in great dudgeon, the greater because a clerk coming up the stairs has heard the last words of all and evidently applies them to him. “A pretty character to bear,” the trooper growls with a hasty oath as he strides downstairs. “A threatening, murderous, dangerous fellow!” And looking up, he sees the clerk looking down at him and marking him as he passes a lamp. This so intensifies his dudgeon that for five minutes he is in an ill humour. But he whistles that off like the rest of it and marches home to the shooting gallery.

XXVIII. The Ironmaster

Sir Leicester Dedlock has got the better, for the time being, of the family gout and is once more, in a literal no less than in a figurative point of view, upon his legs. He is at his place in Lincolnshire; but the waters are out again on the low-lying grounds, and the cold and damp steal into Chesney Wold, though well defended, and eke into Sir Leicester’s bones. The blazing fires of faggot and coal—Dedlock timber and antediluvian forest—that blaze upon the broad wide hearths and wink in the twilight on the frowning woods, sullen to see how trees are sacrificed, do not exclude the enemy. The hot-water pipes that trail themselves all over the house, the cushioned doors and windows, and the screens and curtains fail to supply the fires’ deficiencies and to satisfy Sir Leicester’s need. Hence the fashionable intelligence proclaims one morning to the listening earth that Lady Dedlock is expected shortly to return to town for a few weeks.

It is a melancholy truth that even great men have their poor relations. Indeed great men have often more than their fair share of poor relations, inasmuch as very red blood of the superior quality, like inferior blood unlawfully shed, WILL cry aloud and WILL be heard. Sir Leicester’s cousins, in the remotest degree, are so many Murders in the respect that they “will out.” Among whom there are cousins who are so poor that one might almost dare to think it would have been the happier for them never to have been plated links upon the Dedlock chain of gold, but to have been made of common iron at first and done base service.

Service, however (with a few limited reservations, genteel but not profitable), they may not do, being of the Dedlock dignity. So they visit their richer cousins, and get into debt when they can, and live but shabbily when they can’t, and find—the women no husbands, and the men no wives—and ride in borrowed carriages, and sit at feasts that are never of their own making, and so go through high life. The rich family sum has been divided by so many figures, and they are the something over that nobody knows what to do with.

Everybody on Sir Leicester Dedlock’s side of the question and of his way of thinking would appear to be his cousin more or less. From my Lord Boodle, through the Duke of Foodle, down to Noodle, Sir Leicester, like a glorious spider, stretches his threads of relationship. But while he is stately in the cousinship of the Everybodys, he is a kind and generous man, according to his dignified way, in the cousinship of the Nobodys; and at the present time, in despite of the damp, he stays out the visit of several such cousins at Chesney Wold with the constancy of a martyr.

Of these, foremost in the front rank stands Volumnia Dedlock, a young lady (of sixty) who is doubly highly related, having the honour to be a poor relation, by the mother’s side, to another great family. Miss Volumnia, displaying in early life a pretty talent for cutting ornaments out of coloured paper, and also for singing to the guitar in the Spanish tongue, and propounding French conundrums in country houses, passed the twenty years of her existence between twenty and forty in a sufficiently agreeable manner. Lapsing then out of date and being considered to bore mankind by her vocal performances in the Spanish language, she retired to Bath, where she lives slenderly on an annual present from Sir Leicester and whence she makes occasional resurrections in the country houses of her cousins. She has an extensive acquaintance at Bath among appalling old gentlemen with thin legs and nankeen trousers, and is of high standing in that dreary city. But she is a little dreaded elsewhere in consequence of an indiscreet profusion in the article of rouge and persistency in an obsolete pearl necklace like a rosary of little bird’s-eggs.

In any country in a wholesome state, Volumnia would be a clear case for the pension list. Efforts have been made to get her on it, and when William Buffy came in, it was fully expected that her name would be put down for a couple of hundred a year. But William Buffy somehow discovered, contrary to all expectation, that these were not the times when it could be done, and this was the first clear indication Sir Leicester Dedlock had conveyed to him that the country was going to pieces.

There is likewise the Honourable Bob Stables, who can make warm mashes with the skill of a veterinary surgeon and is a better shot than most gamekeepers. He has been for some time particularly desirous to serve his country in a post of good emoluments, unaccompanied by any trouble or responsibility. In a well-regulated body politic this natural desire on the part of a spirited young gentleman so highly connected would be speedily recognized, but somehow William Buffy found when he came in that these were not times in which he could manage that little matter either, and this was the second indication Sir Leicester Dedlock had conveyed to him that the country was going to pieces.

The rest of the cousins are ladies and gentlemen of various ages and capacities, the major part amiable and sensible and likely to have done well enough in life if they could have overcome their cousinship; as it is, they are almost all a little worsted by it, and lounge in purposeless and listless paths, and seem to be quite as much at a loss how to dispose of themselves as anybody else can be how to dispose of them.

In this society, and where not, my Lady Dedlock reigns supreme. Beautiful, elegant, accomplished, and powerful in her little world (for the world of fashion does not stretch ALL the way from pole to pole), her influence in Sir Leicester’s house, however haughty and indifferent her manner, is greatly to improve it and refine it. The cousins, even those older cousins who were paralysed when Sir Leicester married her, do her feudal homage; and the Honourable Bob Stables daily repeats to some chosen person between breakfast and lunch his favourite original remark, that she is the best-groomed woman in the whole stud.

Such the guests in the long drawing-room at Chesney Wold this dismal night when the step on the Ghost’s Walk (inaudible here, however) might be the step of a deceased cousin shut out in the cold. It is near bed-time. Bedroom fires blaze brightly all over the house, raising ghosts of grim furniture on wall and ceiling. Bedroom candlesticks bristle on the distant table by the door, and cousins yawn on ottomans. Cousins at the piano, cousins at the soda-water tray, cousins rising from the card-table, cousins gathered round the fire. Standing on one side of his own peculiar fire (for there are two), Sir Leicester. On the opposite side of the broad hearth, my Lady at her table. Volumnia, as one of the more privileged cousins, in a luxurious chair between them. Sir Leicester glancing, with magnificent displeasure, at the rouge and the pearl necklace.

“I occasionally meet on my staircase here,” drawls Volumnia, whose thoughts perhaps are already hopping up it to bed, after a long evening of very desultory talk, “one of the prettiest girls, I think, that I ever saw in my life.”

“A protégée of my Lady’s,” observes Sir Leicester.

“I thought so. I felt sure that some uncommon eye must have picked that girl out. She really is a marvel. A dolly sort of beauty perhaps,” says Miss Volumnia, reserving her own sort, “but in its way, perfect; such bloom I never saw!”

Sir Leicester, with his magnificent glance of displeasure at the rouge, appears to say so too.

“Indeed,” remarks my Lady languidly, “if there is any uncommon eye in the case, it is Mrs. Rouncewell’s, and not mine. Rosa is her discovery.”

“Your maid, I suppose?”

“No. My anything; pet—secretary—messenger—I don’t know what.”

“You like to have her about you, as you would like to have a flower, or a bird, or a picture, or a poodle—no, not a poodle, though—or anything else that was equally pretty?” says Volumnia, sympathizing. “Yes, how charming now! And how well that delightful old soul Mrs. Rouncewell is looking. She must be an immense age, and yet she is as active and handsome! She is the dearest friend I have, positively!”

Sir Leicester feels it to be right and fitting that the housekeeper of Chesney Wold should be a remarkable person. Apart from that, he has a real regard for Mrs. Rouncewell and likes to hear her praised. So he says, “You are right, Volumnia,” which Volumnia is extremely glad to hear.

“She has no daughter of her own, has she?”

“Mrs. Rouncewell? No, Volumnia. She has a son. Indeed, she had two.”

My Lady, whose chronic malady of boredom has been sadly aggravated by Volumnia this evening, glances wearily towards the candlesticks and heaves a noiseless sigh.

“And it is a remarkable example of the confusion into which the present age has fallen; of the obliteration of landmarks, the opening of floodgates, and the uprooting of distinctions,” says Sir Leicester with stately gloom, “that I have been informed by Mr. Tulkinghorn that Mrs. Rouncewell’s son has been invited to go into Parliament.”

Miss Volumnia utters a little sharp scream.

“Yes, indeed,” repeats Sir Leicester. “Into Parliament.”

“I never heard of such a thing! Good gracious, what is the man?” exclaims Volumnia.

“He is called, I believe—an—ironmaster.” Sir Leicester says it slowly and with gravity and doubt, as not being sure but that he is called a lead-mistress or that the right word may be some other word expressive of some other relationship to some other metal.

Volumnia utters another little scream.

“He has declined the proposal, if my information from Mr. Tulkinghorn be correct, as I have no doubt it is. Mr. Tulkinghorn being always correct and exact; still that does not,” says Sir Leicester, “that does not lessen the anomaly, which is fraught with strange considerations—startling considerations, as it appears to me.”

Miss Volumnia rising with a look candlestick-wards, Sir Leicester politely performs the grand tour of the drawing-room, brings one, and lights it at my Lady’s shaded lamp.

“I must beg you, my Lady,” he says while doing so, “to remain a few moments, for this individual of whom I speak arrived this evening shortly before dinner and requested in a very becoming note”—Sir Leicester, with his habitual regard to truth, dwells upon it—“I am bound to say, in a very becoming and well-expressed note, the favour of a short interview with yourself and MYself on the subject of this young girl. As it appeared that he wished to depart to-night, I replied that we would see him before retiring.”

Miss Volumnia with a third little scream takes flight, wishing her hosts—O Lud!—well rid of the—what is it?—ironmaster!

The other cousins soon disperse, to the last cousin there. Sir Leicester rings the bell, “Make my compliments to Mr. Rouncewell, in the housekeeper’s apartments, and say I can receive him now.”

My Lady, who has heard all this with slight attention outwardly, looks towards Mr. Rouncewell as he comes in. He is a little over fifty perhaps, of a good figure, like his mother, and has a clear voice, a broad forehead from which his dark hair has retired, and a shrewd though open face. He is a responsible-looking gentleman dressed in black, portly enough, but strong and active. Has a perfectly natural and easy air and is not in the least embarrassed by the great presence into which he comes.

“Sir Leicester and Lady Dedlock, as I have already apologized for intruding on you, I cannot do better than be very brief. I thank you, Sir Leicester.”

The head of the Dedlocks has motioned towards a sofa between himself and my Lady. Mr. Rouncewell quietly takes his seat there.

“In these busy times, when so many great undertakings are in progress, people like myself have so many workmen in so many places that we are always on the flight.”

Sir Leicester is content enough that the ironmaster should feel that there is no hurry there; there, in that ancient house, rooted in that quiet park, where the ivy and the moss have had time to mature, and the gnarled and warted elms and the umbrageous oaks stand deep in the fern and leaves of a hundred years; and where the sun-dial on the terrace has dumbly recorded for centuries that time which was as much the property of every Dedlock—while he lasted—as the house and lands. Sir Leicester sits down in an easy-chair, opposing his repose and that of Chesney Wold to the restless flights of ironmasters.

“Lady Dedlock has been so kind,” proceeds Mr. Rouncewell with a respectful glance and a bow that way, “as to place near her a young beauty of the name of Rosa. Now, my son has fallen in love with Rosa and has asked my consent to his proposing marriage to her and to their becoming engaged if she will take him—which I suppose she will. I have never seen Rosa until to-day, but I have some confidence in my son’s good sense—even in love. I find her what he represents her, to the best of my judgment; and my mother speaks of her with great commendation.”

“She in all respects deserves it,” says my Lady.

“I am happy, Lady Dedlock, that you say so, and I need not comment on the value to me of your kind opinion of her.”

“That,” observes Sir Leicester with unspeakable grandeur, for he thinks the ironmaster a little too glib, “must be quite unnecessary.”

“Quite unnecessary, Sir Leicester. Now, my son is a very young man, and Rosa is a very young woman. As I made my way, so my son must make his; and his being married at present is out of the question. But supposing I gave my consent to his engaging himself to this pretty girl, if this pretty girl will engage herself to him, I think it a piece of candour to say at once—I am sure, Sir Leicester and Lady Dedlock, you will understand and excuse me—I should make it a condition that she did not remain at Chesney Wold. Therefore, before communicating further with my son, I take the liberty of saying that if her removal would be in any way inconvenient or objectionable, I will hold the matter over with him for any reasonable time and leave it precisely where it is.”

Not remain at Chesney Wold! Make it a condition! All Sir Leicester’s old misgivings relative to Wat Tyler and the people in the iron districts who do nothing but turn out by torchlight come in a shower upon his head, the fine grey hair of which, as well as of his whiskers, actually stirs with indignation.

“Am I to understand, sir,” says Sir Leicester, “and is my Lady to understand”—he brings her in thus specially, first as a point of gallantry, and next as a point of prudence, having great reliance on her sense—“am I to understand, Mr. Rouncewell, and is my Lady to understand, sir, that you consider this young woman too good for Chesney Wold or likely to be injured by remaining here?”

“Certainly not, Sir Leicester,”

“I am glad to hear it.” Sir Leicester very lofty indeed.

“Pray, Mr. Rouncewell,” says my Lady, warning Sir Leicester off with the slightest gesture of her pretty hand, as if he were a fly, “explain to me what you mean.”

“Willingly, Lady Dedlock. There is nothing I could desire more.”

Addressing her composed face, whose intelligence, however, is too quick and active to be concealed by any studied impassiveness, however habitual, to the strong Saxon face of the visitor, a picture of resolution and perseverance, my Lady listens with attention, occasionally slightly bending her head.

“I am the son of your housekeeper, Lady Dedlock, and passed my childhood about this house. My mother has lived here half a century and will die here I have no doubt. She is one of those examples—perhaps as good a one as there is—of love, and attachment, and fidelity in such a nation, which England may well be proud of, but of which no order can appropriate the whole pride or the whole merit, because such an instance bespeaks high worth on two sides—on the great side assuredly, on the small one no less assuredly.”

Sir Leicester snorts a little to hear the law laid down in this way, but in his honour and his love of truth, he freely, though silently, admits the justice of the ironmaster’s proposition.

“Pardon me for saying what is so obvious, but I wouldn’t have it hastily supposed,” with the least turn of his eyes towards Sir Leicester, “that I am ashamed of my mother’s position here, or wanting in all just respect for Chesney Wold and the family. I certainly may have desired—I certainly have desired, Lady Dedlock—that my mother should retire after so many years and end her days with me. But as I have found that to sever this strong bond would be to break her heart, I have long abandoned that idea.”

Sir Leicester very magnificent again at the notion of Mrs. Rouncewell being spirited off from her natural home to end her days with an ironmaster.

“I have been,” proceeds the visitor in a modest, clear way, “an apprentice and a workman. I have lived on workman’s wages, years and years, and beyond a certain point have had to educate myself. My wife was a foreman’s daughter, and plainly brought up. We have three daughters besides this son of whom I have spoken, and being fortunately able to give them greater advantages than we have had ourselves, we have educated them well, very well. It has been one of our great cares and pleasures to make them worthy of any station.”

A little boastfulness in his fatherly tone here, as if he added in his heart, “even of the Chesney Wold station.” Not a little more magnificence, therefore, on the part of Sir Leicester.

