XXXIV. THE ARMORIAL INSIGNIA OF KNIGHTHOOD…

XXXIV. THE ARMORIAL INSIGNIA OF KNIGHTHOOD

It hardly falls within the scope of the present work to detail or discuss the various points concerning the history or statutes of the different British Orders of Knighthood, and still less so of the Foreign Orders. The history of the English Orders alone would make a bulky volume. But it is necessary to treat of the matter to some limited extent, inasmuch as in modern heraldry in every country in Europe additions are made to the armorial achievement whenever it is desired to signify rank in any of the Orders of Knighthood.

Though a large number of the early Plantagenet Garter Stall plates date as far back as the year 1420, it is evident that nothing in the armorial bearings with which they are emblazoned bears any relation to the order of knighthood to which they belonged until the year 1469 or thereabouts, when Charles the Bold, Duke of Burgundy, was elected a Knight of the Garter. His Stall plate, which is of a very exceptional style and character, is the first to bear the garter encircling the shield. It is curious to notice, by the way, that upon the privy seal of the Duke of Burgundy, which shows the same arms depicted upon his Garter plate, the shield is surrounded by the collar, from which depends the badge of the Order of the Golden Fleece, so that it is highly probable that the custom of adding marks of knighthood to a shield came to us from the Continent. The next Garter plate, which shows the garter around the shield, is that of Viscount Lovel, who was elected in 1483; and the shield of the Earl of Derby, who was elected in the same year, also is encircled by the Garter. The Garter itself encircling the shields of knights of that order remained the only mark of knighthood used armorially in this country for a considerable period, though we find that the example was copied in Scotland soon afterwards with regard to the Order of the Thistle. At the commencement of the present Lyon Register, which dates from the year 1672, the arms of the King of Scotland, which are given as such and not as the King of England and Scotland, are described as encircled by the collar of the Order of the Thistle. This probably was used as the equivalent of the garter in England, for we do not find the collar of the {562} Garter, together with the garter itself, or the ribbon circle of the Thistle, together with the collar of that order, until a much later period. The use of collars of knighthood upon the Continent to encircle coats of arms has been from the fifteenth century very general and extensive; examples are to be found at an earlier date; but the encircling of arms with the garter carrying the motto of the order, or with the ribbon (which is termed the circle) and motto of any other order is an entirely English practice, which does not appear to have been copied in any other country. It, of course, arose from the fact that the actual garter as worn by the knight of the order carried the motto of the order, and that by representing the garter round the shield, the motto of the order was of necessity also added. The Lyon Register, however, in the entry of record (dated 1672), states that the shield is "encircled with the Order of Scotland, the same being composed of rue and thistles having the image of St. Andrew with his crosse on his brest y^runto pendent," and it is by no means improbable that occasional instances of the heraldic use of the collar of the garter might be discovered at the same period. But it is not until the later part of the eighteenth century that it obtained anything like a regular use.

During the Hanoverian period it became customary to encircle the shield first with the garter, and that in its turn with the collar of the order whenever it was desired to display the achievement in its most complete style; and though even then, as at the present day, for less elaborate representations the garter only was used without the collar, it still remains correct to display both in a full emblazonment of the arms. An impetus to the practice was doubtless given by the subdivision of the Order of the Bath, which will be presently referred to. In speaking of the garter, the opportunity should be taken to protest strongly against the objectionable practice which has arisen of using a garter to encircle a crest or shield and to carry the family motto. No matter what motto is placed upon the garter, it is both bad form and absolutely incorrect for any one who is not a Knight of the Garter to use a garter in any heraldic display.

But to tabulate the existing practice the present rules as to the display of the arms of knights of the different orders are as follow:--

A Knight of the Most Noble Order of the Garter encircles his escutcheon by a representation of the garter he wears. This is a belt of dark blue velvet edged with gold and ornamented with a heavy gold buckle and ornament at the end. It carries the motto of the Order, "Honi soit qui mal y pense," in gold letters of plain Roman character. Anciently the motto was spelled "Hony soit qy mal y pense," as may be noticed from some of the early Garter plates, and the style {563} of the letter was what is now known as "Old English." The garter is worn buckled, with the end tucked under and looped in a specified manner, which is the method also adopted in heraldic representations. It is quite permissible to use the garter alone, but a Knight of the Order is allowed to add outside the garter the representation of the collar of the order. This is of gold, consisting of twenty-six buckled garters enamelled in the correct colour, each surrounding a rose, the garter alternated with gold knots all joined up by chain links of gold. From the collar depends the "George," or figure of St. George on horseback encountering the dragon, enamelled in colours. In heraldic representations it is usual to ignore the specified number of links in the collar. A Knight of the Garter as such is entitled to claim the privilege of a grant of supporters, but as nowadays the order is reserved for those of the rank of earl and upwards, supporters will always have a prior existence in connection with the peerage.

Knights of the Most Ancient and Most Noble Order of the Thistle are entitled to surround their arms with a plain circle of green edged with gold and bearing the motto in gold letters, "Nemo me impune lacessit." They are also entitled to surround their arms with the collar of the order, which is of gold, and composed of sprigs of thistle and rue (Andrew) enamelled in their proper colours. From the collar the badge (the figure of St. Andrew) depends.

Knights of the Most Illustrious Order of St. Patrick are entitled to surround their arms by a plain circle of sky-blue edged with gold, bearing the motto, "Quis Separabit. MDCCLXXXIII," as enamelled on the star of the order. This is encircled by the collar of the order, which is of "gold, composed of roses and harps alternately, tied together with knots of gold, the said roses enamelled alternately, white leaves within red and red leaves within white; and in the centre of the said collar shall be an Imperial crown surmounting a harp of gold, from which shall hang the badge."

Knights of the Thistle and St. Patrick are entitled as such to claim a grant of supporters on payment of the fees, but these orders are nowadays confined to peers.

The Most Honourable Order of the Bath.--Knights of the Bath, who have existed from a remote period, do not appear as such to have made any additions to their arms prior to the revival of the order in 1725. At that time, similarly to the Orders of the Garter and the Thistle, the order was of one class only and composed of a limited number of knights. Knights of that order were then distinguished by the letters K.B., which, it should be noted, mean Knight of the Bath, and not Knight Bachelor, as so many people now imagine. There is nobody at the present time who is entitled to use these letters. Upon those {564} of the Bath plates which now remain in the chapel of Henry VII. in Westminster Abbey, no instance will be found in which the collar is represented outside the circle, which is pretty good evidence that although isolated examples may possibly be found at an earlier date, it was not the usual custom up to the end of the eighteenth century to encircle a shield with a collar of knighthood. These Knights of the Bath (K.B.), as they were termed, surrounded their escutcheons with circlets of crimson edged with gold, and bearing thereupon the motto of the order, "Tria juncta in uno," in gold letters.

Although at that time it does not appear that the collar of the order was ever employed for armorial purposes, instances are to be found in which the laurel wreath surrounded the circlet with the motto of the order.

In the year 1815, owing to the large number of officers who had merited reward in the Peninsular Campaign, it was considered necessary to largely increase the extent and scope of the order. For this purpose it was divided into two divisions--the Military Division and the Civil Division--and each of these were divided into three classes, namely, Knights Grand Cross (G.C.B.), Knights Commanders (K.C.B.), and Companions (C.B.). The then existing Knights of the Bath became Knights Grand Cross. The existing collar served for all Knights Grand Cross, but the old badge and star were assigned for the civil division of the order, a new pattern being designed for the military division. The number of stalls in Henry VII.'s Chapel being limited, the erection of Stall plates and the display of banners ceased; those then in position were allowed to remain, and still remain at the present moment. Consequently there are no Stall plates to refer to in the matter as precedents since that period, and the rules need to be obtained from other sources. They are now as follows: A Knight Grand Cross of the Order of the Bath surrounds his arms with the circlet as was theretofore the case, and in addition he surrounds the circlet by his collar, from which depends the badge (either military or civil) of the division to which he belongs. The collar is really for practical purposes the distinguishing mark of a Knight Grand Cross, because although as such he is entitled upon payment of the fees to claim a grant of supporters, he is under no compulsion to do so, and comparatively but few avail themselves of the privilege. All Knights of the Bath, before the enlargement of the order, had supporters. A Knight Grand Cross of the military division encircles his arms with the laurel wreath in addition, this being placed outside the circlet and within the collar of the order. The collar is composed of gold having nine Imperial crowns and eight devices of the rose, the thistle, and shamrock issuing from a sceptre placed alternately and enamelled in {565} their proper colours, the links being connected with seventeen knots enamelled white. The badges of the military and civil divisions differ considerably.

Knights Commanders of the Bath have no collar and cannot claim a grant of supporters, but they encircle their shields with the circlet of the order, suspending their badge below the shield by the ribbon from which it is worn. Knights Commanders of the military division use the laurel wreath as do Knights Grand Cross, but no members of any class of the civil division are entitled to display it.

Companions of the order (C.B.) do not use the helmet of a knight as does a G.C.B. or a K.C.B.; in fact, the only difference which is permissible in their arms from those of an undistinguished commoner is that they are allowed to suspend the badge of a C.B. from a ribbon below their shields. They do not use the circlet of the order. Certain cases have come under my notice in which a military C.B. has added a laurel wreath to his armorial bearings, but whether such a practice is correct I am unaware, but I think it is not officially recognised.

The Most Exalted Order of the Star of India (like the Order of the Bath as at present constituted) is divided into three classes, Knights Grand Commanders, Knights Commanders, and Companions. Knights Grand Commanders place the circlet of the order around their shields. This is of light blue inscribed with the motto, "Heaven's light our guide." This in its turn is surrounded by the collar of the order, which is composed of alternate links of the Indian lotus flower, crossed palm-branches, and the united red and white rose of England. In the centre of the collar is an Imperial crown from which depends the badge of the order, this being an onyx cameo of the effigy of her late Majesty Queen Victoria within the motto of the order, and surmounted by a star, the whole being richly jewelled. The surrounding of the shield by the circlet of the order doubtless is a consequence and follows upon the original custom of the armorial use of the garter, but this being admitted, it is yet permissible to state that that practice came from the Continent, and there is little reason to doubt that the real meaning and origin of the custom of using the circlet is derived from the Continental practice which has for long been usual of displaying the shield of arms upon the star of an order of knighthood. The star of every British order--the Garter included--contains the circlet and motto of the order, and it is easy to see how, after depicting the shield of arms upon the star of the order, the result will be that the circlet of the order surrounds the shield. No armorial warrant upon the point is ever issued at the creation of an order; the thing follows as a matter of course, the circlet being taken from the star to surround the shield without further authorisation. Upon this point {566} there can be no doubt, inasmuch as the garter which surrounds the shield of a K.G. is in all authoritative heraldic paintings buckled in the peculiar manner in which it is worn and in which it is depicted upon the star. The Star of the Thistle shows the plain circlet, the Star of St. Patrick the same, and the arms of a Knight of St. Patrick afford a curious confirmation of my contention, because whilst the motto of the order is specified to be, "Quis separabit," the circlet used for armorial purposes includes the date (MDCCLXXXIII.) as shown upon the star. The Order of the Bath, again, has a plain circlet upon the star, and the badges and stars of the military knights have the laurel wreath represented in heraldic drawings, the laurel wreath being absent from the stars and the shields of those who are members of the civil division. Now with regard to the Order of the Star of India the motto on the star is carried upon a representation of a ribbon which is tied in a curious manner, and my own opinion is that the circlet used to surround the shield of a G.C.S.I. or K.C.S.I. should (as in the case of the garter) be represented not as a simple circlet like the Bath or Thistle, but as a ribbon tied in the curious manner represented upon the star. This tying is not, however, duplicated upon the badge, and possibly I may be told that the circlet and its use are taken from the badge and not from the star. The reply to such a statement is, first, that there is no garter upon the badge of that order, there is no circlet on the badge of the Thistle, and the circlet on the badge of St. Patrick is surrounded by a wreath of trefoils which in that case ought to appear round the shield of a K.P. This wreath of trefoils is absent from the K.P. star. Further, no Companion of an Order is permitted to use the Circlet of the Order, whilst every Companion has his badge. No Companion has a star. Though I hold strongly that the circlet of the Star of India should be a ribbon tied as represented on the star of the order, I must admit I have never yet come across an official instance of it being so represented. This, however, is a point upon which there is no definite warrant of instruction, and is not the conclusion justifiable that on this matter the officers of arms have been led into a mistake in their general practice by an oversight and possible unfamiliarity with the actual star? A Knight Grand Commander is entitled to claim a grant of supporters on payment of the fees. A Knight Commander encircles his shield with the circlet of the order and hangs his badge from a ribbon below, a Companion of the Order simply hangs the badge he wears below his shield.

THE MOST DISTINGUISHED ORDER OF ST. MICHAEL AND ST. GEORGE.--This order again is divided into three classes--Knights Grand Cross, Knights Commanders, and Companions. Knights Grand Cross place the circlet of the order and the collar with the badge around their shields, {567} and, like other Knights Grand Cross, they are entitled to claim a grant of supporters. The circlet of the order is of blue edged with gold, and bearing in gold letters the motto of the order, "Auspicium melioris ævi." The collar is composed alternately of lions of England, of Maltese crosses, and of the ciphers S.M. and S.G., and having in the centre an Imperial crown over two lions passant guardant, each holding a bunch of seven arrows. At the opposite point of the collar are two similar lions. The whole is of gold except the crosses, which are of white enamel, and the various devices are linked together by small gold chains. Knights Commanders of the Order encircle their shields with a similar circlet of the order, and hang their badges below. A Companion simply suspends his badge from a ribbon below his shield.

The Most Eminent Order of the Indian Empire.--This order is divided into three classes--Knights Grand Commanders, Knights Commanders, and Companions. Knights Grand Commanders and Knights Commanders encircle their shields with the circlet of the order, which is of purple inscribed in letters of gold, with the motto of the order, "Imperatricis auspiciis." The collar of the order, which is used by the Knights Grand Commanders, in addition to the circle, is composed of elephants, lotus flowers, peacocks in their pride, and Indian roses, and in the centre is an Imperial crown, the whole being linked together by chains of gold. Knights Commanders suspend their badges from their shields. Companions are only permitted to suspend their badges from a ribbon, and, as in the cases of the other orders, are not allowed to make use of the circlet of the order.

