← A dictionary of the art of printing

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Part 1 of 6 · Savage, William · Public domain text

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Source: Project Gutenberg e-text #77410, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

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TRANSCRIBER’S NOTE

Italic text is denoted by underscores. A superscript is denoted by ^x or ^{xx}, for example y^e or X^{mas}.

Basic fractions are displayed as ½ ⅓ ¼ etc; other fractions are shown in the form a-b/c, for example 5/2 or 8-3/7.

Breves and macrons are accurately represented (ă ĕ ā ē etc). Many other unusual characters are displayed using Unicode combining diacriticals. The display software on the device may sometimes fail to display a combined character.

The old long s character ſ is used exactly as in the original text.

The latin ligatures ff fi fl ffi ffl are displayed as one Unicode character. However older ligatures are displayed as separate characters; these include ct, st, ſt, ſh, ſi, ſl, ſb, ſk, ſſ, fſ, ſſi.

Footnotes are indicated by * † ‡ or § as in the original text, and have not been moved from their position in the printed text. Thirteen other footnote anchors are denoted by [number], as in the original text, and those footnotes have also been left in place at the end of their table or text section.

The tables in this book are best viewed using a monospace font. Foreign alphabet characters in a table may alter the column alignment.

The BIBLE ORTHOGRAPHY section has a very wide and very long table, up to 90 characters in width, which may be truncated on some older display devices.

The ALPHABET and BLACK LETTER sections have the Gothic characters in tilde ~x~ markup since there are no Unicode codepoints for them. In browsers and ereaders they can be displayed with an appropriate choice of font that supports them. The DANISH and GERMAN and SWEDISH sections also have ~x~ markup for these characters.

The IRISH section also has the Irish characters (insular script) in tilde ~x~ markup since there are no Unicode codepoints for them. (Browsers and ereaders can display them with an appropriate font.)

This book uses characters from many different alphabets. Unicode codepoints are used whenever possible, but some printed characters have no codepoint. These are represented in this etext by [#] for a single character or dipthong and by [###] for a word or phrase.

Some characters with valid codepoints may not display properly on some handheld devices. Without proper rendering support, you may see question marks, boxes, or other symbols.

All the Alphabet tables are displayed as an Illustration in browsers and ereaders, as well as a text table.

Tables on p104 to p161 show the count of letters on a sheet. The first table is displayed in full. Only the table header and the first row of data is displayed in all subsequent tables. The printed book had over three hundred of these tables on fifty-eight pages.

Tables on p273 to p292. The first JOBS table is displayed in full. Only the table header and the first row of data is displayed in all subsequent tables. The printed book had twenty pages of these tables.

Tables of Imposition on p335 to p400. Many of the numerical signatures on a page were printed upside down in the original book. This is indicated in this etext by putting the number in brackets, for example [14] or [B2].

Tables on p598 to p643. The first table is displayed in full. Only the table header and the first row of data is displayed in all subsequent tables. The printed book had over one hundred of these tables on forty-six pages.

Tables of signatures on p761 to p773. These tables are displayed in full.

The citation M. refers to Joseph Moxon, a 17th-century English printer.

Some other minor text changes are noted at the end of the book.

A

DICTIONARY

OF

THE ART OF PRINTING.

LONDON: Printed by A. SPOTTISWOODE, New-Street-Square.

A

DICTIONARY

OF

THE ART OF PRINTING.

BY WILLIAM SAVAGE,

AUTHOR OF “PRACTICAL HINTS ON DECORATIVE PRINTING,” AND OF A TREATISE “ON THE PREPARATION OF PRINTING INK, BOTH BLACK AND COLOURED.”

LONDON: LONGMAN, BROWN, GREEN, AND LONGMANS. 1841.

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