“All this is so frequent, Lady Dedlock, where I live, and among the class to which I belong, that what would be generally called unequal marriages are not of such rare occurrence with us as elsewhere. A son will sometimes make it known to his father that he has fallen in love, say, with a young woman in the factory. The father, who once worked in a factory himself, will be a little disappointed at first very possibly. It may be that he had other views for his son. However, the chances are that having ascertained the young woman to be of unblemished character, he will say to his son, ‘I must be quite sure you are in earnest here. This is a serious matter for both of you. Therefore I shall have this girl educated for two years,’ or it may be, ‘I shall place this girl at the same school with your sisters for such a time, during which you will give me your word and honour to see her only so often. If at the expiration of that time, when she has so far profited by her advantages as that you may be upon a fair equality, you are both in the same mind, I will do my part to make you happy.’ I know of several cases such as I describe, my Lady, and I think they indicate to me my own course now.”

Sir Leicester’s magnificence explodes. Calmly, but terribly.

“Mr. Rouncewell,” says Sir Leicester with his right hand in the breast of his blue coat, the attitude of state in which he is painted in the gallery, “do you draw a parallel between Chesney Wold and a—” Here he resists a disposition to choke, “a factory?”

“I need not reply, Sir Leicester, that the two places are very different; but for the purposes of this case, I think a parallel may be justly drawn between them.”

Sir Leicester directs his majestic glance down one side of the long drawing-room and up the other before he can believe that he is awake.

“Are you aware, sir, that this young woman whom my Lady—my Lady—has placed near her person was brought up at the village school outside the gates?”

“Sir Leicester, I am quite aware of it. A very good school it is, and handsomely supported by this family.”

“Then, Mr. Rouncewell,” returns Sir Leicester, “the application of what you have said is, to me, incomprehensible.”

“Will it be more comprehensible, Sir Leicester, if I say,” the ironmaster is reddening a little, “that I do not regard the village school as teaching everything desirable to be known by my son’s wife?”

From the village school of Chesney Wold, intact as it is this minute, to the whole framework of society; from the whole framework of society, to the aforesaid framework receiving tremendous cracks in consequence of people (iron-masters, lead-mistresses, and what not) not minding their catechism, and getting out of the station unto which they are called—necessarily and for ever, according to Sir Leicester’s rapid logic, the first station in which they happen to find themselves; and from that, to their educating other people out of THEIR stations, and so obliterating the landmarks, and opening the floodgates, and all the rest of it; this is the swift progress of the Dedlock mind.

“My Lady, I beg your pardon. Permit me, for one moment!” She has given a faint indication of intending to speak. “Mr. Rouncewell, our views of duty, and our views of station, and our views of education, and our views of—in short, ALL our views—are so diametrically opposed, that to prolong this discussion must be repellent to your feelings and repellent to my own. This young woman is honoured with my Lady’s notice and favour. If she wishes to withdraw herself from that notice and favour or if she chooses to place herself under the influence of any one who may in his peculiar opinions—you will allow me to say, in his peculiar opinions, though I readily admit that he is not accountable for them to me—who may, in his peculiar opinions, withdraw her from that notice and favour, she is at any time at liberty to do so. We are obliged to you for the plainness with which you have spoken. It will have no effect of itself, one way or other, on the young woman’s position here. Beyond this, we can make no terms; and here we beg—if you will be so good—to leave the subject.”

The visitor pauses a moment to give my Lady an opportunity, but she says nothing. He then rises and replies, “Sir Leicester and Lady Dedlock, allow me to thank you for your attention and only to observe that I shall very seriously recommend my son to conquer his present inclinations. Good night!”

“Mr. Rouncewell,” says Sir Leicester with all the nature of a gentleman shining in him, “it is late, and the roads are dark. I hope your time is not so precious but that you will allow my Lady and myself to offer you the hospitality of Chesney Wold, for to-night at least.”

“I hope so,” adds my Lady.

“I am much obliged to you, but I have to travel all night in order to reach a distant part of the country punctually at an appointed time in the morning.”

Therewith the ironmaster takes his departure, Sir Leicester ringing the bell and my Lady rising as he leaves the room.

When my Lady goes to her boudoir, she sits down thoughtfully by the fire, and inattentive to the Ghost’s Walk, looks at Rosa, writing in an inner room. Presently my Lady calls her.

“Come to me, child. Tell me the truth. Are you in love?”

“Oh! My Lady!”

My Lady, looking at the downcast and blushing face, says smiling, “Who is it? Is it Mrs. Rouncewell’s grandson?”

“Yes, if you please, my Lady. But I don’t know that I am in love with him—yet.”

“Yet, you silly little thing! Do you know that he loves YOU, yet?”

“I think he likes me a little, my Lady.” And Rosa bursts into tears.

Is this Lady Dedlock standing beside the village beauty, smoothing her dark hair with that motherly touch, and watching her with eyes so full of musing interest? Aye, indeed it is!

“Listen to me, child. You are young and true, and I believe you are attached to me.”

“Indeed I am, my Lady. Indeed there is nothing in the world I wouldn’t do to show how much.”

“And I don’t think you would wish to leave me just yet, Rosa, even for a lover?”

“No, my Lady! Oh, no!” Rosa looks up for the first time, quite frightened at the thought.

“Confide in me, my child. Don’t fear me. I wish you to be happy, and will make you so—if I can make anybody happy on this earth.”

Rosa, with fresh tears, kneels at her feet and kisses her hand. My Lady takes the hand with which she has caught it, and standing with her eyes fixed on the fire, puts it about and about between her own two hands, and gradually lets it fall. Seeing her so absorbed, Rosa softly withdraws; but still my Lady’s eyes are on the fire.

In search of what? Of any hand that is no more, of any hand that never was, of any touch that might have magically changed her life? Or does she listen to the Ghost’s Walk and think what step does it most resemble? A man’s? A woman’s? The pattering of a little child’s feet, ever coming on—on—on? Some melancholy influence is upon her, or why should so proud a lady close the doors and sit alone upon the hearth so desolate?

Volumnia is away next day, and all the cousins are scattered before dinner. Not a cousin of the batch but is amazed to hear from Sir Leicester at breakfast-time of the obliteration of landmarks, and opening of floodgates, and cracking of the framework of society, manifested through Mrs. Rouncewell’s son. Not a cousin of the batch but is really indignant, and connects it with the feebleness of William Buffy when in office, and really does feel deprived of a stake in the country—or the pension list—or something—by fraud and wrong. As to Volumnia, she is handed down the great staircase by Sir Leicester, as eloquent upon the theme as if there were a general rising in the north of England to obtain her rouge-pot and pearl necklace. And thus, with a clatter of maids and valets—for it is one appurtenance of their cousinship that however difficult they may find it to keep themselves, they MUST keep maids and valets—the cousins disperse to the four winds of heaven; and the one wintry wind that blows to-day shakes a shower from the trees near the deserted house, as if all the cousins had been changed into leaves.

XXIX. The Young Man

Chesney Wold is shut up, carpets are rolled into great scrolls in corners of comfortless rooms, bright damask does penance in brown holland, carving and gilding puts on mortification, and the Dedlock ancestors retire from the light of day again. Around and around the house the leaves fall thick, but never fast, for they come circling down with a dead lightness that is sombre and slow. Let the gardener sweep and sweep the turf as he will, and press the leaves into full barrows, and wheel them off, still they lie ankle-deep. Howls the shrill wind round Chesney Wold; the sharp rain beats, the windows rattle, and the chimneys growl. Mists hide in the avenues, veil the points of view, and move in funeral-wise across the rising grounds. On all the house there is a cold, blank smell like the smell of a little church, though something dryer, suggesting that the dead and buried Dedlocks walk there in the long nights and leave the flavour of their graves behind them.

But the house in town, which is rarely in the same mind as Chesney Wold at the same time, seldom rejoicing when it rejoices or mourning when it mourns, excepting when a Dedlock dies—the house in town shines out awakened. As warm and bright as so much state may be, as delicately redolent of pleasant scents that bear no trace of winter as hothouse flowers can make it, soft and hushed so that the ticking of the clocks and the crisp burning of the fires alone disturb the stillness in the rooms, it seems to wrap those chilled bones of Sir Leicester’s in rainbow-coloured wool. And Sir Leicester is glad to repose in dignified contentment before the great fire in the library, condescendingly perusing the backs of his books or honouring the fine arts with a glance of approbation. For he has his pictures, ancient and modern. Some of the Fancy Ball School in which art occasionally condescends to become a master, which would be best catalogued like the miscellaneous articles in a sale. As “Three high-backed chairs, a table and cover, long-necked bottle (containing wine), one flask, one Spanish female’s costume, three-quarter face portrait of Miss Jogg the model, and a suit of armour containing Don Quixote.” Or “One stone terrace (cracked), one gondola in distance, one Venetian senator’s dress complete, richly embroidered white satin costume with profile portrait of Miss Jogg the model, one Scimitar superbly mounted in gold with jewelled handle, elaborate Moorish dress (very rare), and Othello.”

Mr. Tulkinghorn comes and goes pretty often, there being estate business to do, leases to be renewed, and so on. He sees my Lady pretty often, too; and he and she are as composed, and as indifferent, and take as little heed of one another, as ever. Yet it may be that my Lady fears this Mr. Tulkinghorn and that he knows it. It may be that he pursues her doggedly and steadily, with no touch of compunction, remorse, or pity. It may be that her beauty and all the state and brilliancy surrounding her only gives him the greater zest for what he is set upon and makes him the more inflexible in it. Whether he be cold and cruel, whether immovable in what he has made his duty, whether absorbed in love of power, whether determined to have nothing hidden from him in ground where he has burrowed among secrets all his life, whether he in his heart despises the splendour of which he is a distant beam, whether he is always treasuring up slights and offences in the affability of his gorgeous clients—whether he be any of this, or all of this, it may be that my Lady had better have five thousand pairs of fashionable eyes upon her, in distrustful vigilance, than the two eyes of this rusty lawyer with his wisp of neckcloth and his dull black breeches tied with ribbons at the knees.

Sir Leicester sits in my Lady’s room—that room in which Mr. Tulkinghorn read the affidavit in Jarndyce and Jarndyce—particularly complacent. My Lady, as on that day, sits before the fire with her screen in her hand. Sir Leicester is particularly complacent because he has found in his newspaper some congenial remarks bearing directly on the floodgates and the framework of society. They apply so happily to the late case that Sir Leicester has come from the library to my Lady’s room expressly to read them aloud. “The man who wrote this article,” he observes by way of preface, nodding at the fire as if he were nodding down at the man from a mount, “has a well-balanced mind.”

The man’s mind is not so well balanced but that he bores my Lady, who, after a languid effort to listen, or rather a languid resignation of herself to a show of listening, becomes distraught and falls into a contemplation of the fire as if it were her fire at Chesney Wold, and she had never left it. Sir Leicester, quite unconscious, reads on through his double eye-glass, occasionally stopping to remove his glass and express approval, as “Very true indeed,” “Very properly put,” “I have frequently made the same remark myself,” invariably losing his place after each observation, and going up and down the column to find it again.

Sir Leicester is reading with infinite gravity and state when the door opens, and the Mercury in powder makes this strange announcement, “The young man, my Lady, of the name of Guppy.”

Sir Leicester pauses, stares, repeats in a killing voice, “The young man of the name of Guppy?”

Looking round, he beholds the young man of the name of Guppy, much discomfited and not presenting a very impressive letter of introduction in his manner and appearance.

“Pray,” says Sir Leicester to Mercury, “what do you mean by announcing with this abruptness a young man of the name of Guppy?”

“I beg your pardon, Sir Leicester, but my Lady said she would see the young man whenever he called. I was not aware that you were here, Sir Leicester.”

With this apology, Mercury directs a scornful and indignant look at the young man of the name of Guppy which plainly says, “What do you come calling here for and getting ME into a row?”

“It’s quite right. I gave him those directions,” says my Lady. “Let the young man wait.”

“By no means, my Lady. Since he has your orders to come, I will not interrupt you.” Sir Leicester in his gallantry retires, rather declining to accept a bow from the young man as he goes out and majestically supposing him to be some shoemaker of intrusive appearance.

Lady Dedlock looks imperiously at her visitor when the servant has left the room, casting her eyes over him from head to foot. She suffers him to stand by the door and asks him what he wants.

“That your ladyship would have the kindness to oblige me with a little conversation,” returns Mr. Guppy, embarrassed.

“You are, of course, the person who has written me so many letters?”

“Several, your ladyship. Several before your ladyship condescended to favour me with an answer.”

“And could you not take the same means of rendering a Conversation unnecessary? Can you not still?”

Mr. Guppy screws his mouth into a silent “No!” and shakes his head.

“You have been strangely importunate. If it should appear, after all, that what you have to say does not concern me—and I don’t know how it can, and don’t expect that it will—you will allow me to cut you short with but little ceremony. Say what you have to say, if you please.”

My Lady, with a careless toss of her screen, turns herself towards the fire again, sitting almost with her back to the young man of the name of Guppy.

“With your ladyship’s permission, then,” says the young man, “I will now enter on my business. Hem! I am, as I told your ladyship in my first letter, in the law. Being in the law, I have learnt the habit of not committing myself in writing, and therefore I did not mention to your ladyship the name of the firm with which I am connected and in which my standing—and I may add income—is tolerably good. I may now state to your ladyship, in confidence, that the name of that firm is Kenge and Carboy, of Lincoln’s Inn, which may not be altogether unknown to your ladyship in connexion with the case in Chancery of Jarndyce and Jarndyce.”

My Lady’s figure begins to be expressive of some attention. She has ceased to toss the screen and holds it as if she were listening.

“Now, I may say to your ladyship at once,” says Mr. Guppy, a little emboldened, “it is no matter arising out of Jarndyce and Jarndyce that made me so desirous to speak to your ladyship, which conduct I have no doubt did appear, and does appear, obtrusive—in fact, almost blackguardly.”

After waiting for a moment to receive some assurance to the contrary, and not receiving any, Mr. Guppy proceeds, “If it had been Jarndyce and Jarndyce, I should have gone at once to your ladyship’s solicitor, Mr. Tulkinghorn, of the Fields. I have the pleasure of being acquainted with Mr. Tulkinghorn—at least we move when we meet one another—and if it had been any business of that sort, I should have gone to him.”

My Lady turns a little round and says, “You had better sit down.”

“Thank your ladyship.” Mr. Guppy does so. “Now, your ladyship”—Mr. Guppy refers to a little slip of paper on which he has made small notes of his line of argument and which seems to involve him in the densest obscurity whenever he looks at it—“I—Oh, yes!—I place myself entirely in your ladyship’s hands. If your ladyship was to make any complaint to Kenge and Carboy or to Mr. Tulkinghorn of the present visit, I should be placed in a very disagreeable situation. That, I openly admit. Consequently, I rely upon your ladyship’s honour.”

My Lady, with a disdainful gesture of the hand that holds the screen, assures him of his being worth no complaint from her.

“Thank your ladyship,” says Mr. Guppy; “quite satisfactory. Now—I—dash it!—The fact is that I put down a head or two here of the order of the points I thought of touching upon, and they’re written short, and I can’t quite make out what they mean. If your ladyship will excuse me taking it to the window half a moment, I—”

Mr. Guppy, going to the window, tumbles into a pair of love-birds, to whom he says in his confusion, “I beg your pardon, I am sure.” This does not tend to the greater legibility of his notes. He murmurs, growing warm and red and holding the slip of paper now close to his eyes, now a long way off, “C.S. What’s C.S. for? Oh! C.S.! Oh, I know! Yes, to be sure!” And comes back enlightened.