The Royal Victorian Order is divided into five classes, and is the only British order of which this can be said. There is no collar belonging to the order, so a G.C.V.O. cannot put one round his shield. Knights Grand Cross surround their shields with the circlet of the order, which is of dark blue carrying in letters of gold the motto, "Victoria." Knights Commanders and Commanders also use the circlet, with the badge suspended from the ribbon. Members of the fourth and fifth classes of the Order suspend the badge which they are entitled to wear below their shields. The "Victorian Chain" is quite apart from the Victorian Order, and up to the present time has only been conferred upon a very limited number. It apparently exists by the pleasure of His Majesty, no statutes having been ordained.

The Distinguished Service Order, the Imperial Service Order, and the Order of Merit are each of but one class only, none of them conferring the dignity of knighthood. They rank heraldically with the Companions of the other Orders, and for heraldic purposes merely confer upon those people entitled to the decorations the right to {568} suspend the badges they wear below their shields or lozenges as the case may be, following the rules observed by other Companions. The Victoria Cross, the Albert Medal, the Edward Medal, the Conspicuous Service Cross, the Kaisar-i-Hind Medal, the Royal Red Cross, the Volunteer Officers' Decoration, the Territorial Decoration, and the Decoration of the League of Mercy all rank as decorations. Though none confer any style or precedence of knighthood, those entitled to them are permitted to suspend representations of such decorations as are enjoyed below their shields.

The members of the Orders of Victoria and Albert and of the Crown of India are permitted to display the badges they wear below their lozenges.

Some people, notably in the early part of the nineteenth century, adopted the practice of placing war medals below the escutcheons amongst other decorations. It is doubtful, however, how far this practice is correct, inasmuch as a medal does not technically rank as a decoration or as a matter of honour. That medals are "decorations" is not officially recognised, with the exception, perhaps, of the Jubilee medal, the Diamond Jubilee medal, and the Coronation medal, which have been given a status more of the character of a decoration than of simple medals.

The Order of the Hospital of St. John of Jerusalem in England does not rank with other orders or decorations, inasmuch as it was initiated without Royal intervention, and carries no precedence or titular rank. In 1888, however, a Royal charter of incorporation was obtained, and the distribution of the highest offices of the order in the persons of the Sovereign, the Prince of Wales, and other members of the Royal Family has of late years very much increased its social status. The Order is, however, now recognised to a certain extent, and its insignia is worn at Court by duly appointed authority. The Crown is gradually acquiring a right of veto, which will probably eventually result in the order becoming a recognised honour, of which the gift lies with the Crown. In the charter of incorporation, Knights of Justice and Ladies of Justice were permitted to place as a chief over their arms the augmentation anciently used by knights of the English language of the original Roman Catholic Celibate Order. The chief used is: "Gules, charged with a cross throughout argent, the cross embellished in its angles with lions passant guardant and unicorns passant alternately both or," as in the cross of the order. The omission, which is all the more inexplicable owing to the fact that Garter King of Arms is the officer for the order, that the heraldic provisions of this charter have never been conveyed, as should have been the case, in a Royal Warrant to the Earl Marshal, has caused some {569} confusion, for the officers of the College of Arms, when speaking officially, decline to admit the insignia of the order in any official emblazonment of arms. Lyon King of Arms has been less punctilious.

Knights of Justice, Knights of Grace, and Esquires of the Orders all suspend the badges they wear from a black watered-silk ribbon below their shields (Fig. 334), and Ladies of Justice and Ladies of Grace do the same below their lozenges. The arms of members of the Order are frequently depicted superimposed upon the Cross. By the Statutes of the Order Knights of Justice were required to show that all their four grandparents were legally entitled to bear arms, but so many provisions for the exercise of discretion in dispensing with this requirement were at the same time created that to all intents and purposes such a regulation might never have been included. Some of the Knights of Justice even yet have no arms at all, others are themselves grantees, and still others would be unable to show what is required of them if the claims of their grandparents were properly investigated.

It should perhaps be stated that supporters, when granted to Knights Grand Cross as such, are personal to themselves, and in the patents by which they are granted the grant is made for life only, no hereditary limitation being added.

Any person in this country holding a Royal Licence to wear the insignia of any foreign order is permitted to adopt any heraldic form, decoration, or display which that order confers in the country of origin. Official recognition exists for this, and many precedents can be quoted.

The rules which exist in foreign countries concerning heraldic privileges of the knights of different orders are very varied, and it is impossible to briefly summarise them. It may, however, be stated that the most usual practice is to display the shield alone in the centre of the star (Fig. 772). As with us, the collars of the orders are placed around the shields, and the badges depend below, but the use of the circlet carrying the motto of the order is exclusively a British practice. In the case of some of the Orders, however, the official coat of arms of the order is quartered, impaled, or borne in pretence with the personal arms, and the cross patée of the Order of the Dannebrog is to be met with placed in front of a shield of quarterings, the charges thereupon appearing in the angles of the cross. I am not sure, however, that the cases which have come under my notice should not be rather considered {570} definite and hereditary grants of augmentation, this being perhaps a more probable explanation than that such a method of display followed as a matter of course on promotion to the order. The Grand Masters of the Teutonic Order quarter the arms of that order with those of their families. The Knights of the Order of St. Stephen of Tuscany bear the arms of that order in chief over their personal arms. Fig. 772 represents the manner in which a "Bailli-profès" (Grand Cross) of the real Catholic and Celibate Order of St. John of Malta places the chief of the order on his shield, the latter being imposed upon a Maltese star (this being white) and the badge of the order depending below. The "Knight-profès" does not use the chief of the order. In the German Protestant Order of Malta (formerly Bailiwick of Brandenburg) the Commendatores place the shield of their arms upon the Cross of Malta. The Knights of Justice ("Richtsritter") on the contrary assume the cross upon the shield itself, whilst the Knights of Grace suspend it from the bottom of the shield. The members of the ancient Order of La Cordelière formerly encircled their lozenges with a representation of the Cordelière, which formed a part of their habit; and the officers of the Ecclesiastical Orders frequently surround their escutcheons with rosaries from which depend crucifixes. Whether this latter practice, however, should be considered merely a piece of artistic decoration, or whether it should be regarded as an ecclesiastical matter or should be included within the purview of armory, I leave others to decide.

By a curious fiction, for the origin of which it is not easy to definitely account, unless it is a survival of the celibacy required in certain orders, a knight is not supposed to share the insignia of any order of knighthood with his wife. There is not the slightest doubt that his own knighthood does confer upon her both precedence and titular rank, and why there should be any necessity for the statement to be made as to the theoretical position has long been a puzzle to me. Such a theory, however, is considered to be correct, and as a consequence in modern times it has become a rigid rule that the arms of the wife of a knight must not be impaled upon a shield when it is displayed within the circlet of an order. No such rule existed in ancient times, and many instances can be found in which impaled shields, or the shield of the wife only, are met with inside a representation of the Garter. In the warrant recently issued for Queen Alexandra the arms of England and Denmark are impaled within a Garter. This may be quite exceptional and consequent upon the fact that Her Majesty is herself a member of the Order. Nevertheless, the modern idea is that when a Knight of any Order impales the arms of his wife, he must use two shields placed accollé, the dexter {571} surmounting the sinister (Fig. 745). Upon the dexter shield is represented the arms of the knight within the circlet, or the circlet and collar, as the case may be, of his order; on the sinister shield the arms of the knight are impaled with those of his wife, and this shield, for the purpose of artistic balance, is usually surrounded with a meaningless and inartistic floral or laurel wreath to make its size similar to the dimensions of the dexter shield.

The widow of a knight of any Order is required at present to immediately discontinue the use of the ensigns of that Order, and to revert to the plain impaled lozenge which she would be entitled to as the widow of an undecorated gentleman. As she retains her titular rank, such a regulation seems absurd, but it undoubtedly exists, and until it is altered must be conformed to.

Knights Grand Cross and Knights Commanders, as also Knights Bachelors, use the open affronté helmet of a knight. Companions of any order, and members of those orders which do not confer any precedence or title of knighthood, use only the close profile helmet of a gentleman. A Knight Bachelor, of course, is at liberty to impale the arms of his wife upon his escutcheon without employing the double form. It only makes the use of the double escutcheon for Knights of Orders the more incomprehensible.

Reference should also be made to the subject of impalement, which will be found in the chapter upon Marshalling. {572}

XXXV. THE ARMORIAL BEARINGS OF A LADY

Bearing in mind that armory was so deeply interwoven with all that was best in chivalry, it is curious that the armorial status of a woman should have been left so undefined. A query as to how a lady may bear arms will be glibly answered for her as maid (Fig. 749) and as widow (Figs. 750, 751, and 752) by the most elementary heraldic text-book. But a little consideration will show how far short our knowledge falls of a complete or uniform set of rules.

Let what is definitely known be first stated. In the first place, no woman (save a Sovereign) can inherit, use, or transmit crest or motto, nor may she use a helmet or mantling. All daughters, if unmarried, bear upon a lozenge the paternal arms and quarterings of their father, with his difference marks. If their mother were an heiress, they quarter her arms with those of her father. In England (save in the Royal Family, and in this case even it is a matter of presumption only) there is no seniority amongst daughters, and the difference marks of all daughters are those borne by the father, and none other. There are no marks of distinction as between the daughters themselves. In Scotland, however, seniority does exist, according to priority of birth; and, though Scottish heraldic law provides no marks of cadency as between sister and sister, the laws of arms north of the Tweed recognise seniority of birth in the event of a certain set of circumstances arising.

In Scotland, as doubtless many are aware, certain untitled Scottish families, for reasons which may or may not be known, have been permitted to use supporters to their arms. When the line vests in coheirs, the eldest born daughter, as heir of line, assumes the supporters, unless some other limitation has been attached to them. Scottish supporters are peculiar things to deal with, unless the exact terms of the patent of grant or matriculation are known.

The lozenge of an unmarried lady is frequently surmounted by a true lover's knot of ribbon, usually painted blue (Fig. 749). It has no particular meaning and no official recognition, though plenty of official {573} use, and practically its status is no more than a piece of supposedly artistic ornament.

Concerning the law for unmarried ladies, therefore, there is neither doubt nor dispute. A widow bears arms upon a lozenge, this showing the arms of her late husband impaled with those of her own family (Fig. 750), or with these latter displayed on an escutcheon of pretence if she be an heir or coheir (Fig. 751).

The other state in the progress of life in which a lady may hope or expect to find herself is that of married life. Now, how should a married lady display arms? Echo and the text-books alike answer, "How?" Does anybody know? This "fault," for such it undoubtedly is, is due to the fact that the laws of arms evolved themselves in that period when a married woman was little accounted of. As an unmarried heiress she undoubtedly was a somebody; as a widowed and richly-jointured dowager she was likewise of account, but as a wedded wife her identity was lost, for the Married Women's Property Act was not in existence, nor was it thought of. So completely was it recognised that all rights and inheritance of the wife devolved of right upon the husband, that formerly the husband enjoyed any peerage honours which had descended to the wife, and was summoned to Parliament as a peer in his wife's peerage. Small wonder, then, that the same ideas dominated the rules of armory. These only provide ways and methods for the husband to bear the wife's arms. This is curious, because there can be no doubt that at a still earlier period the practice of impalement was entirely confined to women, and that, unless the wife happened to be an heiress, the husband did not trouble to impale her arms. But a little thought will show that the two are not at variance, for if monuments and other matters of record are ignored, the earliest examples of impalement which have come down to us are all, almost without exception, examples of arms borne by widows. One cannot get over the fact that a wife during coverture had practically no legal status at all. The rules governing impalement, and the conjunction of the arms of man and wife, as they are to be borne by the husband, are recited in the chapter upon Marshalling, which also details the ways in which a widow bears arms in the different ranks of life. Nothing would be gained by repeating them here.

It may be noted, however, that it is not considered correct for a widow to make use of the true lover's knot of blue ribbon, which is sometimes used in the case of an unmarried lady. A divorce puts matters in statu quo ante.

There still remains, however, the question of the bearing of arms in her own right by a married woman under coverture at the present day. {574}

The earliest grant of arms that I can put my hands upon to a woman is one dated 1558. It is, moreover, the only grant of which I know to one single person, that person being a wife. The grant is decidedly interesting, so I print it in full:--

"TO ALL AND SINGULAR as well kinges heraldes and officers of armes as nobles gentlemen and others which these presents shall see or here Wyllyam Hervye Esquire otherwise called Clarencieux principall heralde and kinge of armes of the south-east and west parties of England fendith due comenda[=c]ons and greting fforasmuch as auncientlye ffrom the beginnynge the valyant and vertuous actes off excellent parsons have ben comended to the worlde with sondry monumentes and remembrances off theyr good desertes among the which one of the chefist and most usuall hath ben the beringe of figures and tokens in shildes called armes beinge none other thinges then Evidences and demonstra[=c]ons of prowes and valoure diverselye distributed accordinge to the quallyties and desertes of the parsons. And for that Dame Marye Mathew daughter and heyre of Thomas Mathew of Colchester in the counte of Essex esquire hath longe contynued in nobylyte she and her auncestors bearinge armes, yet she notwithstandinge being ignorant of the same and ffor the advoydinge of all inconvenyences and troubles that dayleye happeneth in suche cases and not wyllinge to preiudyce anye person hath instantlye requyred me The sayde Clarencieux kinge of armes accordinge to my registers and recordes To assigne and sett forthe ffor her and her posterite The armes belonging and descendinge To her ffrom her saide auncesters. In considera[=c]on whereof I have at her ientle request assigned geven and granted unto her and her posterite The owlde and auncient armes of her said auncesters as followeth. That is to saye--partye per cheveron sables and argent a Lyon passant in chefe off the second the poynt goutey[31] of the firste as more plainly aperith depicted in this margent. Which armes I The Saide Clarencieux kinge of Armes by powre and authorite to myne office annexed and graunted By the Queenes Majesties Letters patentes under The great Seale of England have ratefyed and confirmed and By These presentes do ratefye and confyrme unto and for the saide dame marye Mathew otherwise called dame Mary Jude wiffe to Sir Andrew Jude Knight late Mayor and Alderman off London and to her posterite To use bear and show for evermore in all places of honour to her and theyr wourshipes at theyr Lybertie and pleasur without impediment lett or interup[=c]on of any person or persons.

