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Architecture: Nineteenth and Twentieth Centuries

Henry-Russell Hitchcock · Public domain text

278,779 words · about 19 h 31 min to read

Cover of Architecture: Nineteenth and Twentieth Centuries

Text only · 370 illustrations omitted. Illustrated source.

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The text of Architecture: Nineteenth and Twentieth Centuries comes from Project Gutenberg e-text #70079. It is in English and public domain in the United States. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

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About this book

Cover of Architecture: Nineteenth and Twentieth Centuries
Author
Henry-Russell Hitchcock (1903–1987)
Language
English
Subjects
Architecture, Modern › 19th century, Architecture, Modern › 20th century
Length
278,779 words · about 19 h 31 min
Sections
52 reader sections · Table of contents
Contents (52)
  1. Opening about 26 min
  2. Introduction about 19 min
  3. 1. ROMANTIC CLASSICISM AROUND 1800 about 41 min
  4. 2. THE DOCTRINE OF J.-N.-L. DURAND AND ITS APPLICATION IN NORTHERN EUROPE about 47 min
  5. 3. FRANCE AND THE REST OF THE CONTINENT about 36 min
  6. 4. GREAT BRITAIN about 40 min
  7. 5. THE NEW WORLD about 32 min
  8. 6. THE PICTURESQUE AND THE GOTHIC REVIVAL about 50 min
  9. 7. BUILDING WITH IRON AND GLASS: 1790-1855 about 33 min
  10. 8. SECOND EMPIRE PARIS, UNITED ITALY, AND IMPERIAL-AND-ROYAL VIENNA about 46 min
  11. 9. SECOND EMPIRE AND COGNATE MODES ELSEWHERE about 47 min
  12. 10. HIGH VICTORIAN GOTHIC IN ENGLAND about 42 min
  13. 11. LATER NEO-GOTHIC OUTSIDE ENGLAND about 34 min
  14. 12. NORMAN SHAW AND HIS CONTEMPORARIES about 34 min
  15. 13. H. H. RICHARDSON AND McKIM, MEAD & WHITE about 27 min
  16. 14. THE RISE OF COMMERCIAL ARCHITECTURE IN ENGLAND AND AMERICA about 47 min
  17. 15. THE DEVELOPMENT OF THE DETACHED HOUSE IN ENGLAND AND AMERICA FROM 1800 TO 1900 about 49 min
  18. 16. THE BEGINNINGS OF THE ART NOUVEAU: VICTOR HORTA about 24 min
  19. 17. THE SPREAD OF THE ART NOUVEAU: THE WORK OF C. R. MACKINTOSH AND ANTONI GAUDÍ about 35 min
  20. 18. MODERN ARCHITECTS OF THE FIRST GENERATION IN FRANCE: AUGUSTE PERRET AND TONY GARNIER about 28 min
  21. 19. FRANK LLOYD WRIGHT AND HIS CALIFORNIA CONTEMPORARIES about 32 min
  22. 20. PETER BEHRENS AND OTHER GERMAN ARCHITECTS about 29 min
  23. 21. THE FIRST GENERATION IN AUSTRIA, HOLLAND, AND SCANDINAVIA about 1 h 5 min
  24. 23. LATER WORK OF THE LEADERS OF THE SECOND GENERATION about 27 min
  25. 24. ARCHITECTURE CALLED TRADITIONAL IN THE TWENTIETH CENTURY about 42 min
  26. 25. ARCHITECTURE AT THE MID CENTURY about 36 min
  27. Epilogue about 20 min
  28. 1. Notes about 3 min
  29. 2. Notes about 3 min
  30. 3. Notes about 2 min
  31. 4. Notes about 1 min
  32. 5. Notes about 5 min
  33. 6. Notes about 7 min
  34. 7. Notes about 5 min
  35. 8. Notes about 6 min
  36. 9. Notes about 3 min
  37. 10. Notes about 3 min
  38. 11. Notes about 4 min
  39. 12. Notes about 5 min
  40. 13. Notes about 3 min
  41. 14. Notes about 4 min
  42. 15. Notes about 5 min
  43. 16. Notes about 4 min
  44. 17. Notes about 2 min
  45. 18. Notes about 3 min
  46. 19. Notes about 3 min
  47. 20. Notes about 3 min
  48. 21. Notes about 3 min
  49. 22. Notes about 10 min
  50. 23. Notes about 4 min
  51. 24. Notes about 5 min
  52. 25. Notes about 1 h 30 min

The opening of Introduction

THE round numbers of chronology have no necessary significance historically. Centuries as cultural entities often begin and end decades before or after the hundred-year mark. The years around 1800, however, do provide a significant break in the history of architecture, not so much because of any major shift in style at that precise point as because the Napoleonic Wars caused a general hiatus in building production. The last major European style, the Baroque, had been all but dissolved away in most of Europe. The beginnings of several differing kinds of reaction against it—Academic in Italy, Rococo in France, Palladian in England—go back as far as the first quarter of the century; shortly after the mid century there came a more concerted stylistic revolution.

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