“I am not aware,” says Mr. Guppy, standing midway between my Lady and his chair, “whether your ladyship ever happened to hear of, or to see, a young lady of the name of Miss Esther Summerson.”

My Lady’s eyes look at him full. “I saw a young lady of that name not long ago. This past autumn.”

“Now, did it strike your ladyship that she was like anybody?” asks Mr. Guppy, crossing his arms, holding his head on one side, and scratching the corner of his mouth with his memoranda.

My Lady removes her eyes from him no more.

“No.”

“Not like your ladyship’s family?”

“No.”

“I think your ladyship,” says Mr. Guppy, “can hardly remember Miss Summerson’s face?”

“I remember the young lady very well. What has this to do with me?”

“Your ladyship, I do assure you that having Miss Summerson’s image imprinted on my ’eart—which I mention in confidence—I found, when I had the honour of going over your ladyship’s mansion of Chesney Wold while on a short out in the county of Lincolnshire with a friend, such a resemblance between Miss Esther Summerson and your ladyship’s own portrait that it completely knocked me over, so much so that I didn’t at the moment even know what it WAS that knocked me over. And now I have the honour of beholding your ladyship near (I have often, since that, taken the liberty of looking at your ladyship in your carriage in the park, when I dare say you was not aware of me, but I never saw your ladyship so near), it’s really more surprising than I thought it.”

Young man of the name of Guppy! There have been times, when ladies lived in strongholds and had unscrupulous attendants within call, when that poor life of yours would NOT have been worth a minute’s purchase, with those beautiful eyes looking at you as they look at this moment.

My Lady, slowly using her little hand-screen as a fan, asks him again what he supposes that his taste for likenesses has to do with her.

“Your ladyship,” replies Mr. Guppy, again referring to his paper, “I am coming to that. Dash these notes! Oh! ‘Mrs. Chadband.’ Yes.” Mr. Guppy draws his chair a little forward and seats himself again. My Lady reclines in her chair composedly, though with a trifle less of graceful ease than usual perhaps, and never falters in her steady gaze. “A—stop a minute, though!” Mr. Guppy refers again. “E.S. twice? Oh, yes! Yes, I see my way now, right on.”

Rolling up the slip of paper as an instrument to point his speech with, Mr. Guppy proceeds.

“Your ladyship, there is a mystery about Miss Esther Summerson’s birth and bringing up. I am informed of that fact because—which I mention in confidence—I know it in the way of my profession at Kenge and Carboy’s. Now, as I have already mentioned to your ladyship, Miss Summerson’s image is imprinted on my ’eart. If I could clear this mystery for her, or prove her to be well related, or find that having the honour to be a remote branch of your ladyship’s family she had a right to be made a party in Jarndyce and Jarndyce, why, I might make a sort of a claim upon Miss Summerson to look with an eye of more dedicated favour on my proposals than she has exactly done as yet. In fact, as yet she hasn’t favoured them at all.”

A kind of angry smile just dawns upon my Lady’s face.

“Now, it’s a very singular circumstance, your ladyship,” says Mr. Guppy, “though one of those circumstances that do fall in the way of us professional men—which I may call myself, for though not admitted, yet I have had a present of my articles made to me by Kenge and Carboy, on my mother’s advancing from the principal of her little income the money for the stamp, which comes heavy—that I have encountered the person who lived as servant with the lady who brought Miss Summerson up before Mr. Jarndyce took charge of her. That lady was a Miss Barbary, your ladyship.”

Is the dead colour on my Lady’s face reflected from the screen which has a green silk ground and which she holds in her raised hand as if she had forgotten it, or is it a dreadful paleness that has fallen on her?

“Did your ladyship,” says Mr. Guppy, “ever happen to hear of Miss Barbary?”

“I don’t know. I think so. Yes.”

“Was Miss Barbary at all connected with your ladyship’s family?”

My Lady’s lips move, but they utter nothing. She shakes her head.

“NOT connected?” says Mr. Guppy. “Oh! Not to your ladyship’s knowledge, perhaps? Ah! But might be? Yes.” After each of these interrogatories, she has inclined her head. “Very good! Now, this Miss Barbary was extremely close—seems to have been extraordinarily close for a female, females being generally (in common life at least) rather given to conversation—and my witness never had an idea whether she possessed a single relative. On one occasion, and only one, she seems to have been confidential to my witness on a single point, and she then told her that the little girl’s real name was not Esther Summerson, but Esther Hawdon.”

“My God!”

Mr. Guppy stares. Lady Dedlock sits before him looking him through, with the same dark shade upon her face, in the same attitude even to the holding of the screen, with her lips a little apart, her brow a little contracted, but for the moment dead. He sees her consciousness return, sees a tremor pass across her frame like a ripple over water, sees her lips shake, sees her compose them by a great effort, sees her force herself back to the knowledge of his presence and of what he has said. All this, so quickly, that her exclamation and her dead condition seem to have passed away like the features of those long-preserved dead bodies sometimes opened up in tombs, which, struck by the air like lightning, vanish in a breath.

“Your ladyship is acquainted with the name of Hawdon?”

“I have heard it before.”

“Name of any collateral or remote branch of your ladyship’s family?”

“No.”

“Now, your ladyship,” says Mr. Guppy, “I come to the last point of the case, so far as I have got it up. It’s going on, and I shall gather it up closer and closer as it goes on. Your ladyship must know—if your ladyship don’t happen, by any chance, to know already—that there was found dead at the house of a person named Krook, near Chancery Lane, some time ago, a law-writer in great distress. Upon which law-writer there was an inquest, and which law-writer was an anonymous character, his name being unknown. But, your ladyship, I have discovered very lately that that law-writer’s name was Hawdon.”

“And what is THAT to me?”

“Aye, your ladyship, that’s the question! Now, your ladyship, a queer thing happened after that man’s death. A lady started up, a disguised lady, your ladyship, who went to look at the scene of action and went to look at his grave. She hired a crossing-sweeping boy to show it her. If your ladyship would wish to have the boy produced in corroboration of this statement, I can lay my hand upon him at any time.”

The wretched boy is nothing to my Lady, and she does NOT wish to have him produced.

“Oh, I assure your ladyship it’s a very queer start indeed,” says Mr. Guppy. “If you was to hear him tell about the rings that sparkled on her fingers when she took her glove off, you’d think it quite romantic.”

There are diamonds glittering on the hand that holds the screen. My Lady trifles with the screen and makes them glitter more, again with that expression which in other times might have been so dangerous to the young man of the name of Guppy.

“It was supposed, your ladyship, that he left no rag or scrap behind him by which he could be possibly identified. But he did. He left a bundle of old letters.”

The screen still goes, as before. All this time her eyes never once release him.

“They were taken and secreted. And to-morrow night, your ladyship, they will come into my possession.”

“Still I ask you, what is this to me?”

“Your ladyship, I conclude with that.” Mr. Guppy rises. “If you think there’s enough in this chain of circumstances put together—in the undoubted strong likeness of this young lady to your ladyship, which is a positive fact for a jury; in her having been brought up by Miss Barbary; in Miss Barbary stating Miss Summerson’s real name to be Hawdon; in your ladyship’s knowing both these names VERY WELL; and in Hawdon’s dying as he did—to give your ladyship a family interest in going further into the case, I will bring these papers here. I don’t know what they are, except that they are old letters: I have never had them in my possession yet. I will bring those papers here as soon as I get them and go over them for the first time with your ladyship. I have told your ladyship my object. I have told your ladyship that I should be placed in a very disagreeable situation if any complaint was made, and all is in strict confidence.”

Is this the full purpose of the young man of the name of Guppy, or has he any other? Do his words disclose the length, breadth, depth, of his object and suspicion in coming here; or if not, what do they hide? He is a match for my Lady there. She may look at him, but he can look at the table and keep that witness-box face of his from telling anything.

“You may bring the letters,” says my Lady, “if you choose.”

“Your ladyship is not very encouraging, upon my word and honour,” says Mr. Guppy, a little injured.

“You may bring the letters,” she repeats in the same tone, “if you—please.”

“It shall be done. I wish your ladyship good day.”

On a table near her is a rich bauble of a casket, barred and clasped like an old strong-chest. She, looking at him still, takes it to her and unlocks it.

“Oh! I assure your ladyship I am not actuated by any motives of that sort,” says Mr. Guppy, “and I couldn’t accept anything of the kind. I wish your ladyship good day, and am much obliged to you all the same.”

So the young man makes his bow and goes downstairs, where the supercilious Mercury does not consider himself called upon to leave his Olympus by the hall-fire to let the young man out.

As Sir Leicester basks in his library and dozes over his newspaper, is there no influence in the house to startle him, not to say to make the very trees at Chesney Wold fling up their knotted arms, the very portraits frown, the very armour stir?

No. Words, sobs, and cries are but air, and air is so shut in and shut out throughout the house in town that sounds need be uttered trumpet-tongued indeed by my Lady in her chamber to carry any faint vibration to Sir Leicester’s ears; and yet this cry is in the house, going upward from a wild figure on its knees.

“O my child, my child! Not dead in the first hours of her life, as my cruel sister told me, but sternly nurtured by her, after she had renounced me and my name! O my child, O my child!”

XXX. Esther’s Narrative

Richard had been gone away some time when a visitor came to pass a few days with us. It was an elderly lady. It was Mrs. Woodcourt, who, having come from Wales to stay with Mrs. Bayham Badger and having written to my guardian, “by her son Allan’s desire,” to report that she had heard from him and that he was well “and sent his kind remembrances to all of us,” had been invited by my guardian to make a visit to Bleak House. She stayed with us nearly three weeks. She took very kindly to me and was extremely confidential, so much so that sometimes she almost made me uncomfortable. I had no right, I knew very well, to be uncomfortable because she confided in me, and I felt it was unreasonable; still, with all I could do, I could not quite help it.

She was such a sharp little lady and used to sit with her hands folded in each other looking so very watchful while she talked to me that perhaps I found that rather irksome. Or perhaps it was her being so upright and trim, though I don’t think it was that, because I thought that quaintly pleasant. Nor can it have been the general expression of her face, which was very sparkling and pretty for an old lady. I don’t know what it was. Or at least if I do now, I thought I did not then. Or at least—but it don’t matter.

Of a night when I was going upstairs to bed, she would invite me into her room, where she sat before the fire in a great chair; and, dear me, she would tell me about Morgan ap-Kerrig until I was quite low-spirited! Sometimes she recited a few verses from Crumlinwallinwer and the Mewlinnwillinwodd (if those are the right names, which I dare say they are not), and would become quite fiery with the sentiments they expressed. Though I never knew what they were (being in Welsh), further than that they were highly eulogistic of the lineage of Morgan ap-Kerrig.

“So, Miss Summerson,” she would say to me with stately triumph, “this, you see, is the fortune inherited by my son. Wherever my son goes, he can claim kindred with Ap-Kerrig. He may not have money, but he always has what is much better—family, my dear.”

I had my doubts of their caring so very much for Morgan ap-Kerrig in India and China, but of course I never expressed them. I used to say it was a great thing to be so highly connected.

“It IS, my dear, a great thing,” Mrs. Woodcourt would reply. “It has its disadvantages; my son’s choice of a wife, for instance, is limited by it, but the matrimonial choice of the royal family is limited in much the same manner.”

Then she would pat me on the arm and smooth my dress, as much as to assure me that she had a good opinion of me, the distance between us notwithstanding.

“Poor Mr. Woodcourt, my dear,” she would say, and always with some emotion, for with her lofty pedigree she had a very affectionate heart, “was descended from a great Highland family, the MacCoorts of MacCoort. He served his king and country as an officer in the Royal Highlanders, and he died on the field. My son is one of the last representatives of two old families. With the blessing of heaven he will set them up again and unite them with another old family.”

It was in vain for me to try to change the subject, as I used to try, only for the sake of novelty or perhaps because—but I need not be so particular. Mrs. Woodcourt never would let me change it.

“My dear,” she said one night, “you have so much sense and you look at the world in a quiet manner so superior to your time of life that it is a comfort to me to talk to you about these family matters of mine. You don’t know much of my son, my dear; but you know enough of him, I dare say, to recollect him?”

“Yes, ma’am. I recollect him.”

“Yes, my dear. Now, my dear, I think you are a judge of character, and I should like to have your opinion of him.”

“Oh, Mrs. Woodcourt,” said I, “that is so difficult!”

“Why is it so difficult, my dear?” she returned. “I don’t see it myself.”

“To give an opinion—”

“On so slight an acquaintance, my dear. THAT’S true.”

I didn’t mean that, because Mr. Woodcourt had been at our house a good deal altogether and had become quite intimate with my guardian. I said so, and added that he seemed to be very clever in his profession—we thought—and that his kindness and gentleness to Miss Flite were above all praise.

“You do him justice!” said Mrs. Woodcourt, pressing my hand. “You define him exactly. Allan is a dear fellow, and in his profession faultless. I say it, though I am his mother. Still, I must confess he is not without faults, love.”

“None of us are,” said I.

“Ah! But his really are faults that he might correct, and ought to correct,” returned the sharp old lady, sharply shaking her head. “I am so much attached to you that I may confide in you, my dear, as a third party wholly disinterested, that he is fickleness itself.”

I said I should have thought it hardly possible that he could have been otherwise than constant to his profession and zealous in the pursuit of it, judging from the reputation he had earned.

“You are right again, my dear,” the old lady retorted, “but I don’t refer to his profession, look you.”

“Oh!” said I.

“No,” said she. “I refer, my dear, to his social conduct. He is always paying trivial attentions to young ladies, and always has been, ever since he was eighteen. Now, my dear, he has never really cared for any one of them and has never meant in doing this to do any harm or to express anything but politeness and good nature. Still, it’s not right, you know; is it?”

“No,” said I, as she seemed to wait for me.

“And it might lead to mistaken notions, you see, my dear.”

I supposed it might.

“Therefore, I have told him many times that he really should be more careful, both in justice to himself and in justice to others. And he has always said, ‘Mother, I will be; but you know me better than anybody else does, and you know I mean no harm—in short, mean nothing.’ All of which is very true, my dear, but is no justification. However, as he is now gone so far away and for an indefinite time, and as he will have good opportunities and introductions, we may consider this past and gone. And you, my dear,” said the old lady, who was now all nods and smiles, “regarding your dear self, my love?”

“Me, Mrs. Woodcourt?”

“Not to be always selfish, talking of my son, who has gone to seek his fortune and to find a wife—when do you mean to seek YOUR fortune and to find a husband, Miss Summerson? Hey, look you! Now you blush!”

I don’t think I did blush—at all events, it was not important if I did—and I said my present fortune perfectly contented me and I had no wish to change it.

“Shall I tell you what I always think of you and the fortune yet to come for you, my love?” said Mrs. Woodcourt.

“If you believe you are a good prophet,” said I.

“Why, then, it is that you will marry some one very rich and very worthy, much older—five and twenty years, perhaps—than yourself. And you will be an excellent wife, and much beloved, and very happy.”

“That is a good fortune,” said I. “But why is it to be mine?”

“My dear,” she returned, “there’s suitability in it—you are so busy, and so neat, and so peculiarly situated altogether that there’s suitability in it, and it will come to pass. And nobody, my love, will congratulate you more sincerely on such a marriage than I shall.”