"IN WITNESS WHEREOF the saide Clarencieux Kinge of Armes have signed these presentes with my hand and sett thereunto The Seale off {575} myne office and The Seale of myne armes geven at London The x^{th} daye off October in the Yeare of owre Lord Godd 1558 and in the ffourth and ffifth yeares off the reignes off owre Souereignes Lorde and Layde Phellip and Marye by the grace of God Kinge and Queene of England france both cycles Jerusalem Irland deffendors of the faythe Archedukes of Austrya Dukes of Burgoyne myllain & braband erles of haspurgie, Flanders and Tyrrell.

"W. HERVEY AL[=S] CLARENCIEUX "King of Armes.

"Confirmation of Arms to Dame Mary Mathew, 'otherwise called Dame Marye Jude, wyffe to Sir Andrew Jude, Knight, Late Lord Mayor and Alderman off London,' 1558."

In this grant the arms are painted upon a shield. The grant was made in her husband's lifetime, but his arms are not impaled therewith. Evidently, therefore, the lady bears arms in her own right, and the presumption would seem to be that a married lady bears her arms without reference to her husband, and bears them upon a shield. On the other hand, the grant to Lady Pearce, referred to on an earlier page, whilst not blazoning the Pearce arms, shows the painting upon the patent to have been a lozenge of the arms of Pearce, charged with a baronet's hand impaled with the arms then granted for the maiden name of Lady Pearce. On the other hand, a grant is printed in vol. i. of the Notes to the "Visitation of England and Wales." The grant is to Dame Judith Diggs, widow of Sir Maurice Diggs, Bart., now wife of Daniel Sheldon, and to Dame Margaret Sheldon, her sister, relict of Sir Joseph Sheldon, Knight, late Alderman, and sometime Lord Mayor of the City of London, daughters and coheirs of Mr. George Rose, of Eastergate. The operative clause of the grant is: "do by these Presents grant and assign to y^e said Dame Judith and Dame Margaret the Armes hereafter mentioned Viz^t: Ermine, an Eagle displayed Sable, membered and beaked Gules, debruised with a Bendlet Componè Or and Azure, as in the margin hereof more plainly appears depicted. To be borne and used for ever hereafter by them y^e said Dame Judith Diggs and Dame Margaret Sheldon, and the descendants of their bodies respectively, lawfully begotten, according to the Laws, Rules and practice of Armes."

In each case it will be noted that the sisters were respectively wife and widow of some one of the name of Sheldon; and it might possibly be supposed that these were arms granted for the name of Sheldon. There seems, however, to be very little doubt that these are the arms for Rose. The painting is, however, of the single coat of Rose, and one is puzzled to know why the arms are not painted in {576} conjunction with those of Sheldon. The same practice was followed in the patent which was granted to Nelson's Lady Hamilton. This patent, which both heraldically and historically is excessively interesting, was printed in full on p. 168, vol. i. of the Genealogical Magazine. The arms which in the grant are specifically said to be the arms of Lyons (not of Hamilton) are painted upon a lozenge, with no reference to the arms of Hamilton. In each of these cases, however, the grantee of arms has been an heiress, so that the clause by which the arms are limited to the descendants does not help. An instance of a grant to a man and his wife, where the wife was not an heiress, is printed in "The Right to Bear Arms"; and in this case the painting shows the arms impaled with those of the husband. The grant to the wife has no hereditary limitations, and presumably her descendants would never be able to quarter the arms of the wife, no matter even if by the extinction of the other issue she eventually became a coheir. The fact that the arms of man and wife are herein granted together prevents any one making any deduction as to what is the position of the wife alone.

There was a patent issued in the year 1784 to a Mrs. Sarah Lax, widow of John Lax, to take the name and arms of Maynard, such name and arms to be borne by herself and her issue. The painting in this case is of the arms of Maynard alone upon a lozenge, and the crest which was to be borne by her male descendants is quite a separate painting in the body of the grant, and not in conjunction with the lozenge. Now, Mrs. Maynard was a widow, and it is manifestly wrong that she should bear the arms as if she were unmarried, yet how was she to bear them? She was bearing the name of Lax because that had been her husband's name, and she took the name of Maynard, which presumably her husband would have taken had he been alive; she herself was a Miss Jefferson, so would she have been entitled to have placed the arms of Jefferson upon an escutcheon of pretence, in the centre of the arms of Maynard? Presumably she would, because suppose the husband had assumed the name and arms of Maynard in his lifetime, he certainly would have been entitled to place his wife's arms of Jefferson on an escutcheon of pretence.

On March 9, 1878, Francis Culling Carr, and his second wife, Emily Blanche, daughter of Andrew Morton Carr, and niece of the late Field-Marshal Sir William Maynard Gomm, G.C.B., both assumed by Royal Licence the additional surname and arms of Gomm. Neither Mr. nor Mrs. Carr-Gomm appear to have had any blood descent from the Gomm family; consequently the Gomm arms were granted to both husband and wife, and the curious part is that they were not identical, the marks (showing that there was no blood relationship) being a {577} canton for the husband and a cross crosslet for the wife. In this case the arms were impaled. One is puzzled to know why the grant to the wife was necessary as well as the grant to the husband.

In 1865 Mrs. Massy, widow of Hugh Massy, assumed the name and arms of Richardson in lieu of Massy. Mrs. Massy was the only child of Major Richardson Brady, who had previously assumed by Royal Licence the arms of Brady only. The painting upon the patent is a lozenge, bearing the arms of Massy, and upon an escutcheon of pretence the arms of Richardson. Of course, the arms of Mrs. Massy, as a widow, previously to the issue of the Royal Licence were a lozenge of the arms of Massy, and on an escutcheon of pretence the arms of Brady.

A few years ago a Grant of Arms was issued to a Mrs. Sharpe, widow of Major Sharpe. The arms were to be borne by herself and the descendants of her late husband, and by the other descendants of her husband's father, so that there is no doubt whatever that these were the arms of Sharpe. I have no idea who Mrs. Sharpe was, and I do not know that she possessed any arms of her own. Let us presume she did not. Now, unless a widow may bear the arms of her late husband on a lozenge, whether she has arms to impale with them or not, how on earth is she to bear arms at all? And yet the grant most distinctly was primarily to Mrs. Sharpe.

After the death of General Ross, the victor of Bladensburg, a grant of an augmentation was made to be placed upon the monument to the memory of the General (Plate II.). The grant also was for the augmentation to be borne by his widow during her widowhood. But no mention appears of the arms of Mrs. Ross, nor, as far as I can ascertain, was proof officially made that Mrs. Ross was in her own right entitled to arms; consequently, whether she really was or was not, we may assume that as far as the official authorities officially knew she was not, and the same query formulated with regard to the Sharpe patent holds good in this case. The painting on the patent shows the arms upon a shield, and placed above is a helmet surmounted by the crest of augmentation and the family crest of Ross.

So that from the cases we have mentioned instances can be found of the arms of a wife upon a shield alone, and of a widow having arms depicted upon a lozenge, such arms being on different occasions the impaled arms of her husband and herself, or the arms of herself alone or of her husband alone; and we have arms granted to a wife, and depicted as an impalement or upon a lozenge. So that from grants it seems almost impossible to deduce any decided and unquestionable rule as to how wife or widow should bear a coat of arms. There is, {578} however, one other source from which profitable instruction may be drawn. I refer to the methods of depicting arms upon hatchments, and more particularly to the hatchment of a married woman. Now a hatchment is strictly and purely personal, and in the days when the use of such an article was an everyday matter, the greatest attention was paid to the proper marshalling of the arms thereupon. There are so many varying circumstances that we have here only space to refer to the three simple rules, and these uncomplicated by any exceptional circumstances, which governed the hatchments of maid, wife, and widow. In the first case, the hatchment of an unmarried lady showed the whole of the background black, the paternal arms on a lozenge, and this suspended by a knot of blue ribbon. In the hatchment of a widow the background again was all black, the arms were upon a lozenge (but without the knot of ribbon), and the lozenge showed the arms of husband and wife impaled, or with the wife's in pretence, as circumstances might dictate. The hatchment of a wife was entirely different. Like the foregoing, it was devoid, of course, of helmet, mantling, crest, or motto; but the background was white on the dexter side (to show that the husband was still alive), and black on the sinister (to show the wife was dead). But the impaled arms were not depicted upon a lozenge, but upon a shield, and the shield was surmounted by the true lover's knot of blue ribbon.

I have already stated that when the rules of arms were in the making the possibility of a married woman bearing arms in her own right was quite ignored, and theoretically even now the husband bears his wife's arms for her upon his shield. But the arms of a man are never depicted suspended from a true lover's knot. Such a display is distinctly feminine, and I verily believe that the correct way for a married woman to use arms, if she desires the display thereof to be personal to herself rather than to her husband, is to place her husband's arms impaled with her own upon a shield suspended from a true lover's knot, and without helmet, mantling, crest, or motto. At any rate such a method of display is a correct one, it is in no way open to criticism on the score of inaccuracy, it has precedent in its favour, and it affords a very desirable means of distinction. My only hesitation is that one cannot say it is the only way, or that it would be "incorrect" for the husband. At any rate it is the only way of drawing a distinction between the "married" achievements of the husband and the wife.

The limitations attached to a lady's heraldic display being what they are, it has long been felt, and keenly felt, by every one attempting heraldic design, that artistic treatment of a lady's arms savoured almost of the impossible. What delicacy of treatment can possibly be added to the hard outline of the lozenge? The substitution of curvilinear for {579} straight lines in the outline, and even the foliation of the outline, goes but a little way as an equivalent to the extensive artistic opportunities which the mantling affords to a designer when depicting the arms of a man.

To a certain extent, two attempts have been made towards providing a remedy. Neither can properly claim official recognition, though both have been employed in a quasi-official manner. The one consists of the knot of ribbon; the other consists of the use of the cordelière. In their present usage the former is meaningless and practically senseless, whilst the use of the latter is radically wrong, and in my opinion, little short of imposture. The knot of ribbon, when employed, is usually in the form of a thin streamer of blue ribbon tied in the conventional true lover's knot (Fig. 749). But the imbecility and inconsistency of its use lies in the fact that except upon a hatchment it has been denied by custom to married women and widows, who have gained their lovers; whilst its use is sanctioned for the unmarried lady, who, unless she be affianced, neither has nor ought to have anything whatever to do with lovers or with their knot. The women who are fancy-free display the tied-up knot; women whom love has fast tied up, unless the foregoing opinion as to the correct way to display the arms of a married lady which I have expressed be correct, must leave the knot alone. But as matters stand heraldically at the moment the ribbon may be used advantageously with the lozenge of an unmarried lady.

With reference to the cordelière some writers assert that its use is optional, others that its use is confined to widow ladies. Now as a matter of fact it is nothing whatever of the kind. It is really the insignia of the old French Order of the Cordelière, which was founded by Anne of Bretagne, widow of Charles VIII., in 1498, its membership being confined to widow ladies of noble family. The cordelière was the waist girdle which formed a part of the insignia of the Order, and it took its place around the lozenges of the arms of the members in a manner similar to the armorial use of the Garter for Knights of that Order. Though the Order of the Cordelière is long since extinct, it is neither right nor proper that any part of its insignia should be adopted unaltered by those who can show no connection with it or membership of it. {580}

XXXVI. OFFICIAL HERALDIC INSIGNIA

The armory of all other nations than our own is rich in heraldic emblems of office. In France this was particularly the case, and France undoubtedly for many centuries gave the example, to be followed by other civilised countries, in all matters of honour and etiquette.

If English heraldry were entirely destitute of official heraldic ensigns, perhaps the development elsewhere of this branch of armory might be dismissed as an entirely foreign growth. But this is far from being the case, as there are some number of cases in which these official emblems do exist. In England, however, the instances are governed by no scale of comparative importance, and the appearance of such tokens can only be described as capricious. That a more extended usage might with advantage be made no one can deny, for usage of this character would teach the general public that armory had a meaning and a value, it would increase the interest in heraldry, and also assist greatly in the rapidly increasing revival of heraldic knowledge. The existence of these heraldic emblems would manifestly tend towards a revival of the old and interestingly excellent custom of regularly setting up in appropriate public places the arms of those who have successively held various offices. The Inns of Court, St. George's Chapel, the Public Office at the College of Arms, and the halls of some of the Livery Companies are amongst the few places of importance where the custom still obtains. And yet what an interesting memorial such a series always becomes! The following list may not be entirely complete, but it is fairly so as far as France is concerned, and I think also complete as to England.

The following are from the Royal French Court:--

The High Constable of France: Two swords held on each side of the shield by two hands in armour issuing from the clouds.

The Chancellor: In saltire behind his arms two great maces, and over his helmet a mortier or cap sable crossed by two bands of gold lace and turned up ermine; thereon the figure of a demi-queen as an emblem of France, holding a sceptre in her right hand and the great seal of the kingdom in her left. {581}

The Marshal: Two batons in saltire behind the arms azure, semé-de-lis or.

The Admiral: Two anchors in saltire behind the arms, the stocks of the anchors in chief azure, semé-de-lis or.

The General of the Galleys: Two anchors in saltire behind the arms.

Vice-Admiral: One anchor in pale behind the arms.

Colonel-General of the Infantry: Under his arms in saltire six flags, three on each side, white, crimson, and blue.

Colonel of the Cavalry: Over the arms four banners of the arms of France, fringed, &c., two to the dexter and two to the sinister.

Grand Master of the Artillery: Two field-pieces of ordnance under the arms, one pointing to the dexter and one to the sinister.

The Superintendent of the Finance: Two keys imperially crowned and endorsed in pale, one on each side of the arms, the dexter or, the sinister argent.

Grand Master of the Household to the King: Two grand batons of silver gilt in saltire behind the arms.

Grand Almoner: Under his arms a blue book, on the cover the arms of France and Navarre within the Orders of St. Michael and the Holy Ghost, over the Orders the Crown.

Grand Chamberlain: Two keys, both imperially crowned or, in saltire behind the arms endorsed, the wards-in-chief.

Grand Esquire: On each side of the shield a royal sword erect, the scabbard azure, semé-de-lis, hilt and pommel or, the belts folded round the scabbard azure, semé-de-lis or.

Grand Pannetier, who by virtue of his office had all the bakers of Paris under his jurisdiction, and had to lay the king's cover at his table, bore under his arms a rich cover and a knife and fork in saltire.

Grand Butler or Cupbearer: On each side of the base of the shield, a grand silver flagon gilt, with the arms of the King thereon.

Gamekeeper to the King: Two bugle-horns appending from the ends of the mantling.

Grand Falconer: Two lures appending from the ends of the mantling.

Grand Wolf-hunter: On each side of the shield a wolf's head caboshed.

Captain of the King's Guards: Two small batons sable, headed gold, like a walking-cane.

Captain of the Hundred Swiss Guards: Two batons in saltire sable, headed argent, and under the arms two black velvet caps with feathers.

First Master of the Household: Under his arms two batons in saltire.

Grand Carver to His Majesty: Under his arms a knife and fork in saltire proper, the handles azure, semé-de-lis or. {582}

Grand Provost of the Household: Under his arms two Roman fasces or, corded azure.

Grand Quartermaster: A mace and battle-axe in saltire.

Captain of the Guards of the Gate: Two keys in pale, crowned argent, one on each side the arms.

The President of the Parliament: On his helmet a black cap with two bands of gold lace.

Under the Empire (of France) the Vice-Connétable used arms holding swords, as had been the case with the Constable of the Kingdom, but the swords were sheathed and semé of golden bees. The Grand Chamberlain had two golden keys in saltire, the bows thereof enclosing the imperial eagle, and the batons of the Maréchaux de French were semé of bees instead of fleurs-de-lis.

The Pope bears a cross with three arms, an archbishop one with two arms, a bishop one with a single arm. Besides this, two crossed keys appertain to the Pope, the golden key to bind, in bend dexter, the silver key to loose, in sinister bend. British archbishops and bishops will be presently referred to. Ecclesiastical princes, who were at the same time sovereign territorial princes, bore behind their shield a pedum or pastorale (crosier), crossed with the sword of penal judicature. A bishop bears the crosier with an outward bend, an abbot with an inward bend, thus symbolising the range of their activity or dominion. The arch and hereditary offices of the old German Empire had also their own attributes; thus the "Erztruchsess," Lord High Steward (Palatinate-Bavaria), bore a golden Imperial globe, which arose from a misinterpretation of the double dish, the original attribute of this dignity. The Lord High Marshal of the Empire (Saxony) expressed his office by a shield divided "per fess argent and sable," bearing two crossed swords gules. The Hereditary Standard-bearer (Würtemberg) bore: "Azure, a banner or, charged with an eagle sable"; the Lord High Chamberlain (Brandenburg): "Azure, a sceptre or," while the Hereditary Chamberlain (Hohenzollern) used: "Gules, two crossed sceptres or."

In Italy the Duca de Savelli, as Marshal of the Conclave, hangs on either side of his shield a key, the cords of which are knotted beneath his coronet.

In Holland Admirals used the naval Crown, and added two anchors in saltire behind the shield.

In Spain the Admirals of Castile and of the Indies placed an anchor in bend behind the shield.

The instances I am aware of which have official sanction already in this country are as stated in the list which follows:--

I have purposely (to make the list absolutely complete) included {583} insignia which may possibly be more properly considered ensigns of rank, because it is not particularly easy always to distinguish offices from honours and from rank.

The Kings of England (George I. to William IV.), as Arch Treasurers of the Holy Roman Empire, bore: Upon an inescutcheon gules, in the centre of the arms of Hanover, a representation of the Crown of Charlemagne.

An Archbishop has: (1) His official coat of arms, which he impales (placing it on the dexter side) with his personal arms; (2) his mitre, which, it should be noted, is the same as the mitre of a Bishop, and not having a coronet encircling its band; (3) his archiepiscopal staff (of gold, and with two transverse arms), which is placed in pale behind his escutcheon; (4) two crosiers in saltire behind the escutcheon. It is curious to note that the pallium which occurs in all archiepiscopal coats of arms (save that of York) is now very generally conceded to have been more in the nature of an emblem of the rank of Archbishop (it being a part of his ecclesiastical costume) than a charge in a concrete impersonal coat of arms for a defined area of archiepiscopal jurisdiction. In this connection it is interesting to observe that the Archbishops of York anciently used the pallium in lieu of the official arms now regularly employed.

A Bishop has: (1) His official coat of arms, (2) his mitre, (3) two crosiers in saltire behind his escutcheon.

The Bishop of Durham has: (1) His official coat of arms, (2) his coronetted mitre, which is peculiar to himself, and (which is another privilege also peculiar to himself alone) he places a sword and a crosier in saltire behind his arms. Reference should also be made to the chapter upon Ecclesiastical Heraldry.

A Peer has: (1) His coronet, (2) his helmet of rank; (3) his supporters, (4) his robe of estate.

A Scottish Peer has, in addition, the ermine lining to his mantling.

A Baronet of England, of Ireland, of Great Britain, or of the United Kingdom has: (1) His helmet of rank, (2) his badge of Ulster upon an inescutcheon or canton (argent, a sinister hand erect, couped at the wrist gules).

A Baronet of Nova Scotia has: (1) His helmet of rank, (2) his badge (an orange tawny ribbon, whereon shall hang pendent in an escutcheon argent, a saltire azure, thereon an inescutcheon of the arms of Scotland, with an imperial crown over the escutcheon, and encircled with this motto, "Fax Mentis Honestæ Gloria," pendent below the escutcheon).

A Knight of the Garter has: (1) His Garter to encircle the shield, (2) his collar and badge, (3) supporters. The Prelate of the Order of {584} the Garter (an office held by the Bishops of Winchester) is entitled to encircle his arms with the Garter. The Chancellor of the Order of the Garter encircles his arms with the Garter. Formerly the Bishops of Salisbury always held this office, but in 1836 when the county of Berks (which of course includes Windsor, and therefore the chapel of the order) was removed from the Diocese of Salisbury to the Diocese of Oxford, the office of Chancellor passed to the Bishops of Oxford. The Dean of Windsor, as Registrar of the Order, displays below his shield the ribbon and badge of his office.

A Knight of the Thistle has: (1) The ribbon or circlet of the order, (2) his collar and badge, (3) supporters. The Dean of the Chapels Royal in Scotland, as Dean of the Order, used the badge and ribbon of his office.

A Knight of St. Patrick has: (1) The ribbon or circlet of the order, (2) his collar and badge, (3) supporters. The Prelate of the Order of St. Patrick was as such entitled to encircle his escutcheon with the ribbon or circlet of that order, from which his official badge depends. The office, of course, came to an end with the disestablishment of the Irish Church. It was held by the Archbishops of Armagh. The Chancellor of the Order of St. Patrick is as such entitled to encircle his escutcheon with the ribbon or circlet of that order, from which his official badge depends. This office, formerly held by the Archbishops of Dublin, has since the disestablishment been enjoyed by the Chief Secretaries for Ireland. The Deans of St. Patrick's were similarly Registrars of the Order, and as such used the badge and ribbon of their office.

Knights Grand Cross or Knights Grand Commanders of the Orders of the Bath, the Star of India, St. Michael and St. George, the Indian Empire, or the Victorian Order, have: (1) The circlets or ribbons of their respective Orders, (2) their collars and badges, (3) their helmets of degree, (4) supporters, if they incline to pay the fees for these to be granted.

Knights Commanders of the aforesaid Orders have: (1) The circlets or ribbons of their respective Orders, (2) their badges pendent below the shield, (3) their helmets of degree.

Commanders of the Victorian Order have: (1) the circlet of the Order, (2) the badge pendent below the shield.

Companions of the aforesaid Orders, and Members of the Victorian Order, as also Members of the Distinguished Service Order, the Imperial Service Order, the Order of Merit, the Order of Victoria and Albert, the Order of the Crown of India, and those entitled to the Victoria Cross, the Albert Medal, the Edward Medal, the Conspicuous Service Cross, the Kaisar-i-Hind Medal, the Royal Red Cross, the {585} Volunteer Officers' Decoration, the Territorial Decoration, and the Decoration of the League of Mercy, are entitled to suspend their respective decorations below their escutcheons. The officers of these orders of knighthood are of course entitled to display their badges of office. The Dean of Westminster is always Dean of the Order of the Bath.

Knights Grand Cross and_ Knights Commanders of the Bath, if of the Military Division_, are also entitled to place a wreath of laurel round their escutcheons.

Knights of Justice of the Order of the Hospital of St. John of Jerusalem in England are entitled to place upon their escutcheons a chief of the arms of the Order (gules, a cross throughout argent, embellished in the angles with a lion guardant and a unicorn, both passant or).

Knights of Grace and other Members of the Order suspend whatever badge they are entitled to wear below their shield from a black watered-silk ribbon.

[Some members of the Order display their arms upon the Cross of the Order, as was done by Knights of the original Order, from which the present Order is copied, but how far the practice is sanctioned by the Royal Charter, or in what manner it is controlled by the rules of the Order, I am not aware.]

The Lord High Constable of England is entitled to place behind his escutcheon two batons in saltire similar to the one which is delivered to him for use at the Coronation, which is now the only occasion when the office is enjoyed. As the office is only held temporarily, the existing privilege does not amount to much.

The Lord High Constable of Scotland is entitled to place behind his escutcheon, in saltire, two silver batons tipped with gold at either end. The arms of the Earl of Errol (Hereditary Lord High Constable of Scotland) have only once, at an early period, been matriculated in Lyon Register, and then without any official insignia, but there can be no doubt of the right to the crossed batons.

The Lord High Chamberlain of Scotland (I am not sure this office still exists): Two golden keys in saltire behind the escutcheon.

The Earl Marshal and Hereditary Marshal of England places two batons of gold tipped with sable in saltire behind his arms.

[A Deputy Earl Marshal places one similar baton in bend behind his shield.]

The Earl Marischal of Scotland (until the office was extinguished by attainder) placed saltirewise behind his shield two batons gules, semé of thistles, each ensigned on the top with an Imperial Crown or.

The Hereditary Marshal of Ireland (an office for long past in abeyance) used two batons in saltire behind his arms. According to {586} MS. Harl. 6589, f. 39: "Les armes des office du Mareschall d'Ireland sont de Goulz et cinque fucelles bendes d'Argent." These certainly do not appear to be the personal arms of those who held the office, but there is other record that some such coat was used.

The Hereditary Lord Great Seneschal of Ireland (the Earl of Shrewsbury) places a white wand in pale behind his escutcheon.

The Duke of Argyll places in saltire behind his arms: (1) In bend dexter, a baton gules, semé of thistles or, ensigned with an Imperial Crown proper, thereon the crest of Scotland (as Hereditary Great Master of the Household in Scotland); (2) in bend sinister, a sword proper, hilt and pommel or (as Hereditary Justice-General of Scotland) (vide Plate III.).

The Master-General of the Ordnance (by warrant of King Charles II.), bears on each side of his arms a field-piece.

The Lord Justice-Clerk of Scotland places two swords in saltire behind his shield.

The Lord Chief-Justice of England encircles his arms with his Collar of SS.

The Walker Trustees place behind their shield two batons in saltire, each ensigned with a unicorn salient supporting a shield argent, the unicorn horned or, and gorged with an antique crown, to which is affixed a chain passing between the fore-legs and reflexed over the back of the last, for the office of Heritable Usher of the White Rod of Scotland, now vested in the said Trustees. Before the recent Court of Claims the claim was made to exercise the office by deputy, and such claim was allowed.

The Master of the Revels in Scotland has an official coat of arms: Argent, a lady rising out of a cloud in the nombril point, richly apparelled, on her head a garland of ivy, holding in her right hand a poignard crowned, in her left a vizard all proper, standing under a veil or canopy azure garnished or, in base a thistle vert.

Serjeants-at-Arms encircle their arms with their Collars of SS.

Garter King of Arms has: (1) His official coat of arms (argent, a gules, on a chief azure, a ducal coronet encircled with a Garter, between a lion passant guardant on the dexter, and a fleur-de-lis on the sinister, all or); (2) his crown; (3) his Collar of SS (the collar of a King of Arms differs from that of a Herald, inasmuch as it is of silver-gilt, and on each shoulder a portcullis is inserted); (4) his badge as Garter pendent below his shield. His sceptre of silver-gilt has been sometimes placed in bend behind his escutcheon, but this has not been regularly done. The practice has, however, been reverted to by the present Garter.

Lyon King of Arms has: (1) His official coat of arms (argent, a lion sejant, erect and affronté gules, holding in his dexter paw a thistle {587} slipped vert, and in the sinister a shield of the second, on a chief azure a St. Andrew's cross--i.e. a saltire--of the field); (2) his crown; (3) two batons, representing that of his office in saltire behind his shield, these being azure semé of thistles and fleurs-de-lis or, tipped at either end with gold; (4) his Collar of SS; (5) his triple chain of gold, from which depends his badge as Lyon King of Arms.

Ulster King of Arms has: (1) His official coat of arms (or, a cross gules, on a chief of the last a lion of England between a harp and a portcullis, all of the first); (2) his crown; (3) his Collar of SS; (4) his two staves in saltire behind the shield; (5) his chain and badge as Ulster King of Arms; (6) his badge as Registrar of the Order of St. Patrick.

Clarenceux King of Arms has: (1) His official coat of arms (argent, a cross gules, on a chief of the second a lion passant guardant or, crowned of the last); (2) his crown; (3) his Collar of SS.

Norroy King of Arms has: (1) His official coat of arms (argent, a cross gules, on a chief of the second a lion of England passant guardant or, crowned with an open crown, between a fleur-de-lis on the dexter and a key on the sinister of the last); (2) his crown; (3) his Collar of SS.