It was curious that this should make me uncomfortable, but I think it did. I know it did. It made me for some part of that night uncomfortable. I was so ashamed of my folly that I did not like to confess it even to Ada, and that made me more uncomfortable still. I would have given anything not to have been so much in the bright old lady’s confidence if I could have possibly declined it. It gave me the most inconsistent opinions of her. At one time I thought she was a story-teller, and at another time that she was the pink of truth. Now I suspected that she was very cunning, next moment I believed her honest Welsh heart to be perfectly innocent and simple. And after all, what did it matter to me, and why did it matter to me? Why could not I, going up to bed with my basket of keys, stop to sit down by her fire and accommodate myself for a little while to her, at least as well as to anybody else, and not trouble myself about the harmless things she said to me? Impelled towards her, as I certainly was, for I was very anxious that she should like me and was very glad indeed that she did, why should I harp afterwards, with actual distress and pain, on every word she said and weigh it over and over again in twenty scales? Why was it so worrying to me to have her in our house, and confidential to me every night, when I yet felt that it was better and safer somehow that she should be there than anywhere else? These were perplexities and contradictions that I could not account for. At least, if I could—but I shall come to all that by and by, and it is mere idleness to go on about it now.

So when Mrs. Woodcourt went away, I was sorry to lose her but was relieved too. And then Caddy Jellyby came down, and Caddy brought such a packet of domestic news that it gave us abundant occupation.

First Caddy declared (and would at first declare nothing else) that I was the best adviser that ever was known. This, my pet said, was no news at all; and this, I said, of course, was nonsense. Then Caddy told us that she was going to be married in a month and that if Ada and I would be her bridesmaids, she was the happiest girl in the world. To be sure, this was news indeed; and I thought we never should have done talking about it, we had so much to say to Caddy, and Caddy had so much to say to us.

It seemed that Caddy’s unfortunate papa had got over his bankruptcy—“gone through the Gazette,” was the expression Caddy used, as if it were a tunnel—with the general clemency and commiseration of his creditors, and had got rid of his affairs in some blessed manner without succeeding in understanding them, and had given up everything he possessed (which was not worth much, I should think, to judge from the state of the furniture), and had satisfied every one concerned that he could do no more, poor man. So, he had been honourably dismissed to “the office” to begin the world again. What he did at the office, I never knew; Caddy said he was a “custom-house and general agent,” and the only thing I ever understood about that business was that when he wanted money more than usual he went to the docks to look for it, and hardly ever found it.

As soon as her papa had tranquillized his mind by becoming this shorn lamb, and they had removed to a furnished lodging in Hatton Garden (where I found the children, when I afterwards went there, cutting the horse hair out of the seats of the chairs and choking themselves with it), Caddy had brought about a meeting between him and old Mr. Turveydrop; and poor Mr. Jellyby, being very humble and meek, had deferred to Mr. Turveydrop’s deportment so submissively that they had become excellent friends. By degrees, old Mr. Turveydrop, thus familiarized with the idea of his son’s marriage, had worked up his parental feelings to the height of contemplating that event as being near at hand and had given his gracious consent to the young couple commencing housekeeping at the academy in Newman Street when they would.

“And your papa, Caddy. What did he say?”

“Oh! Poor Pa,” said Caddy, “only cried and said he hoped we might get on better than he and Ma had got on. He didn’t say so before Prince, he only said so to me. And he said, ‘My poor girl, you have not been very well taught how to make a home for your husband, but unless you mean with all your heart to strive to do it, you had better murder him than marry him—if you really love him.’”

“And how did you reassure him, Caddy?”

“Why, it was very distressing, you know, to see poor Pa so low and hear him say such terrible things, and I couldn’t help crying myself. But I told him that I DID mean it with all my heart and that I hoped our house would be a place for him to come and find some comfort in of an evening and that I hoped and thought I could be a better daughter to him there than at home. Then I mentioned Peepy’s coming to stay with me, and then Pa began to cry again and said the children were Indians.”

“Indians, Caddy?”

“Yes,” said Caddy, “wild Indians. And Pa said”—here she began to sob, poor girl, not at all like the happiest girl in the world—“that he was sensible the best thing that could happen to them was their being all tomahawked together.”

Ada suggested that it was comfortable to know that Mr. Jellyby did not mean these destructive sentiments.

“No, of course I know Pa wouldn’t like his family to be weltering in their blood,” said Caddy, “but he means that they are very unfortunate in being Ma’s children and that he is very unfortunate in being Ma’s husband; and I am sure that’s true, though it seems unnatural to say so.”

I asked Caddy if Mrs. Jellyby knew that her wedding-day was fixed.

“Oh! You know what Ma is, Esther,” she returned. “It’s impossible to say whether she knows it or not. She has been told it often enough; and when she IS told it, she only gives me a placid look, as if I was I don’t know what—a steeple in the distance,” said Caddy with a sudden idea; “and then she shakes her head and says ‘Oh, Caddy, Caddy, what a tease you are!’ and goes on with the Borrioboola letters.”

“And about your wardrobe, Caddy?” said I. For she was under no restraint with us.

“Well, my dear Esther,” she returned, drying her eyes, “I must do the best I can and trust to my dear Prince never to have an unkind remembrance of my coming so shabbily to him. If the question concerned an outfit for Borrioboola, Ma would know all about it and would be quite excited. Being what it is, she neither knows nor cares.”

Caddy was not at all deficient in natural affection for her mother, but mentioned this with tears as an undeniable fact, which I am afraid it was. We were sorry for the poor dear girl and found so much to admire in the good disposition which had survived under such discouragement that we both at once (I mean Ada and I) proposed a little scheme that made her perfectly joyful. This was her staying with us for three weeks, my staying with her for one, and our all three contriving and cutting out, and repairing, and sewing, and saving, and doing the very best we could think of to make the most of her stock. My guardian being as pleased with the idea as Caddy was, we took her home next day to arrange the matter and brought her out again in triumph with her boxes and all the purchases that could be squeezed out of a ten-pound note, which Mr. Jellyby had found in the docks I suppose, but which he at all events gave her. What my guardian would not have given her if we had encouraged him, it would be difficult to say, but we thought it right to compound for no more than her wedding-dress and bonnet. He agreed to this compromise, and if Caddy had ever been happy in her life, she was happy when we sat down to work.

She was clumsy enough with her needle, poor girl, and pricked her fingers as much as she had been used to ink them. She could not help reddening a little now and then, partly with the smart and partly with vexation at being able to do no better, but she soon got over that and began to improve rapidly. So day after day she, and my darling, and my little maid Charley, and a milliner out of the town, and I, sat hard at work, as pleasantly as possible.

Over and above this, Caddy was very anxious “to learn housekeeping,” as she said. Now, mercy upon us! The idea of her learning housekeeping of a person of my vast experience was such a joke that I laughed, and coloured up, and fell into a comical confusion when she proposed it. However, I said, “Caddy, I am sure you are very welcome to learn anything that you can learn of ME, my dear,” and I showed her all my books and methods and all my fidgety ways. You would have supposed that I was showing her some wonderful inventions, by her study of them; and if you had seen her, whenever I jingled my housekeeping keys, get up and attend me, certainly you might have thought that there never was a greater imposter than I with a blinder follower than Caddy Jellyby.

So what with working and housekeeping, and lessons to Charley, and backgammon in the evening with my guardian, and duets with Ada, the three weeks slipped fast away. Then I went home with Caddy to see what could be done there, and Ada and Charley remained behind to take care of my guardian.

When I say I went home with Caddy, I mean to the furnished lodging in Hatton Garden. We went to Newman Street two or three times, where preparations were in progress too—a good many, I observed, for enhancing the comforts of old Mr. Turveydrop, and a few for putting the newly married couple away cheaply at the top of the house—but our great point was to make the furnished lodging decent for the wedding-breakfast and to imbue Mrs. Jellyby beforehand with some faint sense of the occasion.

The latter was the more difficult thing of the two because Mrs. Jellyby and an unwholesome boy occupied the front sitting-room (the back one was a mere closet), and it was littered down with waste-paper and Borrioboolan documents, as an untidy stable might be littered with straw. Mrs. Jellyby sat there all day drinking strong coffee, dictating, and holding Borrioboolan interviews by appointment. The unwholesome boy, who seemed to me to be going into a decline, took his meals out of the house. When Mr. Jellyby came home, he usually groaned and went down into the kitchen. There he got something to eat if the servant would give him anything, and then, feeling that he was in the way, went out and walked about Hatton Garden in the wet. The poor children scrambled up and tumbled down the house as they had always been accustomed to do.

The production of these devoted little sacrifices in any presentable condition being quite out of the question at a week’s notice, I proposed to Caddy that we should make them as happy as we could on her marriage morning in the attic where they all slept, and should confine our greatest efforts to her mama and her mama’s room, and a clean breakfast. In truth Mrs. Jellyby required a good deal of attention, the lattice-work up her back having widened considerably since I first knew her and her hair looking like the mane of a dustman’s horse.

Thinking that the display of Caddy’s wardrobe would be the best means of approaching the subject, I invited Mrs. Jellyby to come and look at it spread out on Caddy’s bed in the evening after the unwholesome boy was gone.

“My dear Miss Summerson,” said she, rising from her desk with her usual sweetness of temper, “these are really ridiculous preparations, though your assisting them is a proof of your kindness. There is something so inexpressibly absurd to me in the idea of Caddy being married! Oh, Caddy, you silly, silly, silly puss!”

She came upstairs with us notwithstanding and looked at the clothes in her customary far-off manner. They suggested one distinct idea to her, for she said with her placid smile, and shaking her head, “My good Miss Summerson, at half the cost, this weak child might have been equipped for Africa!”

On our going downstairs again, Mrs. Jellyby asked me whether this troublesome business was really to take place next Wednesday. And on my replying yes, she said, “Will my room be required, my dear Miss Summerson? For it’s quite impossible that I can put my papers away.”

I took the liberty of saying that the room would certainly be wanted and that I thought we must put the papers away somewhere. “Well, my dear Miss Summerson,” said Mrs. Jellyby, “you know best, I dare say. But by obliging me to employ a boy, Caddy has embarrassed me to that extent, overwhelmed as I am with public business, that I don’t know which way to turn. We have a Ramification meeting, too, on Wednesday afternoon, and the inconvenience is very serious.”

“It is not likely to occur again,” said I, smiling. “Caddy will be married but once, probably.”

“That’s true,” Mrs. Jellyby replied; “that’s true, my dear. I suppose we must make the best of it!”

The next question was how Mrs. Jellyby should be dressed on the occasion. I thought it very curious to see her looking on serenely from her writing-table while Caddy and I discussed it, occasionally shaking her head at us with a half-reproachful smile like a superior spirit who could just bear with our trifling.

The state in which her dresses were, and the extraordinary confusion in which she kept them, added not a little to our difficulty; but at length we devised something not very unlike what a common-place mother might wear on such an occasion. The abstracted manner in which Mrs. Jellyby would deliver herself up to having this attire tried on by the dressmaker, and the sweetness with which she would then observe to me how sorry she was that I had not turned my thoughts to Africa, were consistent with the rest of her behaviour.

The lodging was rather confined as to space, but I fancied that if Mrs. Jellyby’s household had been the only lodgers in Saint Paul’s or Saint Peter’s, the sole advantage they would have found in the size of the building would have been its affording a great deal of room to be dirty in. I believe that nothing belonging to the family which it had been possible to break was unbroken at the time of those preparations for Caddy’s marriage, that nothing which it had been possible to spoil in any way was unspoilt, and that no domestic object which was capable of collecting dirt, from a dear child’s knee to the door-plate, was without as much dirt as could well accumulate upon it.

Poor Mr. Jellyby, who very seldom spoke and almost always sat when he was at home with his head against the wall, became interested when he saw that Caddy and I were attempting to establish some order among all this waste and ruin and took off his coat to help. But such wonderful things came tumbling out of the closets when they were opened—bits of mouldy pie, sour bottles, Mrs. Jellyby’s caps, letters, tea, forks, odd boots and shoes of children, firewood, wafers, saucepan-lids, damp sugar in odds and ends of paper bags, footstools, blacklead brushes, bread, Mrs. Jellyby’s bonnets, books with butter sticking to the binding, guttered candle ends put out by being turned upside down in broken candlesticks, nutshells, heads and tails of shrimps, dinner-mats, gloves, coffee-grounds, umbrellas—that he looked frightened, and left off again. But he came regularly every evening and sat without his coat, with his head against the wall, as though he would have helped us if he had known how.

“Poor Pa!” said Caddy to me on the night before the great day, when we really had got things a little to rights. “It seems unkind to leave him, Esther. But what could I do if I stayed! Since I first knew you, I have tidied and tidied over and over again, but it’s useless. Ma and Africa, together, upset the whole house directly. We never have a servant who don’t drink. Ma’s ruinous to everything.”

Mr. Jellyby could not hear what she said, but he seemed very low indeed and shed tears, I thought.

“My heart aches for him; that it does!” sobbed Caddy. “I can’t help thinking to-night, Esther, how dearly I hope to be happy with Prince, and how dearly Pa hoped, I dare say, to be happy with Ma. What a disappointed life!”

“My dear Caddy!” said Mr. Jellyby, looking slowly round from the wail. It was the first time, I think, I ever heard him say three words together.

“Yes, Pa!” cried Caddy, going to him and embracing him affectionately.

“My dear Caddy,” said Mr. Jellyby. “Never have—”

“Not Prince, Pa?” faltered Caddy. “Not have Prince?”

“Yes, my dear,” said Mr. Jellyby. “Have him, certainly. But, never have—”

I mentioned in my account of our first visit in Thavies Inn that Richard described Mr. Jellyby as frequently opening his mouth after dinner without saying anything. It was a habit of his. He opened his mouth now a great many times and shook his head in a melancholy manner.

“What do you wish me not to have? Don’t have what, dear Pa?” asked Caddy, coaxing him, with her arms round his neck.

“Never have a mission, my dear child.”

Mr. Jellyby groaned and laid his head against the wall again, and this was the only time I ever heard him make any approach to expressing his sentiments on the Borrioboolan question. I suppose he had been more talkative and lively once, but he seemed to have been completely exhausted long before I knew him.

I thought Mrs. Jellyby never would have left off serenely looking over her papers and drinking coffee that night. It was twelve o’clock before we could obtain possession of the room, and the clearance it required then was so discouraging that Caddy, who was almost tired out, sat down in the middle of the dust and cried. But she soon cheered up, and we did wonders with it before we went to bed.

In the morning it looked, by the aid of a few flowers and a quantity of soap and water and a little arrangement, quite gay. The plain breakfast made a cheerful show, and Caddy was perfectly charming. But when my darling came, I thought—and I think now—that I never had seen such a dear face as my beautiful pet’s.

We made a little feast for the children upstairs, and we put Peepy at the head of the table, and we showed them Caddy in her bridal dress, and they clapped their hands and hurrahed, and Caddy cried to think that she was going away from them and hugged them over and over again until we brought Prince up to fetch her away—when, I am sorry to say, Peepy bit him. Then there was old Mr. Turveydrop downstairs, in a state of deportment not to be expressed, benignly blessing Caddy and giving my guardian to understand that his son’s happiness was his own parental work and that he sacrificed personal considerations to ensure it. “My dear sir,” said Mr. Turveydrop, “these young people will live with me; my house is large enough for their accommodation, and they shall not want the shelter of my roof. I could have wished—you will understand the allusion, Mr. Jarndyce, for you remember my illustrious patron the Prince Regent—I could have wished that my son had married into a family where there was more deportment, but the will of heaven be done!”