Bath King of Arms has: (1) His crown; his Collar of SS.

I am not aware that any official arms have been assigned to Bath up to the present time; but if none exist, there would not be the slightest difficulty in obtaining these.

An English Herald encircles his shield with his Collar of SS.

A Scottish Herald is entitled to do the same, and has also his badge, which he places below the escutcheon pendent from a ribbon of blue and white.

An Irish Herald has his Collar of SS, and his badge suspended from a sky-blue ribbon. An Irish Pursuivant has a similar badge.

The Regius Professors (or "Readers") in the University of Cambridge, for "Phisicke," "Lawe," "Devinity," "Hebrew," and "Greke," have official arms as follows (see grant by Robert Cooke, Clarenceux, 1590, Genealogical Magazine, vol. ii. p. 125):--

Of Phisicke: Azure, a fesse ermines (? ermine) between three lozenges or, on a chief gules a lion passant guardant of the third, charged on the side with the letter M sable. Crest: on a wreath or and azure, a quinquangle silver, called "simbolum sanitatis." Mantling gules and argent.

Of Lawe: Purpure, a cross moline or, on a chief gules, a lion passant guardant of the second, charged on the side with the letter L sable. Crest: on a wreath "purple and gold," a bee volant or. Mantling gules and argent.

Of Devinity: Gules, on a cross ermine, between four doves argent, {588} a book of the first, the leaves or, charged in the midst with the Greek letter [theta] (Theta) sable. Crest: on a wreath "silver and gules," a dove volant argent, with an olive-branch vert in his beak. Mantling gules, double argent.

Of Hebrew: Argent, the Hebrew letter [Hebrew: T] (Tawe) sable, on a chief gules, a lion passant guardant or, charged on the side with the letter H sable. Crest: on a wreath "silver and sables," a turtle-dove azure. Mantling gules, double argent.

Of Greke: Per chevron argent and sable, in chief the two Greek letters [Alpha] (Alpha) and [Omega] (Omega) of the second, and in base a "cicado" or grasshopper of the first, on a chief gules, a lion passant guardant or, charged on the side with the letter G sable. Crest: on a wreath "silver and sables," an owl argent, legs, beak, and ears or. Mantling gules and argent.

The following insignia of office I quote subject to the reservation that I am doubtful how far they enjoy official sanction:--

The Lord Chancellor of England: Two maces in saltire (or one in pale) behind the shield and the purse containing the Great Seal below it.

The Lord Great Chamberlain of England: Two golden keys in saltire; and

The Lord Chamberlain of the Household: A golden key in pale behind the shield.

At Exeter the Dean, Precentor, Chancellor, and Treasurer have used official arms impaled with their own insignia. These were:--

The Dean: Azure, a stag's head caboshed and between the horns a cross patée fitchée argent.

The Precentor: Argent, on a saltire azure a fleur-de-lis or.

The Chancellor: Gules, a saltire argent between four crosslets or.

The Treasurer: Gules, a saltire between four leopards' heads or.

The Dean of the Chapel Royal, Savoy, may perhaps employ the complicated coat of the chapel to impale his personal arms, placing the escutcheon on the breast of an eagle sable, crowned or.

Many English Deaneries claim to possess arms which presumably the occupant may use to impale his own coat with, after the example of the Dean of Exeter. Such are London, Winchester, Lincoln, Salisbury, Lichfield, Durham, which all difference the arms of the see with a letter D of gold or sable.

St. David's reverses the tinctures of the arms of the see.

Norwich and Carlisle carry: Argent, a cross sable.

Canterbury: Azure, on a cross argent the monogram

sable.

York differences the arms of the see by changing the crown into a mitre, and adding three plates in flanks and base. {589}

XXXVII. AUGMENTATIONS OF HONOUR

Of all heraldic distinctions the possession of an augmentation of honour is the one most prized. The Sovereign is of course the fountain of honour, and though ordinary grants of arms are made by Letters Patent under the hands and seals of the Kings of Arms, by virtue of the powers expressly and specifically conferred upon them in the Letters Patent respectively appointing them to their offices, a grant of arms is theoretically a grant from the Crown. The privilege of the possession of arms in the ordinary event is left in the discretion of the Earl Marshal, whose warrant is a condition precedent to the issue of a Grant. Providing a person is palpably living in that style and condition of life in which the use of arms is usual, subject always to the Earl Marshal's pleasure and discretion, a Grant of Arms can ordinarily be obtained upon payment of the usual fees. The social status of present-day grantees of arms is considerably in advance of the status of grantees in the Tudor period. An augmentation of arms, however, is on a totally and entirely different footing. It is an especial mark of favour from the Sovereign, and the effective grant is a Royal Warrant under the hand and Privy Seal of the Sovereign. The warrant recites and requires that the augmentation granted shall be exemplified and recorded in the College of Arms. Augmentations have been less frequently conferred in recent years than was formerly the case. Technically speaking, a gift of arms by the Sovereign direct where none previously existed is not an augmentation, though one is naturally inclined to include such grants in the category. Such an example is met with in the shield granted to Colonel Carlos by King Charles to commemorate their mutual adventures in the oak tree ("Or, issuing from a mount in base vert, an oak tree proper, over all on a fess gules, three Imperial crowns also proper") (Plate II.).

There are many gorgeous legends relating to augmentations and arms which are said to have been granted by William the Conqueror as rewards after the Battle of Hastings. Personally I do not believe in a single one. There was a certain augmentation borne by the Dodge family, which, if it be correct, dates from the thirty-fourth year of Edward I., but whether this be authentic it is impossible to say. Most {590} people consider the alleged deed of grant a forgery, and if this be so, the arms only exist by right of subsequent record and the question of augmentation rests upon tradition. The curious charge of the woman's breast distilling drops of milk to typify the nourishment afforded to the king's army is at any rate most interesting (Plate VI.). The earliest undoubted one in this country that I am aware of dates from the reign of Edward III. Sir John de Pelham shared in the glory of the Battle of Poictiers, and in the capture of the French King John. To commemorate this he was granted two round buckles with thongs. The Pelham family arms were "Azure, three pelicans argent," and, as will be seen, these family arms were quartered with the buckles and thongs on a field gules as an augmentation. The quarterly coat forms a part of the arms both of Lord Chichester and of Lord Yarborough at the present day, and "the Pelham buckle" has been the badge of the Pelham family for centuries.

Piers Legh fought with the Black Prince and took the Count de Tanquervil prisoner at the Battle of Crecy, "and did valiantly rere and advance the said princes Banner att the bataile of Cressy to the noe little encouragement of the English army," but it was not until the reign of Queen Elizabeth that the augmentation to commemorate this was granted.

The Battle of Flodden was won by the Earl of Surrey, afterwards the Duke of Norfolk, and amongst the many rewards which the King showered upon his successful Marshal was the augmentation to his arms of "a demi-lion pierced in the mouth with an arrow, depicted on the colours for the arms of the Kingdom of Scotland, which the said James, late King of Scots, bore." According to the Act of Parliament under which it was granted this augmentation would seem now to belong exclusively to Lord Mowbray and Stourton and Hon. Mary Petre, but it is borne apparently with official sanction, or more likely perhaps by official inadvertence, by the Duke of Norfolk and the rest of the Howard family.

The Battle of Agincourt is referred to by Shakespeare, who puts these words into King Henry's mouth on the eve of that great battle (Act iv. sc. 3):--

"We few, we happy few, we band of brothers For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition."

There is actual foundation in fact for these lines. For in a writ couched in very stringent and severe terms issued by the same king in after years decreeing penalties for the improper assumption and use of false arms, specific exception is made in favour of those "who bore {591} arms with us at the Battle of Agincourt." Evidently this formed a very extensive kind of augmentation.

The reign of Queen Elizabeth furnishes an interesting example of the gift of a complete coat in the case of Sir Francis Drake, who had been using the arms of another family of the same name. The representative of that family complained to the Queen that Sir Francis, whom he styled an upstart, should take such liberties with his arms; whereupon the Queen said she would give Sir Francis arms which should outrival those of his namesake. At least, such is the legend, and though the arms themselves were granted by Clarenceux King of Arms, and I have not yet found any Royal Warrant indicating that the grant was made by specific Royal command, it is possible the story is correct. The arms are: "Sable, a fess wavy between two stars argent. Crest: a ship under reef, drawn round a terrestrial globe with a cable by a hand issuing from clouds all proper" (Plate VI.). The stars upon the shield are the two pole stars, and the wavy band between them typifies Drake's voyage round the world, as does also the peculiar crest in which the Divine hand is shown guiding his ship around the globe.

At the Battle of Naseby Dr. Edward Lake fought bravely for the King, and in the service of his Majesty received no less than sixteen wounds. At the end of the battle, when his left arm was useless, he put the bridle of his horse between his teeth and still fought on. The quartering of augmentation given to him was: "Gules, a dexter arm embowed in armour holding in the hand a sword erect all proper, thereto affixed a banner argent charged with a cross between sixteen escutcheons of the field, on the cross a lion of England." The sixteen shields upon the banner typify his sixteen wounds.

After the Commonwealth was established in England, Charles II. made a desperate effort to regain his crown, an effort which culminated in his disastrous defeat at the Battle of Worcester. The King escaped through the gate of the city solely through the heroic efforts of Colonel Newman, and this is kept in remembrance by the inescutcheon of augmentation, viz.: "Gules, a portcullis imperially crowned or." Every one has heard how the King was accompanied in his wanderings by Colonel Carlos, who hid with him in the oak tree at Boscobel. Afterwards the king accompanied Mistress Jane Lane on horseback as her servant to the coast, whence he fled to the Continent. The reward of Colonel Carlos was the gift of the entire coat of arms already referred to. The Lanes, though not until after some years had passed and the King had come back to his own again, were granted two remarkable additions to their family arms. First of all "the canton of England" (that is, the arms of England upon a canton) was added {592} to their shield. They are the only family to whom such an honour has been given, and a most curious result has happened. When the use of armorial bearings was taxed by Act of Parliament the Royal Arms were specially exempted, and on account of this canton the Lane family claimed and obtained exemption from the tax. A few years later a crest was granted to them, namely, a strawberry-roan horse, "couped at the flanks," holding in its feet the Royal crown (Plate II.). It was upon a horse of this colour that the King and Mistress Lane had escaped and thereby saved the crown. Mr. Francis Wolfe, of Madeley, who also was a party to the escape, received the grant of an inescutcheon gules charged with a lion of England. Another family which bears an augmentation to commemorate King Charles' escape is Whitgreave.

The reign of Queen Anne produced in the Duke of Marlborough one of the finest generals the world has ever seen; and in the Battle of Blenheim one of its greatest victories. The augmentation which commemorates this is a shield bearing the cross of St. George and in the centre a smaller shield with the golden lilies of France.

In the year 1797 the Battle of Camperdown was fought, when Admiral Duncan defeated the Dutch Fleet and was created Lord Camperdown. To his family arms were added a naval crown and a representation of the gold medal given by George III. to Lord Camperdown to commemorate his victory.

The arms of Nelson are most interesting, inasmuch as one version of the arms carries two separate and distinct augmentations. It is not, however, the coat as it was granted to and borne by the great Admiral himself. After the Battle of the Nile he received the augmentation on the chief, a landscape showing the palm-tree, the disabled ship, and the battery in ruins. The one crest was the plume of triumph given to the Admiral by the Sultan Selim III., and his second crest, which, however, is not a crest of augmentation, was the stern of the Spanish ship San Josef. After his death at the Battle of Trafalgar his brother was created Earl Nelson, and a second augmentation, namely, a fess wavy sable with the word "Trafalgar" upon it in gold letters, was added to the arms. This, however, has since been discontinued, except by Lord Bridport, who quarters it, whilst the Nelson family has reverted to the arms as they were borne by the great Admiral.

After the death of Nelson at the Battle of Trafalgar, Lord Collingwood took command, and though naval experts think that the action of Collingwood greatly minimised the number of prizes which would have resulted from the victory, Lord Collingwood received for an augmentation a chief wavy gules, thereon the lion of England, navally {593} crowned, with the word "Trafalgar" above the lion. He also received an additional crest, namely, the stern of his ship, the Royal Sovereign, between a wreath of oak on the one side and a wreath of laurel on the other.

The heroic story of the famous fight between the Shannon and the Chesapeake has been often told. Captain Broke sent in a challenge to the Chesapeake to come out and fight him, and, though a banquet was prepared by the Mayor of Boston for that evening "to meet the English officers," Captain Broke defeated the Chesapeake in an engagement which only lasted a very short time. He was granted an additional crest, namely, an arm holding a trident and issuing from a naval crown, together with the motto, "Sævumque tridentem servamus."

General Ross fought and won the Battle of Bladensburg, and took the city of Washington, dying a few days afterwards. The story is that the family were offered their choice of a baronetcy or an augmentation, and they chose the latter. The augmentation (Plate II.), which was specially granted with permission for it to be placed upon the monument to the memory of General Ross, consists of the arm holding the flag of the United States with a broken flag-staff which will be seen both on the shield itself, and as an additional crest. The shield also shows the gold cross for previous services at Corunna and in the Peninsula. The family were also given the surname of "Ross-of-Bladensburg."

The capture of Curaçoa by Admiral Sir Charles Brisbane, K.C.B., is commemorated by the representation of his ship passing between the two Dutch forts; and by the additional crest of an arm in a naval officer's uniform grasping a cutlass. Admiral Sir Robert Otway, for his distinguished services, was granted: "On a chief azure an anchor between two branches of oak or, and on the dexter side a demi-Neptune and on the sinister a mermaid proper," to add to his shield. Admiral Sir George Pocock, who captured Havannah, was given for an augmentation: "On a chief wavy azure a sea-horse" (to typify his naval career), between two Eastern crowns (to typify his services in the East Indies), with the word "Havanna," the scene of his greatest victory.

Sir Edward Pellew, who was created Viscount Exmouth for bombarding and destroying the fort and arsenal of Algiers, was given upon a chief a representation of that fort, with an English man-of-war in front of it, to add to his arms. It is interesting to note that one of his supporters, though not a part of his augmentation, represents a Christian slave, in memory of those in captivity at Algiers when he captured the city.

There were several augmentations won at the Battle of Waterloo, {594} and the Waterloo medal figures upon many coats of arms of Waterloo officers. Colonel Alexander Clark-Kennedy, with his own hand, captured the French Eagle of the 105th French Regiment. For this he bears a representation of it and a sword crossed upon a chief over his arms, and his crest of augmentation is a demi-dragoon holding the same flag. Of the multitude of honours which were showered upon the Duke of Wellington, not the least was his augmentation. This was a smaller shield to be superimposed upon his own, and charged with those crosses of St. George, St. Andrew, and St. Patrick, which we term "the Union Jack." Sir Edward Kerrison, who distinguished himself so greatly in the Peninsula and at Waterloo, was granted a sword with a wreath of laurel and representations of his medals for Orthes and Waterloo, and, for an additional crest, an arm in armour holding a banner inscribed "Peninsula."

Sir Thomas Munro, who will be long remembered as the Governor of Madras, was rewarded for his capture of Badamy by a representation of that hill-fort in India. The augmentation of Lord Keane is very similar, being a representation of the Fortress of Ghuznee in Afghanistan, which he captured. Other instances of a similar character are to be found in the arms of Cockburn-Campbell and Hamilton-Grace.

The arms of Lord Gough are most remarkable, inasmuch as they show no less than two distinct and different augmentations both earned by the same man. In 1816, for his services in the Peninsula, he received a representation of the Spanish Order of Charles III., and on a chief the representation of the Fortress of Tarifa, with the crest of the arm holding the colours of his own regiment, the 87th, and a French eagle reversed and depressed. After his victories in the East, particularly at Goojerat, and for the subjugation and annexation of the Punjab, he was granted, in 1843, an additional quartering to add to his shield. This has the Lion of England holding up the Union Jack below the words "China" and "India." The third crest, which was then granted to him, shows a similar lion holding the Union Jack and a Chinese flag.

Sir George Pollock, "of the Khyber Pass," Bart., earned everlasting fame for himself in the first Afghan War, by forcing the Khyber Pass and by the capture of Cabul. For this he was given an Eastern crown and the word "Khyber" on a chief as well as three cannon upon a canton, and at the same time he was granted an additional crest--a lion holding an Afghan banner with the staff thereof broken. With him it seemed as if the practice of granting augmentations for military services had ceased. Lord Roberts has none, neither has Lord Wolseley. But recently the old practice was reverted to in favour of Lord Kitchener. His family arms were: "Azure, a chevron cottised {595} between three bustards," and in the centre chief point a bezant; with a stag's head for a crest; but for "smashing the Khalifa" he has been given the Union Jack and the Egyptian flag with the staves encircled by a coronet bearing the word "Khartoum," all on a pile superimposed over his family arms. He also received a second crest of an elephant's head holding a sword in its trunk issuing from a mural crown. At the conclusion of the South African War a second augmentation was granted to him, this taking the form of a chief.

Two other very interesting instances of augmentation of arms are worthy of mention.

Sir Ralph Abercromby, after a distinguished career, fought and won the Battle of Aboukir Bay, only to die a few days later on board H.M.S. Foudroyant of his wounds received in the battle. But long before he had fought and conquered the French at Valenciennes, and in 1795 had been made a Knight of the Bath. The arms which are upon his Stall plate in Westminster Abbey include his augmentation, which is an arm in armour encircled by a wreath of laurel supporting the French Standard.

Sir William Hoste gained the celebrated victory over the French fleet off the Island of Lissa in 1811, and the augmentation which was granted was a representation of his gold medal hanging from a naval crown, and an additional crest, an arm holding a flag inscribed with the word "Cattaro," the scene of another of his victories.

Peace has its victories no less than war, but there is generally very much less fuss made about them. Consequently, the augmentations to commemorate entirely pacific actions are considerably fewer in number. The Speke augmentation has been elsewhere referred to, and reference may be made to the Ross augmentation to commemorate the Arctic exploits of Sir John Ross.

It is a very common idea that arms were formerly to be obtained by conquest in battle. Like many other heraldic ideas, there is a certain amount of truth in the idea, from which very erroneous generalisations have been made. The old legend as to the acquisition of the plume of ostrich feathers by the Black Prince no doubt largely accounts for the idea. That legend, as has been already shown, lacks foundation. Territorial or sovereign arms doubtless would be subject to conquest, but I do not believe that because in battle or in a tournament à outrance one person defeated another, he therefore became entitled to assume, of his own motion, the arms of the man he had vanquished. The proposition is too absurd. But there is no doubt that in some number of historic cases his Sovereign has subsequently conferred upon the victor an augmentation which has closely approximated to the arms of his victim. Such cases occur in the arms of the Clerkes, Barts., {596} of Hitcham, Bucks, who bear: "On a sinister canton azure, a demi-ram salient of the first, and in chief two fleurs-de-lis or, debruised by a baton," to commemorate the action of Sir John Clerke of Weston, who captured Louis D'Orleans, Duke of Longueville, at Borny, near Terouenne, 5 Henry VII. The augmentation conferred upon the Duke of Norfolk at the battle of Flodden has been already referred to, but the family of Lloyd of Stockton, co. Salop, carry a remarkable augmentation, inasmuch as they are permitted to bear the arms of Sir John Oldcastle, Lord Cobham, to commemorate his recapture by their ancestor after Lord Cobham's escape from the Tower.

Augmentations which have no other basis than mere favour of kings, or consanguinity to the Royal Family, are not uncommon. Richard II., who himself adopted the arms of St. Edward the Confessor, bestowed the right to bear them also upon Thomas Mowbray, Duke of Norfolk (Fig. 675). No difference was added to them in his case, which is the more remarkable as they were borne by the Duke impaled with the arms of England. In 1397 the King conferred the same arms upon John de Holland, Duke of Exeter, differenced by a label argent, and upon Thomas de Holland, Duke of Surrey, within a bordure ermine. Richard II. seems to have been inclined to the granting of augmentations, for in 1386, when he created the Earl of Oxford (Robert de Vere) Duke of Ireland, he granted him as an augmentation the arms of Ireland ("Azure, three crowns or") within a bordure argent (Fig. 773). The Manners family, who were of Royal descent, but who, not being descended from an heiress, had no right to quarter the Royal Arms, received the grant of a chief "quarterly azure and gules, in the first and fourth quarters two fleurs-de-lis, and in the second and third a lion passant guardant or." This precedent might well be followed at the present day in the case of the daughters of the Duke and Duchess of Fife. It was adopted in the case of Queen Victoria Eugenie of Spain. The Waller family, of Groombridge, co. Kent, one of whom, Richard Waller, captured Charles, Duke of Orleans, at the battle of Agincourt, received as an augmentation the right to suspend from the crest ("On a mount a walnut-tree proper") an escutcheon of the arms of that Prince, viz.: "Azure, three fleurs-de-lis or, a label of three points argent." Lord Polwarth bears one of the few augmentations granted by William III., viz.: "An inescutcheon azure charged with an orange ensigned with an Imperial crown {597} all proper," whilst the titular King James III. and VIII. granted to John Græme, Earl of Alford, a coat of augmentation, viz.: "The Royal Arms of Scotland on the field and cross of St. Andrew counterchanged," the date of the grant being 20th January 1734. Sir John Keith, Earl of Kintore, Knight Marischal of Scotland, saved the regalia of Scotland from falling into the hands of Cromwell, and in return the Keith arms (now quartered by Lord Kintore) were augmented with "an inescutcheon gules, a sword in bend sinister surmounted by a sceptre in bend dexter, in chief an Imperial crown, the whole within an orle of eight thistles."

The well-known augmentation of the Seymour family: "Or, on a pile gules, between six fleurs-de-lis azure," is borne to commemorate the marriage of Jane Seymour to Henry VIII., who granted augmentations to all his wives except Catharine of Aragon and Anne of Cleves. The Seymour family is, however, the only one in which the use of the augmentation has been continued. The same practice was followed by granting the arms of England to the Consort of the Princess Caroline and to the late Prince Consort. See page 499.

The frequent grant of the Royal tressure in Scotland, probably usually as an augmentation, has been already referred to. King Charles I. granted to the Earl of Kinnoull as a quartering of augmentation: "Azure, a unicorn salient argent, armed, maned, and unguled or, within a bordure of the last charged with thistles of Scotland and roses gules of England dimidiated." The well-known augmentation of the Medicis family, viz.: "A roundle azure, charged with three fleurs-de-lis or," was granted by Louis XII. to Pietro de Medicis. The Prussian Officers, ennobled on the 18th of January 1896, the twenty-fifth anniversary of the foundation of the new German Empire, bear as a device a chief purpure, and thereupon the Prussian sceptre and a sword in saltire interlaced by two oak-branches vert (Fig. 774). The late Right Hon. Sir Thomas Thornton, G.C.B., received a Royal Licence to accept the Portuguese title of Conde de Cassilhas and an augmentation. This was an inescutcheon (ensigned by his coronet as a Conde) "or, thereon an arm embowed vested azure, the cuff gold, the hand supporting a flagstaff therefrom flowing the Royal Standard of Portugal." The same device issuing from his coronet was also granted to him as a crest of augmentation. Sir Woodbine Parish, K.C.H., by legislative act of the Argentine Republic received in 1839 a grant of {598} the arms of that country, which was subsequently incorporated in the arms granted to him and registered in the Heralds' College in this country. He had been Consul-General and Chargé d'Affaires at Buenos Ayres, 1823-1832; he was appointed in 1824 Plenipotentiary, and concluded the first treaty by which the Argentine Republic was formally recognised. Reference has been already made (page 420) to the frequent grant of supporters as augmentations, and perhaps mention should also be made of the inescutcheons for the Dukedom of Aubigny, borne by the Duke of Richmond and Gordon, and for the Duchy of Chatelherault, borne by the Duke of Abercorn. Possibly these should more properly be ranked as territorial arms and not as augmentations. A similar coat is the inescutcheon borne by the Earl of Mar and Kellie for his Earldom of Kellie. This, however, is stated by Woodward to be an augmentation granted by James VI. to Sir Thomas Erskine, one of several granted by that King to commemorate the frustration of the Gowrie Plot in 1600.

The Marquess of Westminster, for some utterly inexplicable reason, was granted as an augmentation the right to bear the arms of the city of Westminster in the first quarter of his arms. Those who have rendered very great personal service to the Crown have been sometimes so favoured. The Halford and Gull (see page 250) augmentations commemorate medical services to the Royal Family, and augmentations have been conferred upon Sir Frederick Treves and Sir Francis Laking in connection with His Majesty's illness at the time of the Coronation.

The badges of Ulster and Nova Scotia borne as such upon their shields by Baronets are, of course, augmentations.

Two cases are known of augmentations to the arms of towns. The arms of Derry were augmented by the arms of the city of London in chief, when, after its fearful siege, the name of Derry was changed to Londonderry to commemorate the help given by the city of London. The arms of the city of Hereford had an azure bordure semé of saltires couped argent added to its arms after it had successfully withstood its Scottish siege, and this, by the way, is a striking example of colour upon colour, the field of the coat being gules.

There are many grants in the later part of the eighteenth and the beginning of the nineteenth centuries recorded in Lyon Register which at first sight appear to be augmentations. Perhaps they are rightly so termed, but as the additions usually appear to be granted by the Lyon without specific Royal Warrants, they are hardly equivalent to the English ones issued during the same period. Many ordinary grants made in England which have borne direct reference to particular achievements of the grantee have been (by the grantees and their {599} descendants) wrongly termed augmentations. A rough and ready (though not a certain) test is to imagine the coat if the augmentation be removed, and see whether it remains a properly balanced design. Few of such coats will survive the test. The additions made to a coat to make it a different design, when a new grant is founded upon arms improperly used theretofore, are not augmentations, although spoken departures from the truth on this detail are by no means rare. {600}

XXXVIII. ECCLESIASTICAL HERALDRY

Ecclesiastical heraldry has nothing like the importance in British armory that it possesses elsewhere. It may be said to consist in this country exclusively of the official arms assigned to and recorded for the archiepiscopal and episcopal sees, and the mitres and crosiers which are added to the shields, and a certain number of ecclesiastical symbols which occur as charges. In Pre-Reformation days there were, of course, the many religious houses which used armorial emblems, but with the suppression of the monasteries these vanished. The cardinal's hat was recognised in former days, and would still be officially certified in England as admittedly correctly displayed above the arms of a Roman cardinal. But the curious and intricate development of other varieties of the ecclesiastical hat which will be found in use in all other European countries is not known to British armory. Nor has the English College of Arms recognised the impersonal arms of the Catholic communities. Those arms, with and without the ecclesiastical hats, play a conspicuous part in Continental heraldry.

It is difficult to assign a proper value or a definite status to the arms of the abbeys and other religious houses in this country in Pre-Reformation times. The principal, in fact the only important sources of information concerning them are the impressions of seals which have come down to us. Many of these seals show the effigies of saints or patrons, some show the impersonal arms of the religious order to whose rule the community conformed, some the personal arms of the official of the moment, others the personal arms of the founder. In other cases arms presumably those of the particular foundation or community occur, but in such cases the variations in design are so marked, and so often we find that two, three, or more devices are used indifferently and indiscriminately, that one is forced to arrive at the conclusion that a large proportion of the devices in use, though armorial in character, had no greater status than a temporary existence as seal designs. They distinctly lack the unchanging continuity one associates with armorial bearings. But whatever their status may {601} once have been, they have now completely passed out of being and may well be allowed to rest in the uncertainty which exists concerning them. The interest attaching to them can never be more than academic in character and limited in extent. The larger abbeys, the abbots of which were anciently summoned to Parliament as Lords of Parliament, appear to have adhered rather more consistently to a fixed device in each case, though the variations of design are very noticeable even in these instances. A list of them will be found in the Genealogical Magazine (vol. ii. p. 3).

The suppression of the monasteries in this country was so thorough and so ruthless, that the contemporary instances of abbatical arms remaining to us from which deduction as to armorial rules and precedents can be made are singularly few in number, but it would appear that the abbot impaled the arms of his abbey on the dexter side of his personal arms, and placed his mitre above the shield.