Mr. and Mrs. Pardiggle were of the party—Mr. Pardiggle, an obstinate-looking man with a large waistcoat and stubbly hair, who was always talking in a loud bass voice about his mite, or Mrs. Pardiggle’s mite, or their five boys’ mites. Mr. Quale, with his hair brushed back as usual and his knobs of temples shining very much, was also there, not in the character of a disappointed lover, but as the accepted of a young—at least, an unmarried—lady, a Miss Wisk, who was also there. Miss Wisk’s mission, my guardian said, was to show the world that woman’s mission was man’s mission and that the only genuine mission of both man and woman was to be always moving declaratory resolutions about things in general at public meetings. The guests were few, but were, as one might expect at Mrs. Jellyby’s, all devoted to public objects only. Besides those I have mentioned, there was an extremely dirty lady with her bonnet all awry and the ticketed price of her dress still sticking on it, whose neglected home, Caddy told me, was like a filthy wilderness, but whose church was like a fancy fair. A very contentious gentleman, who said it was his mission to be everybody’s brother but who appeared to be on terms of coolness with the whole of his large family, completed the party.

A party, having less in common with such an occasion, could hardly have been got together by any ingenuity. Such a mean mission as the domestic mission was the very last thing to be endured among them; indeed, Miss Wisk informed us, with great indignation, before we sat down to breakfast, that the idea of woman’s mission lying chiefly in the narrow sphere of home was an outrageous slander on the part of her tyrant, man. One other singularity was that nobody with a mission—except Mr. Quale, whose mission, as I think I have formerly said, was to be in ecstasies with everybody’s mission—cared at all for anybody’s mission. Mrs. Pardiggle being as clear that the only one infallible course was her course of pouncing upon the poor and applying benevolence to them like a strait-waistcoat; as Miss Wisk was that the only practical thing for the world was the emancipation of woman from the thraldom of her tyrant, man. Mrs. Jellyby, all the while, sat smiling at the limited vision that could see anything but Borrioboola-Gha.

But I am anticipating now the purport of our conversation on the ride home instead of first marrying Caddy. We all went to church, and Mr. Jellyby gave her away. Of the air with which old Mr. Turveydrop, with his hat under his left arm (the inside presented at the clergyman like a cannon) and his eyes creasing themselves up into his wig, stood stiff and high-shouldered behind us bridesmaids during the ceremony, and afterwards saluted us, I could never say enough to do it justice. Miss Wisk, whom I cannot report as prepossessing in appearance, and whose manner was grim, listened to the proceedings, as part of woman’s wrongs, with a disdainful face. Mrs. Jellyby, with her calm smile and her bright eyes, looked the least concerned of all the company.

We duly came back to breakfast, and Mrs. Jellyby sat at the head of the table and Mr. Jellyby at the foot. Caddy had previously stolen upstairs to hug the children again and tell them that her name was Turveydrop. But this piece of information, instead of being an agreeable surprise to Peepy, threw him on his back in such transports of kicking grief that I could do nothing on being sent for but accede to the proposal that he should be admitted to the breakfast table. So he came down and sat in my lap; and Mrs. Jellyby, after saying, in reference to the state of his pinafore, “Oh, you naughty Peepy, what a shocking little pig you are!” was not at all discomposed. He was very good except that he brought down Noah with him (out of an ark I had given him before we went to church) and WOULD dip him head first into the wine-glasses and then put him in his mouth.

My guardian, with his sweet temper and his quick perception and his amiable face, made something agreeable even out of the ungenial company. None of them seemed able to talk about anything but his, or her, own one subject, and none of them seemed able to talk about even that as part of a world in which there was anything else; but my guardian turned it all to the merry encouragement of Caddy and the honour of the occasion, and brought us through the breakfast nobly. What we should have done without him, I am afraid to think, for all the company despising the bride and bridegroom and old Mr. Turveydrop—and old Mr. Thurveydrop, in virtue of his deportment, considering himself vastly superior to all the company—it was a very unpromising case.

At last the time came when poor Caddy was to go and when all her property was packed on the hired coach and pair that was to take her and her husband to Gravesend. It affected us to see Caddy clinging, then, to her deplorable home and hanging on her mother’s neck with the greatest tenderness.

“I am very sorry I couldn’t go on writing from dictation, Ma,” sobbed Caddy. “I hope you forgive me now.”

“Oh, Caddy, Caddy!” said Mrs. Jellyby. “I have told you over and over again that I have engaged a boy, and there’s an end of it.”

“You are sure you are not the least angry with me, Ma? Say you are sure before I go away, Ma?”

“You foolish Caddy,” returned Mrs. Jellyby, “do I look angry, or have I inclination to be angry, or time to be angry? How CAN you?”

“Take a little care of Pa while I am gone, Mama!”

Mrs. Jellyby positively laughed at the fancy. “You romantic child,” said she, lightly patting Caddy’s back. “Go along. I am excellent friends with you. Now, good-bye, Caddy, and be very happy!”

Then Caddy hung upon her father and nursed his cheek against hers as if he were some poor dull child in pain. All this took place in the hall. Her father released her, took out his pocket handkerchief, and sat down on the stairs with his head against the wall. I hope he found some consolation in walls. I almost think he did.

And then Prince took her arm in his and turned with great emotion and respect to his father, whose deportment at that moment was overwhelming.

“Thank you over and over again, father!” said Prince, kissing his hand. “I am very grateful for all your kindness and consideration regarding our marriage, and so, I can assure you, is Caddy.”

“Very,” sobbed Caddy. “Ve-ry!”

“My dear son,” said Mr. Turveydrop, “and dear daughter, I have done my duty. If the spirit of a sainted wooman hovers above us and looks down on the occasion, that, and your constant affection, will be my recompense. You will not fail in YOUR duty, my son and daughter, I believe?”

“Dear father, never!” cried Prince.

“Never, never, dear Mr. Turveydrop!” said Caddy.

“This,” returned Mr. Turveydrop, “is as it should be. My children, my home is yours, my heart is yours, my all is yours. I will never leave you; nothing but death shall part us. My dear son, you contemplate an absence of a week, I think?”

“A week, dear father. We shall return home this day week.”

“My dear child,” said Mr. Turveydrop, “let me, even under the present exceptional circumstances, recommend strict punctuality. It is highly important to keep the connexion together; and schools, if at all neglected, are apt to take offence.”

“This day week, father, we shall be sure to be home to dinner.”

“Good!” said Mr. Turveydrop. “You will find fires, my dear Caroline, in your own room, and dinner prepared in my apartment. Yes, yes, Prince!” anticipating some self-denying objection on his son’s part with a great air. “You and our Caroline will be strange in the upper part of the premises and will, therefore, dine that day in my apartment. Now, bless ye!”

They drove away, and whether I wondered most at Mrs. Jellyby or at Mr. Turveydrop, I did not know. Ada and my guardian were in the same condition when we came to talk it over. But before we drove away too, I received a most unexpected and eloquent compliment from Mr. Jellyby. He came up to me in the hall, took both my hands, pressed them earnestly, and opened his mouth twice. I was so sure of his meaning that I said, quite flurried, “You are very welcome, sir. Pray don’t mention it!”

“I hope this marriage is for the best, guardian,” said I when we three were on our road home.

“I hope it is, little woman. Patience. We shall see.”

“Is the wind in the east to-day?” I ventured to ask him.

He laughed heartily and answered, “No.”

“But it must have been this morning, I think,” said I.

He answered “No” again, and this time my dear girl confidently answered “No” too and shook the lovely head which, with its blooming flowers against the golden hair, was like the very spring. “Much YOU know of east winds, my ugly darling,” said I, kissing her in my admiration—I couldn’t help it.

Well! It was only their love for me, I know very well, and it is a long time ago. I must write it even if I rub it out again, because it gives me so much pleasure. They said there could be no east wind where Somebody was; they said that wherever Dame Durden went, there was sunshine and summer air.

XXXI. Nurse and Patient

I had not been at home again many days when one evening I went upstairs into my own room to take a peep over Charley’s shoulder and see how she was getting on with her copy-book. Writing was a trying business to Charley, who seemed to have no natural power over a pen, but in whose hand every pen appeared to become perversely animated, and to go wrong and crooked, and to stop, and splash, and sidle into corners like a saddle-donkey. It was very odd to see what old letters Charley’s young hand had made, they so wrinkled, and shrivelled, and tottering, it so plump and round. Yet Charley was uncommonly expert at other things and had as nimble little fingers as I ever watched.

“Well, Charley,” said I, looking over a copy of the letter O in which it was represented as square, triangular, pear-shaped, and collapsed in all kinds of ways, “we are improving. If we only get to make it round, we shall be perfect, Charley.”

Then I made one, and Charley made one, and the pen wouldn’t join Charley’s neatly, but twisted it up into a knot.

“Never mind, Charley. We shall do it in time.”

Charley laid down her pen, the copy being finished, opened and shut her cramped little hand, looked gravely at the page, half in pride and half in doubt, and got up, and dropped me a curtsy.

“Thank you, miss. If you please, miss, did you know a poor person of the name of Jenny?”

“A brickmaker’s wife, Charley? Yes.”

“She came and spoke to me when I was out a little while ago, and said you knew her, miss. She asked me if I wasn’t the young lady’s little maid—meaning you for the young lady, miss—and I said yes, miss.”

“I thought she had left this neighbourhood altogether, Charley.”

“So she had, miss, but she’s come back again to where she used to live—she and Liz. Did you know another poor person of the name of Liz, miss?”

“I think I do, Charley, though not by name.”

“That’s what she said!” returned Charley. “They have both come back, miss, and have been tramping high and low.”

“Tramping high and low, have they, Charley?”

“Yes, miss.” If Charley could only have made the letters in her copy as round as the eyes with which she looked into my face, they would have been excellent. “And this poor person came about the house three or four days, hoping to get a glimpse of you, miss—all she wanted, she said—but you were away. That was when she saw me. She saw me a-going about, miss,” said Charley with a short laugh of the greatest delight and pride, “and she thought I looked like your maid!”

“Did she though, really, Charley?”

“Yes, miss!” said Charley. “Really and truly.” And Charley, with another short laugh of the purest glee, made her eyes very round again and looked as serious as became my maid. I was never tired of seeing Charley in the full enjoyment of that great dignity, standing before me with her youthful face and figure, and her steady manner, and her childish exultation breaking through it now and then in the pleasantest way.

“And where did you see her, Charley?” said I.

My little maid’s countenance fell as she replied, “By the doctor’s shop, miss.” For Charley wore her black frock yet.

I asked if the brickmaker’s wife were ill, but Charley said no. It was some one else. Some one in her cottage who had tramped down to Saint Albans and was tramping he didn’t know where. A poor boy, Charley said. No father, no mother, no any one. “Like as Tom might have been, miss, if Emma and me had died after father,” said Charley, her round eyes filling with tears.

“And she was getting medicine for him, Charley?”

“She said, miss,” returned Charley, “how that he had once done as much for her.”

My little maid’s face was so eager and her quiet hands were folded so closely in one another as she stood looking at me that I had no great difficulty in reading her thoughts. “Well, Charley,” said I, “it appears to me that you and I can do no better than go round to Jenny’s and see what’s the matter.”

The alacrity with which Charley brought my bonnet and veil, and having dressed me, quaintly pinned herself into her warm shawl and made herself look like a little old woman, sufficiently expressed her readiness. So Charley and I, without saying anything to any one, went out.

It was a cold, wild night, and the trees shuddered in the wind. The rain had been thick and heavy all day, and with little intermission for many days. None was falling just then, however. The sky had partly cleared, but was very gloomy—even above us, where a few stars were shining. In the north and north-west, where the sun had set three hours before, there was a pale dead light both beautiful and awful; and into it long sullen lines of cloud waved up like a sea stricken immovable as it was heaving. Towards London a lurid glare overhung the whole dark waste, and the contrast between these two lights, and the fancy which the redder light engendered of an unearthly fire, gleaming on all the unseen buildings of the city and on all the faces of its many thousands of wondering inhabitants, was as solemn as might be.

I had no thought that night—none, I am quite sure—of what was soon to happen to me. But I have always remembered since that when we had stopped at the garden-gate to look up at the sky, and when we went upon our way, I had for a moment an undefinable impression of myself as being something different from what I then was. I know it was then and there that I had it. I have ever since connected the feeling with that spot and time and with everything associated with that spot and time, to the distant voices in the town, the barking of a dog, and the sound of wheels coming down the miry hill.

It was Saturday night, and most of the people belonging to the place where we were going were drinking elsewhere. We found it quieter than I had previously seen it, though quite as miserable. The kilns were burning, and a stifling vapour set towards us with a pale-blue glare.

We came to the cottage, where there was a feeble candle in the patched window. We tapped at the door and went in. The mother of the little child who had died was sitting in a chair on one side of the poor fire by the bed; and opposite to her, a wretched boy, supported by the chimney-piece, was cowering on the floor. He held under his arm, like a little bundle, a fragment of a fur cap; and as he tried to warm himself, he shook until the crazy door and window shook. The place was closer than before and had an unhealthy and a very peculiar smell.

I had not lifted my veil when I first spoke to the woman, which was at the moment of our going in. The boy staggered up instantly and stared at me with a remarkable expression of surprise and terror.

His action was so quick and my being the cause of it was so evident that I stood still instead of advancing nearer.

“I won’t go no more to the berryin ground,” muttered the boy; “I ain’t a-going there, so I tell you!”

I lifted my veil and spoke to the woman. She said to me in a low voice, “Don’t mind him, ma’am. He’ll soon come back to his head,” and said to him, “Jo, Jo, what’s the matter?”

“I know wot she’s come for!” cried the boy.

“Who?”

“The lady there. She’s come to get me to go along with her to the berryin ground. I won’t go to the berryin ground. I don’t like the name on it. She might go a-berryin ME.” His shivering came on again, and as he leaned against the wall, he shook the hovel.

“He has been talking off and on about such like all day, ma’am,” said Jenny softly. “Why, how you stare! This is MY lady, Jo.”

“Is it?” returned the boy doubtfully, and surveying me with his arm held out above his burning eyes. “She looks to me the t’other one. It ain’t the bonnet, nor yet it ain’t the gownd, but she looks to me the t’other one.”

My little Charley, with her premature experience of illness and trouble, had pulled off her bonnet and shawl and now went quietly up to him with a chair and sat him down in it like an old sick nurse. Except that no such attendant could have shown him Charley’s youthful face, which seemed to engage his confidence.

“I say!” said the boy. “YOU tell me. Ain’t the lady the t’other lady?”

Charley shook her head as she methodically drew his rags about him and made him as warm as she could.

“Oh!” the boy muttered. “Then I s’pose she ain’t.”

“I came to see if I could do you any good,” said I. “What is the matter with you?”

“I’m a-being froze,” returned the boy hoarsely, with his haggard gaze wandering about me, “and then burnt up, and then froze, and then burnt up, ever so many times in a hour. And my head’s all sleepy, and all a-going mad-like—and I’m so dry—and my bones isn’t half so much bones as pain.”

“When did he come here?” I asked the woman.

“This morning, ma’am, I found him at the corner of the town. I had known him up in London yonder. Hadn’t I, Jo?”

“Tom-all-Alone’s,” the boy replied.

Whenever he fixed his attention or his eyes, it was only for a very little while. He soon began to droop his head again, and roll it heavily, and speak as if he were half awake.

“When did he come from London?” I asked.

“I come from London yes’day,” said the boy himself, now flushed and hot. “I’m a-going somewheres.”

“Where is he going?” I asked.

“Somewheres,” repeated the boy in a louder tone. “I have been moved on, and moved on, more nor ever I was afore, since the t’other one give me the sov’ring. Mrs. Snagsby, she’s always a-watching, and a-driving of me—what have I done to her?—and they’re all a-watching and a-driving of me. Every one of ’em’s doing of it, from the time when I don’t get up, to the time when I don’t go to bed. And I’m a-going somewheres. That’s where I’m a-going. She told me, down in Tom-all-Alone’s, as she came from Stolbuns, and so I took the Stolbuns Road. It’s as good as another.”

He always concluded by addressing Charley.

“What is to be done with him?” said I, taking the woman aside. “He could not travel in this state even if he had a purpose and knew where he was going!”

“I know no more, ma’am, than the dead,” she replied, glancing compassionately at him. “Perhaps the dead know better, if they could only tell us. I’ve kept him here all day for pity’s sake, and I’ve given him broth and physic, and Liz has gone to try if any one will take him in (here’s my pretty in the bed—her child, but I call it mine); but I can’t keep him long, for if my husband was to come home and find him here, he’d be rough in putting him out and might do him a hurt. Hark! Here comes Liz back!”

The other woman came hurriedly in as she spoke, and the boy got up with a half-obscured sense that he was expected to be going. When the little child awoke, and when and how Charley got at it, took it out of bed, and began to walk about hushing it, I don’t know. There she was, doing all this in a quiet motherly manner as if she were living in Mrs. Blinder’s attic with Tom and Emma again.

The friend had been here and there, and had been played about from hand to hand, and had come back as she went. At first it was too early for the boy to be received into the proper refuge, and at last it was too late. One official sent her to another, and the other sent her back again to the first, and so backward and forward, until it appeared to me as if both must have been appointed for their skill in evading their duties instead of performing them. And now, after all, she said, breathing quickly, for she had been running and was frightened too, “Jenny, your master’s on the road home, and mine’s not far behind, and the Lord help the boy, for we can do no more for him!” They put a few halfpence together and hurried them into his hand, and so, in an oblivious, half-thankful, half-insensible way, he shuffled out of the house.

“Give me the child, my dear,” said its mother to Charley, “and thank you kindly too! Jenny, woman dear, good night! Young lady, if my master don’t fall out with me, I’ll look down by the kiln by and by, where the boy will be most like, and again in the morning!” She hurried off, and presently we passed her hushing and singing to her child at her own door and looking anxiously along the road for her drunken husband.

I was afraid of staying then to speak to either woman, lest I should bring her into trouble. But I said to Charley that we must not leave the boy to die. Charley, who knew what to do much better than I did, and whose quickness equalled her presence of mind, glided on before me, and presently we came up with Jo, just short of the brick-kiln.

I think he must have begun his journey with some small bundle under his arm and must have had it stolen or lost it. For he still carried his wretched fragment of fur cap like a bundle, though he went bare-headed through the rain, which now fell fast. He stopped when we called to him and again showed a dread of me when I came up, standing with his lustrous eyes fixed upon me, and even arrested in his shivering fit.

I asked him to come with us, and we would take care that he had some shelter for the night.

“I don’t want no shelter,” he said; “I can lay amongst the warm bricks.”

“But don’t you know that people die there?” replied Charley.

“They dies everywheres,” said the boy. “They dies in their lodgings—she knows where; I showed her—and they dies down in Tom-all-Alone’s in heaps. They dies more than they lives, according to what I see.” Then he hoarsely whispered Charley, “If she ain’t the t’other one, she ain’t the forrenner. Is there THREE of ’em then?”

Charley looked at me a little frightened. I felt half frightened at myself when the boy glared on me so.

But he turned and followed when I beckoned to him, and finding that he acknowledged that influence in me, I led the way straight home. It was not far, only at the summit of the hill. We passed but one man. I doubted if we should have got home without assistance, the boy’s steps were so uncertain and tremulous. He made no complaint, however, and was strangely unconcerned about himself, if I may say so strange a thing.

Leaving him in the hall for a moment, shrunk into the corner of the window-seat and staring with an indifference that scarcely could be called wonder at the comfort and brightness about him, I went into the drawing-room to speak to my guardian. There I found Mr. Skimpole, who had come down by the coach, as he frequently did without notice, and never bringing any clothes with him, but always borrowing everything he wanted.

They came out with me directly to look at the boy. The servants had gathered in the hall too, and he shivered in the window-seat with Charley standing by him, like some wounded animal that had been found in a ditch.

“This is a sorrowful case,” said my guardian after asking him a question or two and touching him and examining his eyes. “What do you say, Harold?”

“You had better turn him out,” said Mr. Skimpole.

“What do you mean?” inquired my guardian, almost sternly.

“My dear Jarndyce,” said Mr. Skimpole, “you know what I am: I am a child. Be cross to me if I deserve it. But I have a constitutional objection to this sort of thing. I always had, when I was a medical man. He’s not safe, you know. There’s a very bad sort of fever about him.”

Mr. Skimpole had retreated from the hall to the drawing-room again and said this in his airy way, seated on the music-stool as we stood by.

“You’ll say it’s childish,” observed Mr. Skimpole, looking gaily at us. “Well, I dare say it may be; but I AM a child, and I never pretend to be anything else. If you put him out in the road, you only put him where he was before. He will be no worse off than he was, you know. Even make him better off, if you like. Give him sixpence, or five shillings, or five pound ten—you are arithmeticians, and I am not—and get rid of him!”

“And what is he to do then?” asked my guardian.

“Upon my life,” said Mr. Skimpole, shrugging his shoulders with his engaging smile, “I have not the least idea what he is to do then. But I have no doubt he’ll do it.”

“Now, is it not a horrible reflection,” said my guardian, to whom I had hastily explained the unavailing efforts of the two women, “is it not a horrible reflection,” walking up and down and rumpling his hair, “that if this wretched creature were a convicted prisoner, his hospital would be wide open to him, and he would be as well taken care of as any sick boy in the kingdom?”

“My dear Jarndyce,” returned Mr. Skimpole, “you’ll pardon the simplicity of the question, coming as it does from a creature who is perfectly simple in worldly matters, but why ISN’T he a prisoner then?”

My guardian stopped and looked at him with a whimsical mixture of amusement and indignation in his face.

“Our young friend is not to be suspected of any delicacy, I should imagine,” said Mr. Skimpole, unabashed and candid. “It seems to me that it would be wiser, as well as in a certain kind of way more respectable, if he showed some misdirected energy that got him into prison. There would be more of an adventurous spirit in it, and consequently more of a certain sort of poetry.”

“I believe,” returned my guardian, resuming his uneasy walk, “that there is not such another child on earth as yourself.”

“Do you really?” said Mr. Skimpole. “I dare say! But I confess I don’t see why our young friend, in his degree, should not seek to invest himself with such poetry as is open to him. He is no doubt born with an appetite—probably, when he is in a safer state of health, he has an excellent appetite. Very well. At our young friend’s natural dinner hour, most likely about noon, our young friend says in effect to society, ‘I am hungry; will you have the goodness to produce your spoon and feed me?’ Society, which has taken upon itself the general arrangement of the whole system of spoons and professes to have a spoon for our young friend, does NOT produce that spoon; and our young friend, therefore, says ‘You really must excuse me if I seize it.’ Now, this appears to me a case of misdirected energy, which has a certain amount of reason in it and a certain amount of romance; and I don’t know but what I should be more interested in our young friend, as an illustration of such a case, than merely as a poor vagabond—which any one can be.”

“In the meantime,” I ventured to observe, “he is getting worse.”

“In the meantime,” said Mr. Skimpole cheerfully, “as Miss Summerson, with her practical good sense, observes, he is getting worse. Therefore I recommend your turning him out before he gets still worse.”

The amiable face with which he said it, I think I shall never forget.

“Of course, little woman,” observed my guardian, turning to me, “I can ensure his admission into the proper place by merely going there to enforce it, though it’s a bad state of things when, in his condition, that is necessary. But it’s growing late, and is a very bad night, and the boy is worn out already. There is a bed in the wholesome loft-room by the stable; we had better keep him there till morning, when he can be wrapped up and removed. We’ll do that.”

“Oh!” said Mr. Skimpole, with his hands upon the keys of the piano as we moved away. “Are you going back to our young friend?”

“Yes,” said my guardian.

“How I envy you your constitution, Jarndyce!” returned Mr. Skimpole with playful admiration. “You don’t mind these things; neither does Miss Summerson. You are ready at all times to go anywhere, and do anything. Such is will! I have no will at all—and no won’t—simply can’t.”

“You can’t recommend anything for the boy, I suppose?” said my guardian, looking back over his shoulder half angrily; only half angrily, for he never seemed to consider Mr. Skimpole an accountable being.

“My dear Jarndyce, I observed a bottle of cooling medicine in his pocket, and it’s impossible for him to do better than take it. You can tell them to sprinkle a little vinegar about the place where he sleeps and to keep it moderately cool and him moderately warm. But it is mere impertinence in me to offer any recommendation. Miss Summerson has such a knowledge of detail and such a capacity for the administration of detail that she knows all about it.”

We went back into the hall and explained to Jo what we proposed to do, which Charley explained to him again and which he received with the languid unconcern I had already noticed, wearily looking on at what was done as if it were for somebody else. The servants compassionating his miserable state and being very anxious to help, we soon got the loft-room ready; and some of the men about the house carried him across the wet yard, well wrapped up. It was pleasant to observe how kind they were to him and how there appeared to be a general impression among them that frequently calling him “Old Chap” was likely to revive his spirits. Charley directed the operations and went to and fro between the loft-room and the house with such little stimulants and comforts as we thought it safe to give him. My guardian himself saw him before he was left for the night and reported to me when he returned to the growlery to write a letter on the boy’s behalf, which a messenger was charged to deliver at day-light in the morning, that he seemed easier and inclined to sleep. They had fastened his door on the outside, he said, in case of his being delirious, but had so arranged that he could not make any noise without being heard.

Ada being in our room with a cold, Mr. Skimpole was left alone all this time and entertained himself by playing snatches of pathetic airs and sometimes singing to them (as we heard at a distance) with great expression and feeling. When we rejoined him in the drawing-room he said he would give us a little ballad which had come into his head “apropos of our young friend,” and he sang one about a peasant boy,

“Thrown on the wide world, doomed to wander and roam, Bereft of his parents, bereft of a home.”

quite exquisitely. It was a song that always made him cry, he told us.

He was extremely gay all the rest of the evening, for he absolutely chirped—those were his delighted words—when he thought by what a happy talent for business he was surrounded. He gave us, in his glass of negus, “Better health to our young friend!” and supposed and gaily pursued the case of his being reserved like Whittington to become Lord Mayor of London. In that event, no doubt, he would establish the Jarndyce Institution and the Summerson Almshouses, and a little annual Corporation Pilgrimage to St. Albans. He had no doubt, he said, that our young friend was an excellent boy in his way, but his way was not the Harold Skimpole way; what Harold Skimpole was, Harold Skimpole had found himself, to his considerable surprise, when he first made his own acquaintance; he had accepted himself with all his failings and had thought it sound philosophy to make the best of the bargain; and he hoped we would do the same.

Charley’s last report was that the boy was quiet. I could see, from my window, the lantern they had left him burning quietly; and I went to bed very happy to think that he was sheltered.

There was more movement and more talking than usual a little before daybreak, and it awoke me. As I was dressing, I looked out of my window and asked one of our men who had been among the active sympathizers last night whether there was anything wrong about the house. The lantern was still burning in the loft-window.

“It’s the boy, miss,” said he.

“Is he worse?” I inquired.

“Gone, miss.”

“Dead!”

“Dead, miss? No. Gone clean off.”

At what time of the night he had gone, or how, or why, it seemed hopeless ever to divine. The door remaining as it had been left, and the lantern standing in the window, it could only be supposed that he had got out by a trap in the floor which communicated with an empty cart-house below. But he had shut it down again, if that were so; and it looked as if it had not been raised. Nothing of any kind was missing. On this fact being clearly ascertained, we all yielded to the painful belief that delirium had come upon him in the night and that, allured by some imaginary object or pursued by some imaginary horror, he had strayed away in that worse than helpless state; all of us, that is to say, but Mr. Skimpole, who repeatedly suggested, in his usual easy light style, that it had occurred to our young friend that he was not a safe inmate, having a bad kind of fever upon him, and that he had with great natural politeness taken himself off.

Every possible inquiry was made, and every place was searched. The brick-kilns were examined, the cottages were visited, the two women were particularly questioned, but they knew nothing of him, and nobody could doubt that their wonder was genuine. The weather had for some time been too wet and the night itself had been too wet to admit of any tracing by footsteps. Hedge and ditch, and wall, and rick and stack, were examined by our men for a long distance round, lest the boy should be lying in such a place insensible or dead; but nothing was seen to indicate that he had ever been near. From the time when he was left in the loft-room, he vanished.

The search continued for five days. I do not mean that it ceased even then, but that my attention was then diverted into a current very memorable to me.

As Charley was at her writing again in my room in the evening, and as I sat opposite to her at work, I felt the table tremble. Looking up, I saw my little maid shivering from head to foot.

“Charley,” said I, “are you so cold?”

“I think I am, miss,” she replied. “I don’t know what it is. I can’t hold myself still. I felt so yesterday at about this same time, miss. Don’t be uneasy, I think I’m ill.”

I heard Ada’s voice outside, and I hurried to the door of communication between my room and our pretty sitting-room, and locked it. Just in time, for she tapped at it while my hand was yet upon the key.

Ada called to me to let her in, but I said, “Not now, my dearest. Go away. There’s nothing the matter; I will come to you presently.” Ah! It was a long, long time before my darling girl and I were companions again.

Charley fell ill. In twelve hours she was very ill. I moved her to my room, and laid her in my bed, and sat down quietly to nurse her. I told my guardian all about it, and why I felt it was necessary that I should seclude myself, and my reason for not seeing my darling above all. At first she came very often to the door, and called to me, and even reproached me with sobs and tears; but I wrote her a long letter saying that she made me anxious and unhappy and imploring her, as she loved me and wished my mind to be at peace, to come no nearer than the garden. After that she came beneath the window even oftener than she had come to the door, and if I had learnt to love her dear sweet voice before when we were hardly ever apart, how did I learn to love it then, when I stood behind the window-curtain listening and replying, but not so much as looking out! How did I learn to love it afterwards, when the harder time came!

They put a bed for me in our sitting-room; and by keeping the door wide open, I turned the two rooms into one, now that Ada had vacated that part of the house, and kept them always fresh and airy. There was not a servant in or about the house but was so good that they would all most gladly have come to me at any hour of the day or night without the least fear or unwillingness, but I thought it best to choose one worthy woman who was never to see Ada and whom I could trust to come and go with all precaution. Through her means I got out to take the air with my guardian when there was no fear of meeting Ada, and wanted for nothing in the way of attendance, any more than in any other respect.

And thus poor Charley sickened and grew worse, and fell into heavy danger of death, and lay severely ill for many a long round of day and night. So patient she was, so uncomplaining, and inspired by such a gentle fortitude that very often as I sat by Charley holding her head in my arms—repose would come to her, so, when it would come to her in no other attitude—I silently prayed to our Father in heaven that I might not forget the lesson which this little sister taught me.