The mitre of an abbot differed from that of a bishop, inasmuch as it had no labels--or infulæ--depending from within it. The Abbot used a crosier, which doubtless was correctly added to his armorial bearings, but it is found in pale behind the shield, in bend, and also two in saltire, and it is difficult to assert which was the most correct form.

The crosier of an abbot was also represented with the crook at its head curved inwards, the terminal point of the crook being entirely contained within the hook. The point of a bishop's, on the other hand, was turned outwards at the bottom of the crook. The difference is said to typify the distinction between the confined jurisdiction of the abbot--which was limited to the abbey and the community under his charge--and the more open and wider jurisdiction of the bishop. Although this distinction has been much disputed as regards its recognition for the actual crosiers employed, there can be no doubt that it is very generally adhered to in heraldic representations, though one hesitates to assert it as an absolute rule. The official arms for the archiepiscopal and episcopal sees are of some interest. With the single exception of York, the archiepiscopal coats of arms all have, in some form or another, the pallium which forms part of an archbishop's vestments or insignia of rank, but it is now very generally recognised and conceded that the pallium is not merely a charge in the official coat for any specified jurisdiction, but is itself the sign of the rank of an archbishop of the same character and status as is the mitre, the pallium being displayed upon a shield as a matter of convenience for artistic representation. This view of the case has been much strengthened by the discovery that in ancient instances of the archiepiscopal arms of York the pallium is found, and not the more modern coat of the crown and keys; but whether the pallium is {602} to be still so considered, or whether under English armorial law it must now be merely ranked as a charge in an ordinary coat of arms, in general practice it is accepted as the latter; but it nevertheless remains a point of very considerable interest (which has not yet been elucidated) why the pallium should have been discarded for York, and another coat of arms substituted.

The various coats used by the archbishops of England and Ireland are as follows:--

Canterbury.--Azure, an episcopal staff in pale or, and ensigned with a cross patée argent surmounted of a pall of the last, charged with four crosses formée fitchée sable, edged and fringed or.

York.--Gules, two keys in saltire argent, in chief a Royal crown or.

Armagh.--Azure, an episcopal staff argent, ensigned with a cross patée or, surmounted by a pallium of the second, edged and fringed or, charged with four crosses formée fitchée sable.

Dublin.--The arms of this archbishopric are the same as those of Armagh, only with five crosses charged on the pallium instead of four.

The arms of the episcopal sees have no attribute at all similar to the charge of the pallium in the coat of an archbishop, and are merely so many different coats of arms. The shield of every bishop and archbishop is surmounted by his mitre, and it is now customary to admit the use of the mitre by all persons holding the title of bishop who are recognised as bishops by the English law.

This, of course, includes Colonial and Suffragan bishops, retired bishops, and bishops of the Episcopal Churches in Scotland and in Ireland. It is a moot point whether the bishops of the Episcopal Churches in Ireland and in Scotland are entitled to make use of the official arms formerly assigned to their sees at a period when those Churches were State-established; but, looking at the matter from a strictly official point of view, it would not appear that they are any longer entitled to make use of them.

The mitres of an archbishop and of a bishop--in spite of many statements to the contrary--are exactly identical, and the mistaken idea which has of late years (the practice is really quite a modern one) encircled the rim of an archbishop's mitre with the circlet of a coronet is absolutely incorrect.

There are several forms of mitre which, when looked upon as an ecclesiastical ornament, can be said to exist; but from the heraldic point of view only one mitre is recognised, and that is of gold, the labels being of the same colour. The jewelled variety is incorrect in armorial representations, though the science of armory does not appear to have enforced any particular shape of mitre.

The "several forms" of the mitre--to which allusion has just been {603} made--refer to the use in actual practice which prevailed in Pre-Reformation England, and still holds amongst Roman Catholic bishops at the present day. These are three in number, i.e. the "precious" (pretiosa), the gold (auriferata), and the simple (simplex). The two former are both employed at a Pontifical Mass (being alternately assumed at different parts of the service); the second only is worn at such rites as Confirmation, &c.; while the third (which is purely of white linen) is confined to Services for the Dead, and on Good Friday. As its name implies, the first of these is of cloth of gold, ornamented to a greater or less degree with jewels, while the second--though likewise of cloth of gold--is without any design or ornament. The short Gothic mitre of Norman days has now given place to the modern Roman one, an alteration which, with its great height and arched sides, can hardly perhaps be considered an artistic improvement. Some individual Roman Catholic bishops at the present day, however (in England at any rate), wear mitres more allied to the Norman and Gothic shape.

The past fifteen or so years have seen a revival--though in a purely eclectic and unofficial manner--of the wearing of the mitre by Church of England bishops. Where this has been (and is being) done, the older form of mitre has been adhered to, though from the informal and unofficial nature of the revival no rules as to its use have been followed, but only individual choice.

At the recent Coronation, mitres were not worn; which they undoubtedly would have been had this revival now alluded to been made authoritatively.

All bishops and archbishops are entitled to place two crosiers in saltire behind their shields. Archbishops of the Roman Catholic Church have continuously placed in pale behind their shields what is known as the archbishop's cross. In actual practice, the cross carried before an archbishop is an ordinary one with one transverse piece, but the heraldic archiepiscopal cross is always represented as a double cross, i.e. having two transverse pieces one above the other. In the Established Church of England the archiepiscopal cross--as in the Roman Catholic Church--is the plain two-armed variety, and though the cross is never officially recognised as an armorial attribute and is not very frequently met with in heraldic representations, there can be no doubt that if this cross is used to typify archiepiscopal rank, it should be heraldically represented with the double arms. The actual cross borne before archbishops is termed the provincial cross, and it may be of interest to here state that the Bishops of Rochester are the official cross-bearers to the Archbishops of Canterbury.

To the foregoing rules there is one notable exception, i.e. the Bishop {604} of Durham. The Bishopric of Durham, until the earlier part of the nineteenth century, was a Palatinate, and in earlier times the Bishops of Durham, who had their own parliament and Barons of the Palatinate, exercised a jurisdiction and regality, limited in extent certainly, but little short in fact or effect of the power of the Crown. If ever any ecclesiastic can be correctly said to have enjoyed temporal power, the Bishops of Durham can be so described. The Prince-Bishops of the Continent had no such attributes of regality vested in themselves as were enjoyed by the Bishops of Durham. These were in truth kings within their bishoprics, and even to the present day--though modern geographies and modern social legislation have divided the bishopric into other divisions--one still hears the term employed of "within" or "without" the bishopric.

The result of this temporal power enjoyed by the Bishops of Durham is seen in their heraldic achievement. In place of the two crosiers in saltire behind the shield, as used by the other bishops, the Bishops of Durham place a sword and a crosier in saltire behind their shield to signify both their temporal and spiritual jurisdiction.

The mitre of the Bishop of Durham is heraldically represented with the rim encircled by a ducal coronet, and it has thereby become usual to speak of the coronetted mitre of the Bishop of Durham; but it should be clearly borne in mind that the coronet formed no part of the actual mitre, and probably no mitre has ever existed in which the rim has been encircled by a coronet. But the Bishops of Durham, by virtue of their temporal status, used a coronet, and by virtue of their ecclesiastical status used a mitre, and the representation of both of these at one and the same time has resulted in the coronet being placed to encircle the rim of the mitre. The result has been that, heraldically, they are now always represented as one and the same article.

It is, of course, from this coronetted mitre of Durham that the wholly inaccurate idea of the existence of coronet on the mitre of an archbishop has originated. Apparently the humility of these Princes of the Church has not been sufficient to prevent their appropriating the peculiar privileges of their ecclesiastical brother of lesser rank.

A crest is never used with a mitre or ecclesiastical hat. Many writers deny the right of any ecclesiastic to a crest. Some deny the right also to use a motto, but this restriction has no general acceptance.

Therefore ecclesiastical heraldry in Britain is summed up in (1) its recognition of the cardinal's hat, (2) the official coat of arms for ecclesiastical purposes, (3) the ensigns of ecclesiastical rank above alluded to, viz. mitre, cross, and crosier. {605} Ecclesiastical heraldry--notably in connection with the Roman Church--in other countries has, on the contrary, a very important place in armorial matters. In addition to the emblems officially recognised for English heraldry, the ecclesiastical hat is in constant use.

The use of the ecclesiastical hat is very general outside Great Britain, and affords one of the few instances where the rules governing heraldic usages are identical throughout the Continent.

This curious unanimity is the more remarkable because it was not until the seventeenth century that the rather intricate rules concerning the colours of the hats used for different ranks and the number of tassels came into vogue.

Other than the occasional recognition of the cardinal's hat in former days, the only British official instance of the use of the ecclesiastical hat is met with in the case of the very recent matriculation of arms in Lyon Register to Right Rev. Æneas Chisholm, the present Roman Catholic Bishop of Aberdeen. I frankly admit I am unaware why the ecclesiastical hat assigned to the bishop in the official matriculation of his arms has ten tassels on either side. The Continental usage would assign him but six, and English armory has no rules of its own which can be quoted in opposition thereto. Save as an acceptance of Roman regulations (Roman Holy Orders, it should not be forgotten, are recognised by the English Common Law to the extent that a Roman Catholic priest is not reordained if he becomes an Anglican clergyman), the heraldic ecclesiastical hat of a bishop has no existence with us, and the Roman regulations would give him but six tassels.

The mitre is to be met with as a charge and as a crest, for instance, in the case of Barclay and Berkeley ["A mitre gules, labelled and garnished or, charged with a chevron between ten crosses patée, six and four argent. Motto: 'Dieu avec nous'"]; and also in the case of Sir Edmund Hardinge, Bart., whose crests are curious ["1. of honourable augmentation, a hand fesswise couped above the wrist habited in naval uniform, holding a sword erect surmounting a Dutch and a French flag in saltire, on the former inscribed "Atalanta," on the latter "Piedmontaise," the blade of the sword passing through a wreath of laurel near the point and a little below through another of cypress, with the motto, 'Postera laude recens;' 2. a mitre gules charged with a chevron argent, fimbriated or, thereon three escallops sable."]

The cross can hardly be termed exclusively ecclesiastical, but a curious figure of this nature is to be met with in the arms recently granted to the Borough of Southwark. It was undoubtedly taken from the device used in Southwark before its incorporation, though as there were many bodies who adopted it in that neighbourhood, it is difficult to assign it to a specific origin. {606}

Pastoral staves and passion-nails are elsewhere referred to, and the figures of saints and ecclesiastics are mentioned in the chapter on "The Human Figure."

The emblems of the saints, which appear to have received a certain amount of official recognition--both ecclesiastical and heraldic--supply the origin of many other charges not in themselves heraldic. An instance of this kind will be found in the sword of St. Paul, which figures on the shield of London. The cross of St. Cuthbert, which has been adopted in the unauthorised coat for the See of Newcastle-on-Tyne, and the keys of St. Peter, which figure in many ecclesiastical coats, are other examples. The lilies of the Virgin are, of course, constantly to be met with in the form of fleurs-de-lis and natural flowers; the Wheel of St. Catharine is familiar, and the list might be extended indefinitely. {607}

XXXIX. ARMS OF DOMINION AND SOVEREIGNTY

Royal arms in many respects differ from ordinary armorial bearings, and it should be carefully borne in mind that they stand, not for any particular area of land, but for the intangible sovereignty vested in the rulers thereof. They are not necessarily, nor are they in fact, hereditary. They pass by conquest. A dynastic change which introduces new sovereignties introduces new quarterings, as when the Hanoverian dynasty came to the throne of this country the quartering of Hanover was introduced, but purely personal arms in British heraldry are never introduced. The personal arms of Tudor and Stewart were never added to the Royal Arms of this country.

The origin of the English Royal Arms was dealt with on page 172. "Gules, three lions passant guardant in pale or," as the arms of England, were used by Kings John, Henry III., Edward I., and Edward II. The quartering for France was introduced by Edward III., as explained on page 274, and the Royal shield: Quarterly 1 and 4, France, ancient (azure, semé-de-lis or); 2 and 3, England (gules, three lions passant guardant in pale or), was in use in the reigns of Edward III., Richard II. (who, however, impaled his arms with those of St. Edward the Confessor), and Henry IV. The last-mentioned king about 1411 reduced the number of fleurs-de-lis to three, and the shield remained without further change till the end of the reign of Edward VI. Queen Mary did not alter the arms of this country, but during the time of her marriage with Philip of Spain they were always borne impaled with the arms of Spain. Queen Elizabeth bore the same shield as her predecessors. But when James I. came to the throne the arms were: "Quarterly 1 and 4, quarterly i. and iiii. France, ii. and iii. England; 2. Scotland (or, a lion rampant within a double tressure flory and counterflory gules); 3. Ireland (azure, a harp or, stringed argent)." The shield was so borne by James I., Charles I., Charles II., and James II.

When William III. and Mary came to the throne an inescutcheon of the arms of Nassau ("Azure, billetty and a lion rampant or") was {608} superimposed upon the Royal Arms as previously borne, for William III., and he impaled the same coat without the inescutcheon for his wife. At her death the impalement was dropped. After the Union with Scotland in 1707 the arms of England ("Gules, three lions," &c.) were impaled with those of Scotland (the tressure not being continued down the palar line), and the impaled coat of England and Scotland was placed in the first and fourth quarters, France in the second, Ireland in the third.

At the accession of George I. the arms of Hanover were introduced in the fourth quarter. These were: "Tierced in pairle reversed, 1. Brunswick, gules, two lions passant guardant in pale or; 2. Luneberg, or, semé of hearts gules, a lion rampant azure; 3. (in point), Westphalia, gules, a horse courant argent, and on an inescutcheon (over the fourth quarter) gules, the crown of Charlemagne (as Arch Treasurer of the Holy Roman Empire)."

At the union with Ireland in 1801 the opportunity was taken to revise the Royal Arms, and those of France were then discontinued. The escutcheon decided upon at that date was: "Quarterly, 1 and 4, England; 2. Scotland; 3. Ireland and the arms of Hanover were placed upon an inescutcheon." This inescutcheon was surmounted by the Electoral cap, for which a crown was substituted later when Hanover became a kingdom.