I was very sorrowful to think that Charley’s pretty looks would change and be disfigured, even if she recovered—she was such a child with her dimpled face—but that thought was, for the greater part, lost in her greater peril. When she was at the worst, and her mind rambled again to the cares of her father’s sick bed and the little children, she still knew me so far as that she would be quiet in my arms when she could lie quiet nowhere else, and murmur out the wanderings of her mind less restlessly. At those times I used to think, how should I ever tell the two remaining babies that the baby who had learned of her faithful heart to be a mother to them in their need was dead!

There were other times when Charley knew me well and talked to me, telling me that she sent her love to Tom and Emma and that she was sure Tom would grow up to be a good man. At those times Charley would speak to me of what she had read to her father as well as she could to comfort him, of that young man carried out to be buried who was the only son of his mother and she was a widow, of the ruler’s daughter raised up by the gracious hand upon her bed of death. And Charley told me that when her father died she had kneeled down and prayed in her first sorrow that he likewise might be raised up and given back to his poor children, and that if she should never get better and should die too, she thought it likely that it might come into Tom’s mind to offer the same prayer for her. Then would I show Tom how these people of old days had been brought back to life on earth, only that we might know our hope to be restored to heaven!

But of all the various times there were in Charley’s illness, there was not one when she lost the gentle qualities I have spoken of. And there were many, many when I thought in the night of the last high belief in the watching angel, and the last higher trust in God, on the part of her poor despised father.

And Charley did not die. She flutteringly and slowly turned the dangerous point, after long lingering there, and then began to mend. The hope that never had been given, from the first, of Charley being in outward appearance Charley any more soon began to be encouraged; and even that prospered, and I saw her growing into her old childish likeness again.

It was a great morning when I could tell Ada all this as she stood out in the garden; and it was a great evening when Charley and I at last took tea together in the next room. But on that same evening, I felt that I was stricken cold.

Happily for both of us, it was not until Charley was safe in bed again and placidly asleep that I began to think the contagion of her illness was upon me. I had been able easily to hide what I felt at tea-time, but I was past that already now, and I knew that I was rapidly following in Charley’s steps.

I was well enough, however, to be up early in the morning, and to return my darling’s cheerful blessing from the garden, and to talk with her as long as usual. But I was not free from an impression that I had been walking about the two rooms in the night, a little beside myself, though knowing where I was; and I felt confused at times—with a curious sense of fullness, as if I were becoming too large altogether.

In the evening I was so much worse that I resolved to prepare Charley, with which view I said, “You’re getting quite strong, Charley, are you not?”

“Oh, quite!” said Charley.

“Strong enough to be told a secret, I think, Charley?”

“Quite strong enough for that, miss!” cried Charley. But Charley’s face fell in the height of her delight, for she saw the secret in MY face; and she came out of the great chair, and fell upon my bosom, and said “Oh, miss, it’s my doing! It’s my doing!” and a great deal more out of the fullness of her grateful heart.

“Now, Charley,” said I after letting her go on for a little while, “if I am to be ill, my great trust, humanly speaking, is in you. And unless you are as quiet and composed for me as you always were for yourself, you can never fulfil it, Charley.”

“If you’ll let me cry a little longer, miss,” said Charley. “Oh, my dear, my dear! If you’ll only let me cry a little longer. Oh, my dear!”—how affectionately and devotedly she poured this out as she clung to my neck, I never can remember without tears—“I’ll be good.”

So I let Charley cry a little longer, and it did us both good.

“Trust in me now, if you please, miss,” said Charley quietly. “I am listening to everything you say.”

“It’s very little at present, Charley. I shall tell your doctor to-night that I don’t think I am well and that you are going to nurse me.”

For that the poor child thanked me with her whole heart. “And in the morning, when you hear Miss Ada in the garden, if I should not be quite able to go to the window-curtain as usual, do you go, Charley, and say I am asleep—that I have rather tired myself, and am asleep. At all times keep the room as I have kept it, Charley, and let no one come.”

Charley promised, and I lay down, for I was very heavy. I saw the doctor that night and asked the favour of him that I wished to ask relative to his saying nothing of my illness in the house as yet. I have a very indistinct remembrance of that night melting into day, and of day melting into night again; but I was just able on the first morning to get to the window and speak to my darling.

On the second morning I heard her dear voice—Oh, how dear now!—outside; and I asked Charley, with some difficulty (speech being painful to me), to go and say I was asleep. I heard her answer softly, “Don’t disturb her, Charley, for the world!”

“How does my own Pride look, Charley?” I inquired.

“Disappointed, miss,” said Charley, peeping through the curtain.

“But I know she is very beautiful this morning.”

“She is indeed, miss,” answered Charley, peeping. “Still looking up at the window.”

With her blue clear eyes, God bless them, always loveliest when raised like that!

I called Charley to me and gave her her last charge.

“Now, Charley, when she knows I am ill, she will try to make her way into the room. Keep her out, Charley, if you love me truly, to the last! Charley, if you let her in but once, only to look upon me for one moment as I lie here, I shall die.”

“I never will! I never will!” she promised me.

“I believe it, my dear Charley. And now come and sit beside me for a little while, and touch me with your hand. For I cannot see you, Charley; I am blind.”

XXXII. The Appointed Time

It is night in Lincoln’s Inn—perplexed and troublous valley of the shadow of the law, where suitors generally find but little day—and fat candles are snuffed out in offices, and clerks have rattled down the crazy wooden stairs and dispersed. The bell that rings at nine o’clock has ceased its doleful clangour about nothing; the gates are shut; and the night-porter, a solemn warder with a mighty power of sleep, keeps guard in his lodge. From tiers of staircase windows clogged lamps like the eyes of Equity, bleared Argus with a fathomless pocket for every eye and an eye upon it, dimly blink at the stars. In dirty upper casements, here and there, hazy little patches of candlelight reveal where some wise draughtsman and conveyancer yet toils for the entanglement of real estate in meshes of sheep-skin, in the average ratio of about a dozen of sheep to an acre of land. Over which bee-like industry these benefactors of their species linger yet, though office-hours be past, that they may give, for every day, some good account at last.

In the neighbouring court, where the Lord Chancellor of the rag and bottle shop dwells, there is a general tendency towards beer and supper. Mrs. Piper and Mrs. Perkins, whose respective sons, engaged with a circle of acquaintance in the game of hide and seek, have been lying in ambush about the by-ways of Chancery Lane for some hours and scouring the plain of the same thoroughfare to the confusion of passengers—Mrs. Piper and Mrs. Perkins have but now exchanged congratulations on the children being abed, and they still linger on a door-step over a few parting words. Mr. Krook and his lodger, and the fact of Mr. Krook’s being “continually in liquor,” and the testamentary prospects of the young man are, as usual, the staple of their conversation. But they have something to say, likewise, of the Harmonic Meeting at the Sol’s Arms, where the sound of the piano through the partly opened windows jingles out into the court, and where Little Swills, after keeping the lovers of harmony in a roar like a very Yorick, may now be heard taking the gruff line in a concerted piece and sentimentally adjuring his friends and patrons to “Listen, listen, listen, tew the wa-ter fall!” Mrs. Perkins and Mrs. Piper compare opinions on the subject of the young lady of professional celebrity who assists at the Harmonic Meetings and who has a space to herself in the manuscript announcement in the window, Mrs. Perkins possessing information that she has been married a year and a half, though announced as Miss M. Melvilleson, the noted siren, and that her baby is clandestinely conveyed to the Sol’s Arms every night to receive its natural nourishment during the entertainments. “Sooner than which, myself,” says Mrs. Perkins, “I would get my living by selling lucifers.” Mrs. Piper, as in duty bound, is of the same opinion, holding that a private station is better than public applause, and thanking heaven for her own (and, by implication, Mrs. Perkins’) respectability. By this time the pot-boy of the Sol’s Arms appearing with her supper-pint well frothed, Mrs. Piper accepts that tankard and retires indoors, first giving a fair good night to Mrs. Perkins, who has had her own pint in her hand ever since it was fetched from the same hostelry by young Perkins before he was sent to bed. Now there is a sound of putting up shop-shutters in the court and a smell as of the smoking of pipes; and shooting stars are seen in upper windows, further indicating retirement to rest. Now, too, the policeman begins to push at doors; to try fastenings; to be suspicious of bundles; and to administer his beat, on the hypothesis that every one is either robbing or being robbed.

It is a close night, though the damp cold is searching too, and there is a laggard mist a little way up in the air. It is a fine steaming night to turn the slaughter-houses, the unwholesome trades, the sewerage, bad water, and burial-grounds to account, and give the registrar of deaths some extra business. It may be something in the air—there is plenty in it—or it may be something in himself that is in fault; but Mr. Weevle, otherwise Jobling, is very ill at ease. He comes and goes between his own room and the open street door twenty times an hour. He has been doing so ever since it fell dark. Since the Chancellor shut up his shop, which he did very early to-night, Mr. Weevle has been down and up, and down and up (with a cheap tight velvet skull-cap on his head, making his whiskers look out of all proportion), oftener than before.

It is no phenomenon that Mr. Snagsby should be ill at ease too, for he always is so, more or less, under the oppressive influence of the secret that is upon him. Impelled by the mystery of which he is a partaker and yet in which he is not a sharer, Mr. Snagsby haunts what seems to be its fountain-head—the rag and bottle shop in the court. It has an irresistible attraction for him. Even now, coming round by the Sol’s Arms with the intention of passing down the court, and out at the Chancery Lane end, and so terminating his unpremeditated after-supper stroll of ten minutes’ long from his own door and back again, Mr. Snagsby approaches.

“What, Mr. Weevle?” says the stationer, stopping to speak. “Are YOU there?”

“Aye!” says Weevle, “Here I am, Mr. Snagsby.”

“Airing yourself, as I am doing, before you go to bed?” the stationer inquires.

“Why, there’s not much air to be got here; and what there is, is not very freshening,” Weevle answers, glancing up and down the court.

“Very true, sir. Don’t you observe,” says Mr. Snagsby, pausing to sniff and taste the air a little, “don’t you observe, Mr. Weevle, that you’re—not to put too fine a point upon it—that you’re rather greasy here, sir?”

“Why, I have noticed myself that there is a queer kind of flavour in the place to-night,” Mr. Weevle rejoins. “I suppose it’s chops at the Sol’s Arms.”

“Chops, do you think? Oh! Chops, eh?” Mr. Snagsby sniffs and tastes again. “Well, sir, I suppose it is. But I should say their cook at the Sol wanted a little looking after. She has been burning ’em, sir! And I don’t think”—Mr. Snagsby sniffs and tastes again and then spits and wipes his mouth—“I don’t think—not to put too fine a point upon it—that they were quite fresh when they were shown the gridiron.”

“That’s very likely. It’s a tainting sort of weather.”

“It IS a tainting sort of weather,” says Mr. Snagsby, “and I find it sinking to the spirits.”

“By George! I find it gives me the horrors,” returns Mr. Weevle.

“Then, you see, you live in a lonesome way, and in a lonesome room, with a black circumstance hanging over it,” says Mr. Snagsby, looking in past the other’s shoulder along the dark passage and then falling back a step to look up at the house. “I couldn’t live in that room alone, as you do, sir. I should get so fidgety and worried of an evening, sometimes, that I should be driven to come to the door and stand here sooner than sit there. But then it’s very true that you didn’t see, in your room, what I saw there. That makes a difference.”

“I know quite enough about it,” returns Tony.

“It’s not agreeable, is it?” pursues Mr. Snagsby, coughing his cough of mild persuasion behind his hand. “Mr. Krook ought to consider it in the rent. I hope he does, I am sure.”

“I hope he does,” says Tony. “But I doubt it.”

“You find the rent too high, do you, sir?” returns the stationer. “Rents ARE high about here. I don’t know how it is exactly, but the law seems to put things up in price. Not,” adds Mr. Snagsby with his apologetic cough, “that I mean to say a word against the profession I get my living by.”

Mr. Weevle again glances up and down the court and then looks at the stationer. Mr. Snagsby, blankly catching his eye, looks upward for a star or so and coughs a cough expressive of not exactly seeing his way out of this conversation.

“It’s a curious fact, sir,” he observes, slowly rubbing his hands, “that he should have been—”

“Who’s he?” interrupts Mr. Weevle.

“The deceased, you know,” says Mr. Snagsby, twitching his head and right eyebrow towards the staircase and tapping his acquaintance on the button.

“Ah, to be sure!” returns the other as if he were not over-fond of the subject. “I thought we had done with him.”

“I was only going to say it’s a curious fact, sir, that he should have come and lived here, and been one of my writers, and then that you should come and live here, and be one of my writers too. Which there is nothing derogatory, but far from it in the appellation,” says Mr. Snagsby, breaking off with a mistrust that he may have unpolitely asserted a kind of proprietorship in Mr. Weevle, “because I have known writers that have gone into brewers’ houses and done really very respectable indeed. Eminently respectable, sir,” adds Mr. Snagsby with a misgiving that he has not improved the matter.

“It’s a curious coincidence, as you say,” answers Weevle, once more glancing up and down the court.

“Seems a fate in it, don’t there?” suggests the stationer.

“There does.”

“Just so,” observes the stationer with his confirmatory cough. “Quite a fate in it. Quite a fate. Well, Mr. Weevle, I am afraid I must bid you good night”—Mr. Snagsby speaks as if it made him desolate to go, though he has been casting about for any means of escape ever since he stopped to speak—“my little woman will be looking for me else. Good night, sir!”

If Mr. Snagsby hastens home to save his little woman the trouble of looking for him, he might set his mind at rest on that score. His little woman has had her eye upon him round the Sol’s Arms all this time and now glides after him with a pocket handkerchief wrapped over her head, honouring Mr. Weevle and his doorway with a searching glance as she goes past.

“You’ll know me again, ma’am, at all events,” says Mr. Weevle to himself; “and I can’t compliment you on your appearance, whoever you are, with your head tied up in a bundle. Is this fellow NEVER coming!”

This fellow approaches as he speaks. Mr. Weevle softly holds up his finger, and draws him into the passage, and closes the street door. Then they go upstairs, Mr. Weevle heavily, and Mr. Guppy (for it is he) very lightly indeed. When they are shut into the back room, they speak low.

“I thought you had gone to Jericho at least instead of coming here,” says Tony.

“Why, I said about ten.”

“You said about ten,” Tony repeats. “Yes, so you did say about ten. But according to my count, it’s ten times ten—it’s a hundred o’clock. I never had such a night in my life!”

“What has been the matter?”

“That’s it!” says Tony. “Nothing has been the matter. But here have I been stewing and fuming in this jolly old crib till I have had the horrors falling on me as thick as hail. THERE’S a blessed-looking candle!” says Tony, pointing to the heavily burning taper on his table with a great cabbage head and a long winding-sheet.

“That’s easily improved,” Mr. Guppy observes as he takes the snuffers in hand.

“IS it?” returns his friend. “Not so easily as you think. It has been smouldering like that ever since it was lighted.”

“Why, what’s the matter with you, Tony?” inquires Mr. Guppy, looking at him, snuffers in hand, as he sits down with his elbow on the table.

“William Guppy,” replies the other, “I am in the downs. It’s this unbearably dull, suicidal room—and old Boguey downstairs, I suppose.” Mr. Weevle moodily pushes the snuffers-tray from him with his elbow, leans his head on his hand, puts his feet on the fender, and looks at the fire. Mr. Guppy, observing him, slightly tosses his head and sits down on the other side of the table in an easy attitude.