At the death of William IV., by the operation of the Salic Law, the crowns of England and Hanover were separated, and the inescutcheon of Hanover disappeared from the Royal Arms of this country, and by Royal Warrant issued at the beginning of the reign of Queen Victoria the Royal Arms and badges were declared to be: 1 and 4, England; 2. Scotland; 3. Ireland. The necessary alteration of the cyphers are the only alterations made by his present Majesty.

The supporters date from the accession of James I. Before that date there had been much variety. Some of the Royal badges have been already alluded to in the chapter on that subject.

The differences used by various junior members of the Royal Family will be found in the Chapter on Marks of Cadency. {609}

XL. HATCHMENTS

A custom formerly prevailed in England, which at one time was of very considerable importance. This was the setting up of a hatchment after a death. No instances of hatchments of a very early date, as far as I am aware, are to be met with, and it is probably a correct conclusion that the custom, originating rather earlier, came into vogue in England during the seventeenth century and reached its height in the eighteenth. It doubtless originated in the carrying of ceremonial shields and helmets (afterwards left in the church) at funerals in the sixteenth century, and in the earlier practice of setting up in the church the actual shield of a deceased person. The cessation of the ceremonial funeral, no doubt, led to the cult of the hatchment. Hatchments cannot be said even yet to have come entirely to an end, but instances of their use are nowadays extremely rare, and since the early part of the nineteenth century the practice has been steadily declining, and at the present time it is seldom indeed that one sees a hatchment in use. The word "hatchment" is, of course, a corruption of the term "achievement," this being the heraldic term implying an emblazonment of the full armorial bearings of any person.

The manner of use was as follows. Immediately upon the death of a person of any social position a hatchment of his or her arms was set up over the entrance to his house, which remained there for twelve months, during the period of mourning. It was then taken down from the house and removed to the church, where it was set up in perpetuity. There are few churches of any age in this country which do not boast one or more of these hatchments, and some are rich in their possession. Those now remaining--for example, in St. Chad's Church in Shrewsbury--must number, I imagine, over a hundred. There does not appear to have been any obligation upon a clergyman either to permit their erection, or to allow them to remain for any specified period. In some churches they have been discarded and relegated to the vestry, to the coal-house, or to the rubbish-heap, whilst in others they have been carefully preserved.

The hatchment was a diamond-shaped frame, painted black, and {610} enclosing a painting in oils upon wood, or more frequently canvas, of the full armorial bearings of the deceased person. The frame was usually about five feet six in height, and the rules for the display of arms upon hatchments afford an interesting set of regulations which may be applied to other heraldic emblazonments. The chief point, however, concerning a hatchment, and also the one in which it differs from an ordinary armorial emblazonment, lay in the colour of the groundwork upon which the armorial bearings were painted. For an unmarried person the whole of the groundwork was black, but for a husband or wife half was black and half white, the groundwork behind the arms of the deceased person being black, and of the surviving partner in matrimony white. The background for a widow or widower was entirely black. {611}

XLI. THE UNION JACK

BY REV. J. R. CRAWFORD

Orders in Council and other official documents refer to this flag as the Union Flag, The Union Jack, Our Jack, The King's Colours, and the Union Banner, which last title precise Heraldry usually adopts. In patriotic songs it is toasted as "The Red, White, and Blue," whilst in the Services men affectionately allude to it as "the dear old duster." But Britons at large cling to the title which heads this chapter; to them it is "The Union Jack."

Why Union? Obviously because it unites three emblems of tutelar saints on one flag, and thereby denotes the union of three peoples under one Sovereign. It is the motto "Tria juncta in Uno" rendered in bunting.

Why Jack? Two theories are propounded, one fanciful, the other probable. Some say "Jack" is the anglicised form of "Jacques," which is the French signature of James I., in whose reign and by whose command the first Union Flag was called into being. Against this at least three reasons may justly be urged: (1) The term "Jack" does not appear--so far as we can discover--in any warrant referring to the Jacobean Flag of 1606. It is rather in later documents that this term occurs. (2) If the earliest Union Flag be a "Jack" just because it is the creation of James, then surely it follows that, to be consistent, later Union Flags, the creations of later sovereigns, should have borne those Sovereigns' names; for example The Union Anne, The Union George! (3) The English way of pronouncing "Jacques" is not, and probably never was Jack, but Jaikes. The other, and more feasible theory, is as follows: The term "Jaque" (e.g. jaque de mailles) was borrowed from the French and referred to any jacket or coat on which, especially, heraldic emblems were blazoned. In days long prior to those of the first Stuart king, mention is made of "WHYTTE COTES WITH RED CROSSES WORN BY SHYPPESMEN AND MEN OF THE CETTE OF LONDON," from which sentence we learn that the emblem of the nation's tutelar saint was (as in yet earlier Crusaders' days) a fighter's emblem. When such emblem or emblems were transferred to a flag, {612} the term Jaque may well, in course of time, have been also applied to that flag, as previously to the jacket.

Glance now at the story of those Orders in Council which created the various Union flags. The very union of the two kingdoms of England and Scotland seems to have accentuated the pettier national jealousies, so that Southrons annoyed Northerners by hoisting the St. George above the St. Andrew, and the Scotchmen retaliated by a species of tu quoque. The King sought to allay these quarrels by creating a British, as other than a purely English or Scottish, flag. But let the Proclamation speak for itself.

"By the King.

"Whereas, some differences hath arisen between Our subjects of South and North Britaine travelling by Seas, about the bearing of their Flagges: For the avoiding of all contentions hereafter, Wee have, with the advice of our Councill, ordered: That from henceforth all our Subjects of this Isle and Kingdome of Great Britaine, and all our members thereof, shall beare in their main-toppe the Red Crosse, commonly called St. George's Crosse, and the White Crosse, commonly called St. Andrew's Crosse, joyned together according to the forme made by our heralds, and sent by Us to our Admerall to be published to our Subjects: and in their fore-toppe our Subjects of South Britaine shall weare the Red Crosse onely as they were wont, and our Subjects of North Britaine in their fore-toppe the White Crosse onely as they were accustomed."--1606.

This attempt at conciliating differences deserved but did not win success. "The King's Owne Shipps" deemed themselves slighted, since all vessels were treated alike in this matter, and so persistent was the agitation that at last, in Charles I.'s reign (1634), another Proclamation was issued "for the honour of Oure Shipps in Oure Navie Royall," whereby those ships alone had the right of hoisting "the Union Flagge." The days of the Commonwealth brought another change, for with the King the King's Flag disappeared. The Protector caused two new flags to be made, viz. The Great Union (a flag little used, however, although it figured at his funeral obsequies), and which may be thus blazoned: Quarterly 1 and 4, The St. George; 2. The St. Andrew; 3. azure, a harp or, for Ireland; over all on an inescutcheon of pretence, sable, a lion rampant or, for the Protector's personal arms, and The Commonwealth Ensign, which latter Parliament treated as the paramount flag. The most interesting features of this flag are that it was of three kinds, one red, one white, one blue, and that Ireland but not Scotland had a place on its folds. When the King came to {613} his own again yet another change was witnessed. By this Proclamation ships in the Navy were to carry The Union, and all merchantmen The St. George, whilst these latter vessels were also to wear "The Red Ensign with the St. George, on a Canton." Passing on, we reach the days of Queen Anne, who as soon as the union of the two Parliaments was accomplished, issued a famous Proclamation often quoted. Suffice it here to outline its effect.

PLATE IX.

The two crosses of St. George and St. Andrew were--as the Treaty of Union had agreed should be--"conjoyned in such a manner as we should think fit"; and what that manner was is "described on the margent" in the shape of a sketch. But further, in place of the St. George being placed on the canton of the Red Ensign of Charles II. (itself the Commonwealth Ensign, minus the harp) the Proclamation ordered the "Union" as a canton, and finally this new Red Ensign was confined to the merchant ships, whilst "Our Jack" was reserved for the use of the Navy, unless by particular warrant. Thus things continued until the union of Ireland with England and Scotland. The Proclamation referring to this Act of Union closes with the Herald's verbal blazon of the full Union Flag:--"The Union Flag shall be Azure, the Crosses Saltire of St. Andrew and St. Patrick, Quarterly per saltire, countercharged Argent and Gules, the latter fimbriated of the second, surmounted by the Cross of St. George of the third, fimbriated as the Saltire." Thus the Union, as displayed in bunting, was perfected.

Our Union Flag is very remarkable, even amongst the flags of Christendom, both as a blending of crosses, and crosses only, and also as an emblem of the union of two or more countries. Yet it is not unique, for the flags of Denmark, Sweden, and Norway have a somewhat similar story to tell. The last two countries separated at {614} different dates from Denmark, and then together formed a United Scandinavian Kingdom. In separating, they each took to themselves a separate flag, and again, in uniting, they called into being a Union Banner. How they treated these changes Fig. 775 will illustrate. Notwithstanding these acts of union both Scandinavians and Britons have had, and we still have, differences over these Union Flags. Whilst, however, they based their protests on the sentiment of independence, we ground our grumblings on questions of heraldic precedence, and of the interpretation of verbal blazons. Leaving our neighbours to settle their differences, let us examine our own. Take the subject of precedence. Very early in the flag's history, Scotsmen were indignant because the St. Andrew was not placed over the St. George. All kinds of variations have been suggested to lessen this crux of precedence, but such attempts must plainly be in vain. Do what you will, some kind of precedence is unavoidable. The St. George, then, as representing the paramount partner, occupies the centre of the flag, whilst the St. Andrew, as senior in partnership to the St. Patrick, is placed above the St. Patrick, in the first quarter, although throughout it is counterchanged. The words in italic are important, for when the order is reversed, then that particular flag is flying upside down.

The mode of procedure in creating flags has been much the same from one reign to another. Briefly it is this: The Sovereign seeks the advice of, and receives a report from, the Lords of the Privy Council. These councillors are "attended by the King of Arms and Heralds, with diverse drafts prepared by them." A decision being arrived at, an Order in Council, followed by a Royal Proclamation, makes known the character of the flag. In both Order and Proclamation it is usual to make reference to the verbal blazon, and to "the form made by our heralds." Thus there are three agents recognised--(1) the Sovereign, the fountain of all honours; (2) the heralds, who authoritatively blazon, outline, and register all achievements; and (3) the naval authority, as that in which are vested the duty and the power of seeing the actual bunting properly made up and properly flown. {615}

In keeping with this, the general mode of procedure, the Proclamations demand our attention. The Proclamation of James (1606). A high official of the College of Arms informs us that neither verbal blazon nor drawing of the first Union Flag is extant. On the other hand, in the Proclamations of 1707 and 1801 we have both blazon and drawing. The blazon has already been given of the 1801 flag (which is the one most needing a verbal blazon), and the drawings of both flags we here produce (Figs. 776 and 777). These drawings--though slightly reduced in these pages--are most careful copies of the signed copies supplied to us by the official already alluded to. In forwarding them he writes: "They are not drawn to scale;" and he adds, further on, "they are exactly the same size as recorded in our books." So then we have, in these two drawings, the heralds' interpretation, at the time, of their own verbal blazon. Now comes the Admiralty part of the work. In the Admiralty Regulations we have a "Memorandum relative to the origin of the Union Flag in its present form." In this there is a brief history of the changes made in the flag from time to time, with quotations from the warrants, together with the verbal blazon AND two coloured drawings (Figs. 778 and 779). The Admiralty has also appended to the Memorandum the following interesting and ingeniously worked out Table of Proportions, adapted for a flag 15 feet by 7½ feet. Presumably this table forms the basis upon which all Union Flags are made up under Admiralty supervision:--

ft. in. The + of { St. George 1/5 } together 1/3 { 1 6 } 1/3 { Two borders 1/15 each 2/15 } { 1 0 }

{ St. Patrick 1/15 } together 1/10 { 0 6 } The × of { Its border 1/30 } { 0 3 } 1/5 { St. Andrew 1/10 0 9 }

The student of heraldry will observe that this table is based on the proportions of the Ordinaries and Sub-Ordinaries figuring on the flag, as those proportions are regulated by English Rules of Armory. These rules give a cross as 1/3, a saltire as 1/5, a fimbriation about 1/20, of {616} the flag's width. By the way, we notice here, yet only to dismiss it as hypercritical, the objection taken to the employment (in the verbal blazon of 1801) of the term "fimbriated." To our mind this objection seems a storm in a teacup. Further, it is always admissible in armory to lessen the size of charges when these crowd a field, and although we are fully aware that the laws of armory are not always nor all of them applied to flags, yet there is sufficient evidence to show that the heralds and the Admiralty did recognise the cases of shields and flags to be somewhat analogous. But there are two features in The Admiralty pattern which cannot but arrest the attention of all those who have made a study of armory. The one is that the sub-ordinaries, i.e. the fimbriations, have different proportions given to them, although they are repetitions of the same sub-ordinary, and also seem guarded against such treatment by the very wording of the blazon, and by the practice usual in such cases. And the other is that, after counterchanging the saltires, the St. Patrick is attenuated by having its fimbriation taken off its own field, instead (as the common custom is) off the field of the flag.

All Warrants dealing with flags provide for their being flown at sea (Queen Anne's Proclamation is apparently the first that adds "and land"), and gradually reserve for the Royal Navy--or fighting ships--the honour of alone bearing the Union Jack. The accompanying diagram shows at a glance the changes made by the several Proclamations. The latest word on this subject is "The Merchant Shipping (Colours) Act of Queen Victoria, 1894." This Acts sets forth among other things that--(1) "The red ensign usually worn by merchant ships, without any defacement or modification whatsoever, is hereby declared to be the proper national colours for all ships and boats belonging to any British subject, except in the case of Her Majesty's ships or boats, or in the case of any other ship or boat for the time being allowed to wear any other national colours in {617} pursuance of a warrant from Her Majesty or from the Admiralty. (2) If any distinctive national colours except such red ensign, or except the Union Jack with a white border, or if any colours usually worn by Her Majesty's ships, &c. ... are or is hoisted on board any ship ... without warrant ... for each offence ... a fine not exceeding five hundred pounds." {618}