“Wasn’t that Snagsby talking to you, Tony?”

“Yes, and he—yes, it was Snagsby,” said Mr. Weevle, altering the construction of his sentence.

“On business?”

“No. No business. He was only sauntering by and stopped to prose.”

“I thought it was Snagsby,” says Mr. Guppy, “and thought it as well that he shouldn’t see me, so I waited till he was gone.”

“There we go again, William G.!” cried Tony, looking up for an instant. “So mysterious and secret! By George, if we were going to commit a murder, we couldn’t have more mystery about it!”

Mr. Guppy affects to smile, and with the view of changing the conversation, looks with an admiration, real or pretended, round the room at the Galaxy Gallery of British Beauty, terminating his survey with the portrait of Lady Dedlock over the mantelshelf, in which she is represented on a terrace, with a pedestal upon the terrace, and a vase upon the pedestal, and her shawl upon the vase, and a prodigious piece of fur upon the shawl, and her arm on the prodigious piece of fur, and a bracelet on her arm.

“That’s very like Lady Dedlock,” says Mr. Guppy. “It’s a speaking likeness.”

“I wish it was,” growls Tony, without changing his position. “I should have some fashionable conversation, here, then.”

Finding by this time that his friend is not to be wheedled into a more sociable humour, Mr. Guppy puts about upon the ill-used tack and remonstrates with him.

“Tony,” says he, “I can make allowances for lowness of spirits, for no man knows what it is when it does come upon a man better than I do, and no man perhaps has a better right to know it than a man who has an unrequited image imprinted on his ’eart. But there are bounds to these things when an unoffending party is in question, and I will acknowledge to you, Tony, that I don’t think your manner on the present occasion is hospitable or quite gentlemanly.”

“This is strong language, William Guppy,” returns Mr. Weevle.

“Sir, it may be,” retorts Mr. William Guppy, “but I feel strongly when I use it.”

Mr. Weevle admits that he has been wrong and begs Mr. William Guppy to think no more about it. Mr. William Guppy, however, having got the advantage, cannot quite release it without a little more injured remonstrance.

“No! Dash it, Tony,” says that gentleman, “you really ought to be careful how you wound the feelings of a man who has an unrequited image imprinted on his ’eart and who is NOT altogether happy in those chords which vibrate to the tenderest emotions. You, Tony, possess in yourself all that is calculated to charm the eye and allure the taste. It is not—happily for you, perhaps, and I may wish that I could say the same—it is not your character to hover around one flower. The ole garden is open to you, and your airy pinions carry you through it. Still, Tony, far be it from me, I am sure, to wound even your feelings without a cause!”

Tony again entreats that the subject may be no longer pursued, saying emphatically, “William Guppy, drop it!” Mr. Guppy acquiesces, with the reply, “I never should have taken it up, Tony, of my own accord.”

“And now,” says Tony, stirring the fire, “touching this same bundle of letters. Isn’t it an extraordinary thing of Krook to have appointed twelve o’clock to-night to hand ’em over to me?”

“Very. What did he do it for?”

“What does he do anything for? HE don’t know. Said to-day was his birthday and he’d hand ’em over to-night at twelve o’clock. He’ll have drunk himself blind by that time. He has been at it all day.”

“He hasn’t forgotten the appointment, I hope?”

“Forgotten? Trust him for that. He never forgets anything. I saw him to-night, about eight—helped him to shut up his shop—and he had got the letters then in his hairy cap. He pulled it off and showed ’em me. When the shop was closed, he took them out of his cap, hung his cap on the chair-back, and stood turning them over before the fire. I heard him a little while afterwards, through the floor here, humming like the wind, the only song he knows—about Bibo, and old Charon, and Bibo being drunk when he died, or something or other. He has been as quiet since as an old rat asleep in his hole.”

“And you are to go down at twelve?”

“At twelve. And as I tell you, when you came it seemed to me a hundred.”

“Tony,” says Mr. Guppy after considering a little with his legs crossed, “he can’t read yet, can he?”

“Read! He’ll never read. He can make all the letters separately, and he knows most of them separately when he sees them; he has got on that much, under me; but he can’t put them together. He’s too old to acquire the knack of it now—and too drunk.”

“Tony,” says Mr. Guppy, uncrossing and recrossing his legs, “how do you suppose he spelt out that name of Hawdon?”

“He never spelt it out. You know what a curious power of eye he has and how he has been used to employ himself in copying things by eye alone. He imitated it, evidently from the direction of a letter, and asked me what it meant.”

“Tony,” says Mr. Guppy, uncrossing and recrossing his legs again, “should you say that the original was a man’s writing or a woman’s?”

“A woman’s. Fifty to one a lady’s—slopes a good deal, and the end of the letter ‘n,’ long and hasty.”

Mr. Guppy has been biting his thumb-nail during this dialogue, generally changing the thumb when he has changed the cross leg. As he is going to do so again, he happens to look at his coat-sleeve. It takes his attention. He stares at it, aghast.

“Why, Tony, what on earth is going on in this house to-night? Is there a chimney on fire?”

“Chimney on fire!”

“Ah!” returns Mr. Guppy. “See how the soot’s falling. See here, on my arm! See again, on the table here! Confound the stuff, it won’t blow off—smears like black fat!”

They look at one another, and Tony goes listening to the door, and a little way upstairs, and a little way downstairs. Comes back and says it’s all right and all quiet, and quotes the remark he lately made to Mr. Snagsby about their cooking chops at the Sol’s Arms.

“And it was then,” resumes Mr. Guppy, still glancing with remarkable aversion at the coat-sleeve, as they pursue their conversation before the fire, leaning on opposite sides of the table, with their heads very near together, “that he told you of his having taken the bundle of letters from his lodger’s portmanteau?”

“That was the time, sir,” answers Tony, faintly adjusting his whiskers. “Whereupon I wrote a line to my dear boy, the Honourable William Guppy, informing him of the appointment for to-night and advising him not to call before, Boguey being a slyboots.”

The light vivacious tone of fashionable life which is usually assumed by Mr. Weevle sits so ill upon him to-night that he abandons that and his whiskers together, and after looking over his shoulder, appears to yield himself up a prey to the horrors again.

“You are to bring the letters to your room to read and compare, and to get yourself into a position to tell him all about them. That’s the arrangement, isn’t it, Tony?” asks Mr. Guppy, anxiously biting his thumb-nail.

“You can’t speak too low. Yes. That’s what he and I agreed.”

“I tell you what, Tony—”

“You can’t speak too low,” says Tony once more. Mr. Guppy nods his sagacious head, advances it yet closer, and drops into a whisper.

“I tell you what. The first thing to be done is to make another packet like the real one so that if he should ask to see the real one while it’s in my possession, you can show him the dummy.”

“And suppose he detects the dummy as soon as he sees it, which with his biting screw of an eye is about five hundred times more likely than not,” suggests Tony.

“Then we’ll face it out. They don’t belong to him, and they never did. You found that, and you placed them in my hands—a legal friend of yours—for security. If he forces us to it, they’ll be producible, won’t they?”

“Ye-es,” is Mr. Weevle’s reluctant admission.

“Why, Tony,” remonstrates his friend, “how you look! You don’t doubt William Guppy? You don’t suspect any harm?”

“I don’t suspect anything more than I know, William,” returns the other gravely.

“And what do you know?” urges Mr. Guppy, raising his voice a little; but on his friend’s once more warning him, “I tell you, you can’t speak too low,” he repeats his question without any sound at all, forming with his lips only the words, “What do you know?”

“I know three things. First, I know that here we are whispering in secrecy, a pair of conspirators.”

“Well!” says Mr. Guppy. “And we had better be that than a pair of noodles, which we should be if we were doing anything else, for it’s the only way of doing what we want to do. Secondly?”

“Secondly, it’s not made out to me how it’s likely to be profitable, after all.”

Mr. Guppy casts up his eyes at the portrait of Lady Dedlock over the mantelshelf and replies, “Tony, you are asked to leave that to the honour of your friend. Besides its being calculated to serve that friend in those chords of the human mind which—which need not be called into agonizing vibration on the present occasion—your friend is no fool. What’s that?”

“It’s eleven o’clock striking by the bell of Saint Paul’s. Listen and you’ll hear all the bells in the city jangling.”

Both sit silent, listening to the metal voices, near and distant, resounding from towers of various heights, in tones more various than their situations. When these at length cease, all seems more mysterious and quiet than before. One disagreeable result of whispering is that it seems to evoke an atmosphere of silence, haunted by the ghosts of sound—strange cracks and tickings, the rustling of garments that have no substance in them, and the tread of dreadful feet that would leave no mark on the sea-sand or the winter snow. So sensitive the two friends happen to be that the air is full of these phantoms, and the two look over their shoulders by one consent to see that the door is shut.

“Yes, Tony?” says Mr. Guppy, drawing nearer to the fire and biting his unsteady thumb-nail. “You were going to say, thirdly?”

“It’s far from a pleasant thing to be plotting about a dead man in the room where he died, especially when you happen to live in it.”

“But we are plotting nothing against him, Tony.”

“May be not, still I don’t like it. Live here by yourself and see how YOU like it.”

“As to dead men, Tony,” proceeds Mr. Guppy, evading this proposal, “there have been dead men in most rooms.”

“I know there have, but in most rooms you let them alone, and—and they let you alone,” Tony answers.

The two look at each other again. Mr. Guppy makes a hurried remark to the effect that they may be doing the deceased a service, that he hopes so. There is an oppressive blank until Mr. Weevle, by stirring the fire suddenly, makes Mr. Guppy start as if his heart had been stirred instead.

“Fah! Here’s more of this hateful soot hanging about,” says he. “Let us open the window a bit and get a mouthful of air. It’s too close.”

He raises the sash, and they both rest on the window-sill, half in and half out of the room. The neighbouring houses are too near to admit of their seeing any sky without craning their necks and looking up, but lights in frowsy windows here and there, and the rolling of distant carriages, and the new expression that there is of the stir of men, they find to be comfortable. Mr. Guppy, noiselessly tapping on the window-sill, resumes his whispering in quite a light-comedy tone.

“By the by, Tony, don’t forget old Smallweed,” meaning the younger of that name. “I have not let him into this, you know. That grandfather of his is too keen by half. It runs in the family.”

“I remember,” says Tony. “I am up to all that.”

“And as to Krook,” resumes Mr. Guppy. “Now, do you suppose he really has got hold of any other papers of importance, as he has boasted to you, since you have been such allies?”

Tony shakes his head. “I don’t know. Can’t imagine. If we get through this business without rousing his suspicions, I shall be better informed, no doubt. How can I know without seeing them, when he don’t know himself? He is always spelling out words from them, and chalking them over the table and the shop-wall, and asking what this is and what that is; but his whole stock from beginning to end may easily be the waste-paper he bought it as, for anything I can say. It’s a monomania with him to think he is possessed of documents. He has been going to learn to read them this last quarter of a century, I should judge, from what he tells me.”

“How did he first come by that idea, though? That’s the question,” Mr. Guppy suggests with one eye shut, after a little forensic meditation. “He may have found papers in something he bought, where papers were not supposed to be, and may have got it into his shrewd head from the manner and place of their concealment that they are worth something.”

“Or he may have been taken in, in some pretended bargain. Or he may have been muddled altogether by long staring at whatever he HAS got, and by drink, and by hanging about the Lord Chancellor’s Court and hearing of documents for ever,” returns Mr. Weevle.

Mr. Guppy sitting on the window-sill, nodding his head and balancing all these possibilities in his mind, continues thoughtfully to tap it, and clasp it, and measure it with his hand, until he hastily draws his hand away.

“What, in the devil’s name,” he says, “is this! Look at my fingers!”

A thick, yellow liquor defiles them, which is offensive to the touch and sight and more offensive to the smell. A stagnant, sickening oil with some natural repulsion in it that makes them both shudder.

“What have you been doing here? What have you been pouring out of window?”

“I pouring out of window! Nothing, I swear! Never, since I have been here!” cries the lodger.

And yet look here—and look here! When he brings the candle here, from the corner of the window-sill, it slowly drips and creeps away down the bricks, here lies in a little thick nauseous pool.

“This is a horrible house,” says Mr. Guppy, shutting down the window. “Give me some water or I shall cut my hand off.”

He so washes, and rubs, and scrubs, and smells, and washes, that he has not long restored himself with a glass of brandy and stood silently before the fire when Saint Paul’s bell strikes twelve and all those other bells strike twelve from their towers of various heights in the dark air, and in their many tones. When all is quiet again, the lodger says, “It’s the appointed time at last. Shall I go?”

Mr. Guppy nods and gives him a “lucky touch” on the back, but not with the washed hand, though it is his right hand.

He goes downstairs, and Mr. Guppy tries to compose himself before the fire for waiting a long time. But in no more than a minute or two the stairs creak and Tony comes swiftly back.

“Have you got them?”

“Got them! No. The old man’s not there.”

He has been so horribly frightened in the short interval that his terror seizes the other, who makes a rush at him and asks loudly, “What’s the matter?”

“I couldn’t make him hear, and I softly opened the door and looked in. And the burning smell is there—and the soot is there, and the oil is there—and he is not there!” Tony ends this with a groan.

Mr. Guppy takes the light. They go down, more dead than alive, and holding one another, push open the door of the back shop. The cat has retreated close to it and stands snarling, not at them, at something on the ground before the fire. There is a very little fire left in the grate, but there is a smouldering, suffocating vapour in the room and a dark, greasy coating on the walls and ceiling. The chairs and table, and the bottle so rarely absent from the table, all stand as usual. On one chair-back hang the old man’s hairy cap and coat.

“Look!” whispers the lodger, pointing his friend’s attention to these objects with a trembling finger. “I told you so. When I saw him last, he took his cap off, took out the little bundle of old letters, hung his cap on the back of the chair—his coat was there already, for he had pulled that off before he went to put the shutters up—and I left him turning the letters over in his hand, standing just where that crumbled black thing is upon the floor.”

Is he hanging somewhere? They look up. No.

“See!” whispers Tony. “At the foot of the same chair there lies a dirty bit of thin red cord that they tie up pens with. That went round the letters. He undid it slowly, leering and laughing at me, before he began to turn them over, and threw it there. I saw it fall.”

“What’s the matter with the cat?” says Mr. Guppy. “Look at her!”

“Mad, I think. And no wonder in this evil place.”

They advance slowly, looking at all these things. The cat remains where they found her, still snarling at the something on the ground before the fire and between the two chairs. What is it? Hold up the light.

Here is a small burnt patch of flooring; here is the tinder from a little bundle of burnt paper, but not so light as usual, seeming to be steeped in something; and here is—is it the cinder of a small charred and broken log of wood sprinkled with white ashes, or is it coal? Oh, horror, he IS here! And this from which we run away, striking out the light and overturning one another into the street, is all that represents him.

Help, help, help! Come into this house for heaven’s sake! Plenty will come in, but none can help. The Lord Chancellor of that court, true to his title in his last act, has died the death of all lord chancellors in all courts and of all authorities in all places under all names soever, where false pretences are made, and where injustice is done. Call the death by any name your Highness will, attribute it to whom you will, or say it might have been prevented how you will, it is the same death eternally—inborn, inbred, engendered in the corrupted humours of the vicious body itself, and that only—spontaneous combustion, and none other of all the deaths that can be died.